Popular Reviews
No Time to Die
A remembrance of Bonds past, No Time to Die is an evocative, elegiac farewell to Daniel Craig which also feels like a goodbye to the entire franchise – the familiar “James Bond will return” is there after the end credits, in case you need reassuring. It covers a lot of ground, flicks a lot of synapses not normally flicked by a Bond movie and is fascinating from first to last. All of the Craig Bond movies have played about with the Bond formula one way or another, but No Time to Die seems to have gone one step further, as if it wants to run two Bond movies in parallel – the one we … Read more
Paul Is Dead
Paul Is Dead. Depending on your age, most likely, the title of Henk Handloegten’s debut feature might suggest an entire landscape, maybe tickle a vague memory somewhere or pull up a complete blank. The Paul in question is Paul McCartney and the phrase refers to the bizarre conspiracy theory suggesting that at some point in the Beatles’ career, McCartney died, forcing the Beatles to get in a lookalike McCartney in order to keep the band going. The fact that the doppelganger also had the original McCartney’s ability to knock out million-selling tunes is not something the conspiracy theorists ever explain, but then, in the way of these things, who needs facts when you’ve … Read more
Police Story
There are plenty of people who think of Jackie Chan as a brilliant martial artist who has squandered his gifts on silly comedy. Even they, the Chan purists, acknowledge the brilliance of Police Story, Chan’s best film. And now that we’re in 2013 and Chan is nudging 60 years old, he’s never going to trump it. From the opening scenes in which Chan hangs on to a double decker bus with an umbrella as it careens around Hong Kong, to the final sequence in a shopping mall during which he smashes through glass, hops from one escalator to another – not forgetting the most gob-smacking of all, the downhill drive through a shanty town … Read more
The Spider’s Web: Britain’s Second Empire
An urgent, informative film asking all the right questions – or how the rich people stole all the money Here in Brexit Britain we find ourselves in a peculiar situation. In spite of having done pretty well out of the European Union, what with various rebates, opt-outs and special deals, fifth richest country in the world and all that, the country suddenly rebelled, and stormed out of the arrangement in a strop, angry about something that no one can quite articulate – it might be the straightness of bananas or immigrants or democratic accountability, or something else entirely. Meanwhile, the political left largely appear to have lost their connection to their working class … Read more
The Avengers: Series 6, Episode 16 – Invasion of the Earthmen
Here we are, Invasion of the Earthmen, the first Tara King episode shot by returning showrunner John Bryce, one of three he managed to get in the can before Brian Clemens and Albert Fennell again resumed control of The Avengers. This is not Bryce’s vision of the episode. Clemens has had a hack at it, and who knows what the Bryce version was originally like, but there’s a reason why this was slipped out 16 episodes into the final season, let’s just say. Star Trek is the obvious inspiration – from the clothes to the polystyrene boulders – and writer Terry Nation (the Dr Who writer no stranger to sci-fi) sets up an … Read more
Scott Walker: 30 Century Man
A movie for every day of the year – a good one 29 May The Rite of Spring premieres, 1913 On this day in 1913, Russian composer Igor Stravinsky’s orchestral ballet The Rite of Spring premiered at the Théâtre des Champs-Elysées in Paris, France, as part of a season of performances by Sergei Diaghilev’s Ballets Russes. The reaction to it was instant and violent, with laughter greeting the opening bars of the introduction. This grew into a “terrific uproar”, according to Stravinsky’s autobiography. He also detailed how he watched from the wings as the choreographer, Nijinsky, was forced to shout out the step numbers to the dancers, who couldn’t hear the music. People … Read more
Mister Lonely
A movie for every day of the year – a good one 18 July Papal infallibility proclaimed, 1870 On this day in 1870, the Catholic church declared that certain utterances by its pope were to be considered infallible – they could not be wrong. The Church had long held that pronouncements made by the pope in his official capacity, and speaking ex cathedra, had a universal truth to them, basing this notion on Jesus Christ’s words to Peter, the first Pope – “I will give you the keys to the kingdom of heaven, and whatever you bind on earth shall be bound in heaven, and whatever you loose on earth shall be loosed … Read more
White Elephant
London Film Festival, 2012-10-21 At a certain point in the career of a successful film-maker who isn’t working in the English language, you expect him or her to make a “breakout” film, the one that gets them noticed in the global multiplexes, the one that makes them some money. At this point in the career of Pablo Trapero, the Argentinean who gave us Familia Rodante, Lion’s Den and Carancho – all critical hits – you’s expect White Elephant to be that film. It isn’t. But that doesn’t mean it’s a disappointment. Quite the contrary. Instead of taking the money and selling out, Trapero has taken what budget his status as a film-maker now entitles him … Read more
The Score
Frank Oz is apparently a bit sniffy about being described as the man who used to be Miss Piggy. Here he directs Robert De Niro, Marlon Brando and Ed Norton in a one-last-heist movie and discovers that big hitters aren’t quite so easy to fist as a porker made of felt. Bob, Marlon and Ed play, respectively, a jazz-loving master thief hoping to go out on a financial high, his lispingly effeminate fence and the cocky wannabe eager to learn at the master’s feet. A wasted Angela Bassett plays De Niro’s girlfriend. (Well, not entirely wasted. At least the producers got to tick the boxes marked “female” and “black”.) We’re in the middle … Read more
Ludwig
As mad and excessive as the king it portrays, Luchino Visconti’s Ludwig – about the “mad” King Ludwig II (1845-1886) of Bavaria – is a vast, sprawling and sumptuous catalogue of the excesses of a monarch who’s clearly off his chump. It got absolutely hammered by the US critics when it opened there in 1973 – Roger Ebert gave it one star and described it as “lethargic and persistently uninteresting”. The New York Times said it was “bereft of ideas”. And neither of them had seen the full-length four-hour version. At least 30 minutes had been lopped for its US distribution. Which is a pity, because the sheer unwieldy size of the thing … Read more
Blood for Dust
Sometimes you like something but you’re not sure why. Case in point: Blood for Dust, a 1990s style “who’s zooming who?” thriller full of bullets, bad guys and cases of money being swapped for white powder in remote locations. It is very familiar. And yet. The two central performances help a lot. First up, Scoot McNairy, so good in Gareth Edwards’s feature debut, 2010’s Monsters, a smart reworking of 1930s screwball comedy It Happened One Night as sci-fi. Underused almost ever since, he proves himself again here, his dustbowl features lending a haunted aspect to his portrayal of Cliff, a travelling salesman lured into taking a courier-level gig with a gang who run … Read more
The Suicide Squad
The Suicide Squad, not to be confused with Suicide Squad from five years ago, fixes the mistake made by the 2016 movie, which got bogged down in plot. The Suicide Squad does that by not really having one. Or if it does it treats it as something to be vaguely referred to now and again, like a map by a driver who knows his way. The driver here is James Gunn, who does just about everything right in this super-sequel follow-up to the Dirty Dozen of comicbook movies. The first film was quite simply terrible, though bursting with great things, a kind of satire on Marvel movies, if you wanted to see it … Read more
