Popular Reviews
Summer Window
When not co-creating, -writing and -directing the glorious Babylon Berlin TV series, Henk Handloegten likes to make films like Summer Window (Fenster zum Sommer), dramas that come front-loaded with a chunk of fantasy. The fantasy isn’t what his films are about, it’s more of a come-on, luring in the sceptical, who might find that they’ve lingered longer with his style of humane drama than they expected. In Good Bye Lenin!, which Handloegten co-wrote, the fantasy was more oblique, existing only in the mind of its East German characters, who were playing a gigantic game of make-believe with their frail mother, recently awake after a coma, in which the Berlin Wall hadn’t fallen and … Read more
The Trouble with Being Born
The Melbourne International Film Festival wouldn’t screen The Trouble with Being Born when it debuted in 2020. Likely to be “used as a source of arousal for men interested in child abuse material,” said the two forensic psychologists who informed its decision. Director Sandra Wollner’s German-language film ran into trouble at the Berlin Film Festival too, though it also won a special jury prize, just one of many from film festivals. Not that awards and bans are usually much to go on, but in this case the various responses do say something. This is a tough film but a good one. Tough not because of the suggestions of paedophilia but because of its … Read more
Indiana Jones and the Dial of Destiny
Indiana Jones and the Dial of Destiny is 20 minutes of brilliantly choreographed, jeopardy-filled action featuring a de-aged Harrison Ford as everyone’s favourite whip-wielding archaeologist followed by a further two hours-plus of an 80something Harrison Ford doing the same, slightly slower, with a bit more regard for tardy reflexes and a more shatter-prone skeleton. Old or young, he’s great if sometimes a bit slow, which you could say about the film too. It’s mostly a case of back to basics, with the “basics” being, of course, the Nazis, who have set their sights on the Antikthera, the dial of Archimedes, an ancient Greek artefact long thought lost, which is powerful enough to unlock … Read more
Headhunters
A movie for every day of the year – a good one 26 October Norway becomes independent, 1905 On this day in 1905, Norway became independent from Sweden. An independent country during the Viking and post-Viking era, Norway’s power declined after 1265, with the Black Death and competition from the North European trading and economic union the Hanseatic League forcing it out of its eminent position. In 1380 it was absorbed into a union with Denmark which stayed in place for four centuries (the country was formally dissolved in 1536, then re-established in 1660, though it continued to recognise itself as being Norwegian, and had standalone institutions and laws). Remarkably, this union was … Read more
Rebuilding
In plain language Rebuilding doesn’t sound like much of a proposition. A guy whose farm has been burnt out by a devastating fire tries to put his life back together while taking shelter in a Federal Emergency Management Agency trailer. That’s it. But give it a bit of space, as director/writer Max Walker-Silverman gives his characters space, and it rewards the interest. It’s a warm and lovely film at many levels, but a psychologically nuanced one too. The fire is a metaphor. When we first meet Rusty (Josh O’Connor) he’s selling off what’s left of his cattle and pitching up at the FEMA camp for people whose farms and homes have been destroyed. … Read more
Ivan Vasilievich: Back to the Future
In science fact as well as science fiction the Soviet Union often got there first. First into space, first to the Moon, Mars and Venus, all mighty achievements by an empire whose successes have all subsequently been overshadowed by the regime’s ultimate failure. So how about Ivan Vasilievich: Back to the Future? Did it really boldly go in 1973 where Marty McFly and the Doc wouldn’t venture until 12 years later? No, is the short answer. The longer one is that this film had a different title originally – Ivan Vasilievich Changes Profession (or Ivan Vasilievich Menyaet Professiyu in the original Russian) – and it was its US distributors who renamed it, in an … Read more
Shock Treatment aka Traitement de Choc
The weird thing about Traitement de Choc, usually shown in English-speaking areas as Shock Treatment, is that it went by the title Doctor in the Nude in the UK when it was released in the early 1970s. Nothing to do with the comic novel Doctor in the Nude by Richard Gordon, the latest in his larky series about young doctors, and more to do with the fact that for one very brief moment you got to see star Alain Delon’s penis. So that’s how it got sold to British audiences, with the vaguely saucy title as some sort of come-on, because selling it any other way would have been, in the distributors’ eyes … Read more
Daaaaaalí!
Surrealist film-maker makes film about surrealist artist shock. Daaaaaalí! is the result, and you wonder why Quentin Dupieux, who’s only a semi-serious surrealist really, didn’t do it before. Dupieux starts off with a bit of comedy. Judith, a nervous young reporter played by Anaïs Demoustier, stands in a corridor with the great painter’s assistant, awaiting his arrival. Here he comes, says the right-hand woman, and indeed it is the legend himself, barrelling towards them down the corridor, his signature moustache pointing skyward, his mouth working at a mile a minute as this ball of self-regard and practised eccentricity approaches them. Except he never seems quite to arrive. In a scene familiar from an … Read more
Bleak House
If the film is often a novella, the TV mini-series is often the full-fat 600-pager, with Charles Dickens right up at the top of the list when it comes to cliffhanger endings to the week’s proceedings – the stories were often written for serialisation, Bleak House having appeared in 20 weekly editions of 32 pages plus illustrations. The BBC have something of a lock on Dickens, but their productions can be a bit dusty, more focused on the clothes than the action. But not this Bleak House. This 2005 outing is their best Dickens since 1994’s Martin Chuzzlewit and has the edge on its previous Bleak House, made in 1985 and starring Diana … Read more
My Name Is Alfred Hitchcock
Mark Cousins’s documentary My Name Is Alfred Hitchcock steers a careful course between low and high culture, the crass, “did you know” approach to the great director and the earnest film studies route. Hitchcock understood the importance of fun. The result is an engaging, interesting, entertaining and enlightening 120 minutes, not the last word in Hitchcock, but a lively addition to a library which, in my view, could not get full enough. “A showman, a daredevil, a fun fair,” says Hitch in a film entirely written and narrated by him, or so it’s claimed at the outset. In fact that’s all a bit of a lie. Cousins wrote the script that impressionist Alistair … Read more
Eran Trece
In Spanish it means “There were thirteen,” Eran Trece, and that’s the best title to use for a film originally called Charlie Chan Carries On. The original US version, in English, has been lost to eternity, it seems. But we still have this Spanish version, shot on the same sets with different actors and crew but working from the same story and using a lot of the same stock footage to set the scene. It’s a very trad whodunit about a gaggle of rich people travelling around the world on a grand tour. The action kicks off in London, where one of the party has wound up dead. There were 13… until old … Read more
Brighton Rock
Not many British films make the “Best Film Noir” lists but Brighton Rock regularly does. And unlike many a key “British” noir, this one was directed by a Brit, John Boulting rather than an American fleeing McCarthyism (Jules Dassin and Night and the City or Cy Endfield and Hell Drivers), a visiting Frenchman (Edmond Gréville’s Noose) or an expat Brazilian (Alberto Cavalcanti’s They Made Me a Fugitive). It’s also unusual because of the role it gives Richard Attenborough. Nice, cuddly Dickie later of Jurassic Park fame here plays a smalltime 17-year-old psychopathic mobster in the town of Brighton, a seaside resort with a reputation for kiss-me-quick hats and extramarital affairs conducted by people … Read more
