Popular Reviews
T-Men
The T in the T-Men stands for Treasury. As if to bolt cinema doors to stop people escaping, this 1947 crime drama opens with an urgent voiceover informing us that T-Men are actually really exciting and not boring at all. Think of them more like secret agents, it insists in footage that’s all cloak and dagger and maximum stakes. The voiceover goes on to tell us that the T-Men serve a crucial role in society and are a vital tool of the US government, protecting all citizens from the depradations of mobsters, smugglers, counterfeiters and the like. To reinforce the point, an earnest, to-screen homily follows, spoken by Elmer Lincoln Irey, real-life chief … Read more
The Spy in Black
Known in the USA as U-Boat 29, The Spy in Black is the better and the original title of the first film made by the powerhouse pairing of director Michael Powell and writer Emeric Pressburger. If that was all it had to offer it would be worth a look. But it is also a tight and thrilling spy caper bubbling with a typical Powell and Pressburger humanity. It was made when the Second World War looked obvious and opened in the UK in 1939 as war was breaking out. Its star is Berlin-born Nazi-hating Conrad Veidt, who plays Ernst Hardt, a German U-Boat captain who arrives under cover of the night on a … Read more
The Wicker Man
A movie for every day of the year – a good one 21 December The Southern Solstice Today is the Southern solstice. If you are in the northern hemisphere, it marks the point at which the sun rises least above the horizon. If you are in the southern hemisphere, it is midsummer, longest day of the year. And correspondingly the shortest in the north. Towards the equator the effect is minimal, with day and night length tending to match each other the whole year through. But in London, where I am writing this, it means the sun will come up a handful of minutes after 8am and set just before 4pm. Tomorrow, the … Read more
Journey into Fear
Is Journey into Fear an Orson Welles film sailing under a foreign flag? Norman Foster is the director name up on screen, but credits can be deceptive. The wartime thriller was co-written by Welles, though he has no screen credit. It was also produced by him, again uncredited. And we know for certain that Welles directed some bits of it – the opening sequence is pure Welles, inventive and with real narrative punch. But since Welles was never backward at coming forward, we have to assume that because he never laid claim to it – Welles was asked often enough if Journey into Fear was one of his – that Foster is the main … Read more
The Da Vinci Code
“What, [dodges bullet] you mean Jesus wasn’t really the Son of God [jumps into speeding car] and married Mary Magdalene [hijacks armoured vehicle] who bore a child who [takes plane to an England full of half-timbered cars] established a bloodline which [evades knife-thrust of albino monk] if it were ever to become public knowledge would [accidentally shoots cardinal] undermine the power of the Catholic Church [garrottes nun]?” There’s plenty more of this sort of carry-on in director Ron Howard’s almost satisfying attempt to turn Dan Brown’s 560 pages of lecture-chase-lecture into something cinematic. And it had to be made into a movie – the sales figures of the book said so. But did … Read more
All the Colors of the Dark
The plot’s terrible but the mood is tasty in All the Colors of the Dark (Tutti I colori del buio), an Italian/Spanish giallo from 1972 that does its best – and breast – work early on. The opening sequence is formidably unsettling. A lurid montage of nudity, distortion, doubled imagery, a hideous pregnant woman in a fright wig on a gurney, a man dressed as Bo Peep, the camera pulsing in and out as if on psychedelics while children sing tunelessly on the unnerving soundtrack. After that, waking from the horrendous nightmare reliving the night her child died, Jane Harrison (Edwige Fenech) hops out of bed and into the shower in her skimpy nightdress, for … Read more
The Last of Sheila
As namechecked by Rian Johnson while out on the promotion trail, The Last of Sheila looks like a good chunk of the inspiration for his Glass Onion: a Knives Out Mystery. Adding to its attraction are the names of the bizarre writing team behind this whodunit from 1973: Anthony Perkins and Stephen Sondheim. It was the only screenplay either of them would ever write and sprang from the murder-mystery evenings they used to put on for a bit of fun in New York. The director Herbert Ross, then probably most famous for directing Woody Allen in Play It Again, Sam, was at one of them and suggested Hopkins and Sondheim work one of … Read more
The Day of the Beast
A Christmas movie for Satanists, The Day of the Beast (El Día de la Bestia) is one of the key movies of a very 1990s style of grindhouse film-making. It’s the gonzo wild ride in which pump-action shotguns and breasty women compete for screen space with demons and SWAT teams, while rock music and satanic ritual drive the soundtrack. This genre is probably best exemplified by Robert Rodriguez’s From Dusk Till Dawn, from 1996. But Spanish director Álex de la Iglesia got there first in 1995, and he got there best. This is a very funny movie, probably at its best in early scenes introducing its hero, Father Ángel Berriartúa, a Catholic priest … Read more
Collective
There’s an All the President’s Men structure to the Romanian documentary Collective (Colectiv), with the initial field of inquiry opening up a wormhole down which the investigation dives, to find that an alternate universe has been hiding in plain sight all along. The story starts out with the bare facts, shocking enough in themselves, of a fire in a night club called Colectiv, which killed 27 people and injured many more. In the following months a further 37 people died, mostly of infections picked up in Romania’s sub-standard hospitals. Public anger initially focused on the lack of fire exits in the club and the lack of regulation by the authorities, but then shifted … Read more
Weathering with You
Charming rather than gripping, Weathering with You is a bizarre mix of the everyday and the fantastical, a story set in a world where it never stops raining, unless you happen to know a “sunshine girl” who can bring the weather to a standstill. That mix – of normal and weird – will be familiar if you’ve seen any of Makoto Shinkai’s animated output, particularly his international breakthrough, Your Name, a boy/girl bodyswap romance that also featured a comet hurtling towards Planet Earth, as if a teenage male and female swapping bodies wasn’t fantastical enough. (Incidentally, thanks to that film, Shinkai now has an asteroid named after him, 55222 Makotoshinkai.) The style is … Read more
House of Tolerance
A movie for every day of the year – a good one 11 February Cynthia Payne acquitted of running a brothel, 1987 On this day in 1987, 54-year-old Londoner Cynthia Payne was acquitted of being a madam and living off the immoral earnings of others. She’d been arrested before, in 1978, when her suburban sex parties for pensioners had attracted the attention of the newspapers, not least because she accepted Luncheon Vouchers as payment for activities including being spanked by young ladies. On the first occasion she’d been sentenced to 18 months in prison, reduced to six months on appeal, of which she served four. Payne’s notoriety stemmed in large part from her … Read more
Sharp Stick
Like a lot of Lena Dunham’s work, Sharp Stick is a quirky dramedy set among the delusional and self-obsessed. With its strong autobiographical element it sits neatly alongside her early web series Delusional Downtown Divas (which kind of says it all), her breakthrough movie Tiny Furniture, and her TV show Girls. Dunham appears in it, and also produces, writes and directs, but it all hangs on one-time model and star of Netflix’s The Society Kristine Froseth, as a spectacularly naive woman who lives at home with her jaded mother and influencer sister and then gets into sex all of a sudden, aged 26, after seducing the father of the kid she babysits. Dunham … Read more
