Popular Reviews
Rose of Nevada
If it’s artisan film-making you’re after, authenticity guaranteed, then Mark Jenkin is your man. Rose of Nevada is his second film since he slapped critical acclaim about with Bait, his Cornwall-set black-and-white tale of a left-behind town and the awful DFL (Down From London) weekenders who regularly turn up looking for, yes, authenticity. Since then Jenkin has come back with Enys Men, spooky folk horror of sorts. And now this, a tale set in a Cornish fishing town whose better days seem to be returning, at least as an echo, in a time-travelling turn of events. Since Bait, as Jenkin’s profile has risen, he’s started employing more expensive stars and – he’d probably … Read more
The Witches
1966’s The Witches (aka The Devil’s Own) is another great opportunity to indulge the guilty pleasure of watching a once-glam Hollywood goddess at the tail end of her career being relentlessly monstered in a down-market movie. Think Joan Crawford in Trog or Bette Davis in Burnt Offerings. Here it’s Joan Fontaine getting the treatment, the one-time star of Rebecca, and Oscar-winner for Suspicion, returning to the land of her British parents to play a teacher recruited to run a primary school in a picture-postcard English village. In Wicker Man style, Miss Mayfield does not realise that almost everyone in the village is involved in something untoward, and that one of her charges has … Read more
Ant-Man and the Wasp: Quantumania
First Ant-Man, then Ant-Man and the Wasp and now Ant-Man and the Wasp: Quantumania, an element added to the title each time, the films also getting longer on each new iteration. Longer, busier, more sclerotic, this could be the worst Marvel Cinematic Universe movie to date, and that’s including Shang-Chi and the Legend of the Ten Rings. This is also the first movie in phase five of the MCU, aka the Multiverse saga (if it’s the 2020s there must be multiverses), but never mind whether it calls into question the likelihood of there ever being a phase six (it doesn’t – Deadpool 3 is already in the works), it should raise all sorts … Read more
What About Bob?
Bill Murray made What About Bob? in 1991, two years after Ghostbusters II and two years before Groundhog Day. Richard Dreyfus, his co-star, was one year on from Postcards from the Edge and on a run including Lost in Yonkers (1993) and Mr Holland’s Opus (1995). Director Frank Oz’s previous two movies had been Little Shop of Horrors and Dirty Rotten Scoundrels. They’re not all classics but they’re at least all decent movies. And yet What About Bob? didn’t quite get the attention it deserved. A comedy with these names attached might have expected a review in the New York Times, for example. There wasn’t one. Nor did Roger Ebert, the US’s most … Read more
Pig
“John Wick with a Pig” is how Pig, starring Nicolas Cage, is often described. Fair enough, even if that only really works as a shorthand if you’ve got a big bag of “buts” handy. Admittedly, the plot is strangely similiar – loner loses favourite animal and goes on a payback jag. But though Cage and Keanu Reeves are both boomers from 1964, the similarities end there – Cage is a “big” actor embracing the extra texture that age brings, Reeves is more minimalist and doing his best to ignore it. Either way, this is a vastly entertaining odd-couple comedy served straight. And that’s another thing – this is a buddy movie, whereas the … Read more
The Turin Horse
A movie for every day of the year – a good one 15 October Friedrich Nietzsche born, 1844 On this day in 1844, the philosopher Friedrich Nietzsche was born in Röcken, near Leipzig, Germany. A philologist initially, Nietzsche was a university professor at the age of 24, in Basel, where he counted Richard Wagner as one of his friends. Within ten years, because of a variety of illnesses, both mental and physical (one of which was possibly syphilis) Nietzsche resigned from Basel and took up life as an independent philosopher, choosing to spend his winters in warm southern European towns, such as Genoa, Nice and Turin. It was during this time that he … Read more
Norman McLaren: The Art of Motion
Who? Those who have no idea who Norman McLaren is won’t be so nonplussed after the briefest glimpse of his work. Frequently working by drawing directly onto the film stock itself (as in Boogie Doodle), this Scottish-born wizard experimenter is the creator of an instantly recognisable style of animation, frequently set to jazz or electronic music, which now seems to define the meeting point between high and popular arts in the 1940s and 50s. Blobs splash and explode, red against pulsating yellow. Lines oscillate, coalesce, fly apart. An orange hen rotates as it vibrates against a green background, a fluid expression both of chicken-ness and of the possibilities of the line itself – … Read more
The Punk Syndrome
A movie for every day of the year – a good one 28 May Wendy O Williams born, 1949 On this day in 1949, one of punk rock’s most colourful performers came into the world. Named Wendy Orlean Williams when she was born in Webster, New York, Williams was a music student, playing clarinet at high school before dropping out at 16 and hitchhiking to Colorado. Over the next few years she sold string bikinis, worked as a cook in London, as a dancer with a gypsy troupe in Europe before arriving back in New York in 1976 and, after answering an ad in a paper, became a member of Rod Swenson’s experimental … Read more
Erin Brockovich
After Sex, Lies and Videotape, director Steven Soderbergh’s career starting sliding and looked like it was going to go from thumbs up to belly up. Then he came back hard with two great movies in two years and laid down the template for his working practice in the future. Which was more or less “one for me, one for them”. The Limey bore the marks of the personal film: offbeat casting (Terence Stamp, Peter Fonda), whacked-out situations, experimental structure. Then there is this. Erin Brockovich tells the David and Goliath story of the busty legal assistant (Julia Roberts plus chest prosthetics) who takes on a corporation that’s polluted a small town’s water supply … Read more
Emily the Criminal
An astute move sideways by Aubrey Plaza, Emily the Criminal gives her fans a bit of what they want alongside a good whack of something new. She’s a producer of the film so it’s fair to say this is deliberate. Playing the sexy snark can’t go on for ever, and she’s been working this territory at least since 2007’s online TV series The Jeannie Tate Show (she was the petulant drug-dependent teenage step-daughter). In 2009, Parks and Recreation made her a star. Since then Plaza has been playing variations on that Parks and Rec character, cynic/slacker/ditz April Ludgate, in films like Safety Not Guaranteed, Life After Beth, Ingrid Goes West and Dirty Grandpa. … Read more
Mikey and Nicky
A cult movie from a cult director, Mikey and Nicky stars the ever-cultish John Cassavetes and his old friend Peter Falk as a pair of low-life crooks having one last night together before the day of reckoning arrives. Nicky (Cassavetes) has done something to a bad guy and is now in hiding, petrified, in a hotel room. When Mikey (Falk) arrives to talk him out of his fear, Nicky is not entirely convinced that Mikey isn’t after him as well. But he allows himself to be persuaded and soon the two of them are heading out into the night, which will prove to be the last one for one of them. Shot in … Read more
Supergirl
Green kryptonite at the box office, Supergirl is standard superhero fare juiced with Deadpool-style wit and smarts. Well, that’s the intention. In fact, the wit is a bit strained and the smarts are a touch familiar. Everyone is trying just a bit too hard. Put it down to nerves. DC realised their DC Extended Universe (2013’s Man of Steel to 2023’s Aquaman and the Lost Kingdom) had lost whatever mojo it had ever had and so decided to reboot it as the more streamlined DC Universe – “Extended” was possibly a hostage to fortune. As part of all that, out went Sasha Calle, a perfectly fine Supergirl in The Flash, and in came … Read more
