Popular Reviews
Le Samouraï
Jean-Pierre Melville’s stylish 1967 hitman flick Le Samouraï has danced down the decades, leaving its mark on everything from William Friedkin’s The French Connection, to Walter Hill’s The Driver (and, by extension, Nicolas Winding Refn’s homage, Drive), Jarmusch’s Ghost Dog, Anton Corbijn’s The American and the Coens’ No Country for Old Men. Even John Wick can trace its ancestry back to Le Samouraï, Keanu Reeves being a 21st century update on the lone wolf operator going into battle against forces known and unknown. The opening shot alone makes Le Samouraï noteworthy. A darkened room, a man lying on a bed. The camera does one of those perspective-altering Vertigo zooms, gets about halfway into … Read more
The Racer
The Racer is three stories in one. It’s an insider’s view of the life of the domestique, the unsung heroes of cycling who set the pace for their top man, act as a windbreak and even help him take a piss – the glamour. It’s a personal drama about a long-time domestique now approaching the end of his career who would like, just once, to wear the yellow jersey after winning a stage. And it’s a romance about a man finding there is more to life than cycling. All three combine in the figure of Dominique Chabol (Louis Talpe), a solid team player embarking on 1998’s Tour de France, the first stages of … Read more
The Deadly Affair
1966’s The Deadly Affair repeats the formula of The Spy Who Came In from the Cold – John Le Carré story, top British and European cast, London locations, great US director, ace British cinematographer, soundtrack by a big name – and if it isn’t quite up there with the 1965 film, it’s still one of the very best Le Carré adaptations. It takes Le Carré’s first novel, A Call for the Dead, slaps a less sombre, more bums-on-seats title on it and also renames Le Carré’s masterspy George Smiley, as Charles Dobbs (Paramount, who had made The Spy Who Came In from the Cold, “owned” the Smiley name). Though in all important respects this is … Read more
The Tall Target
A director on his way up meets a star on his way down in The Tall Target, a 1951 B movie about a plot to assassinate president-elect Abraham Lincoln in 1861, the year the American Civil War broke out. Anthony Mann directs, one year on from his breakthrough into the big time with the western Winchester ’73, and Dick Powell stars as the New York cop who’s uncovered the plot and is finding the world reluctant to hear him out. Bizarrely, the cop is called John Kennedy, and the plot consists of shooting the president from an upstairs window using a rifle with a telescopic sight. Work that into one of the many … Read more
The War Game
A movie for every day of the year – a good one 21 November Einstein publishes his mass/energy equation, 1905 On this day in 1905, his annus mirabilis, Albert Einstein published a paper in the Annalen Der Physik (Annals of Physics). Together with his earlier three papers that year, on Photoelectric Effect, Brownian motion and Special Relativity, his 1905 papers laid the foundation of modern physics. The November paper’s title was Does the Inertia of a Body Depend Upon Its Energy Content? In it Einstein suggested that mass and energy were the same thing, expressing the relationship between the two thus: “If a body gives off the energy in the form of radiation, … Read more
The Seduction of Inga
The Seduction of Inga is a direct sequel to its soft-porn predecessor from three years before, 1968’s Inga. Its main claim to fame these days is that it contains music by Benny Andersson and Björn Ulvaeus, aka the two guys from Abba. It’s rumoured that Björn was also offered a role in the film, but his wife at the time, Agnetha (the blonde one from Abba), said no. Which role would that have been? Probably that of Rolf, here played by Tommy Blom. He’s a musician who lives in the same rooming house as sad, lonely Inga. Rolf would dearly like to get in Inga’s pants though she’s so distracted by her boyfriend’s … Read more
7 September 2015-09-07
Out This Week John Wick (Warner, cert 15) Like some kind of undead film star, Keanu Reeves manages magnificent returns every few years – Speed, The Matrix and now John Wick, a super-sleek bit of badass comic-book adaptation relying heavily on Reeves’s blank persona (no one does it better) for much of its appeal. He plays a retired hitman so frightening that, we’re shown, even incredibly hard hardmen blench when they hear he’s on the warpath – after some damn fool goes and kills the pet dog that was the only reminder of his dead wife. And that’s all you need to know about the plot. The screenplay is incredibly smart, a collection of … Read more
Auntie Lee’s Meat Pies
Made in the 1990s but smelling like something from the 1970s, Auntie Lee’s Meat Pies is the product of a porn director and a few Playboy ladies getting together and making something in their downtime. The results are as impressive as the stars’ superstructures, though there’s scant pickings if you’re only here for a leer. The plot is a lift from Sweeney Todd – humans repurposed as baked goods – with Karen Black as Auntie Lee, a faded Southern belle and enterprising baker who uses the wayward men her nieces entice in from the street, or wherever, as the savoury filling in her celebrated pastries. Black isn’t the only actor whose name you might … Read more
The Power of the Dog
The Power of the Dog makes it five films in nearly 30 years for Jane Campion, plus a TV series and a handful of shorts. She’s not exactly banging them out. And taken at the level of the individual film you’d never accuse Campion of being in a rush either. It’s Slow Cinema, almost, storytelling done at a languid pace, the power coming from the meditative approach, whether it’s The Piano or In the Cut or Bright Star. Not everyone’s cup of well brewed tea. But here we are, a western, centring on two brothers, Phil (Benedict Cumberbatch) and George (Jesse Plemons) who run a massive ranch in the 1920s. The influence of … Read more
Raw Deal
Everyone gets a raw deal in Raw Deal, a taut and dark film noir from 1948, directed by Anthony Mann, lit by the great John Alton and so often overlooked when Greatest Noir lists are being compiled. Its characters all come with a tragic flaw which writers John Higgins and Leopold Atlas are eventually going to prise wide open but it’s the additional wallop of sheer bad luck that makes this unusual – that and the voiceover by one of its female characters, Pat Regan, played by Claire Trevor. Pat is in love with Joe (Dennis O’Keefe) but Joe is in prison doing a stretch as the fall guy for bigshot criminal Rick Coyle … Read more
Decision to Leave
A cop falls disastrously for the woman he is certain killed her own husband in Park Chan-wook’s first film since 2016’s The Handmaiden. Decision to Leave is an erotic noir mixing elements of the “useless cops” comedy of Bong Joon-ho’s Memories of Murder with the romantic obsession of Wong Kar-wai’s Chungking Express and adding byzantine, gothic plotting that’s all Park’s own. It wouldn’t work as well as it does without the presence of Tang Wei, playing a femme fatale of a noirish stripe – slinky, possibly dangerous, magnetically attractive – and the grieving widow of a much older husband who’s died in a bizarre rock climbing accident. Is Seo-rae grieving enough though? Or even … Read more
The Filmmaker’s House
The Filmmaker’s House is a remarkable documentary that might not be a documentary at all. It looks like one – there’s a handheld camera and it’s full of “ordinary people doing ordinary things” in the words of Marc Isaacs, the filmmaker who has up till now specialised in very intimate documentaries about subjects most directors wouldn’t go near. His film film, 2001’s Lift, was shot entirely in a lift/elevator, and his technique was very similar to what we see here – turn camera on a person, ask them if they mind being filmed, start asking questions. The results are often almost unbearable, though almost always gripping. In his last full-length documentary, 2012’s The … Read more
