Popular Reviews
Cop au Vin
Bienvenue à Cop au Vin, a rare example of a French film that didn’t use its original title (Poulet au Vinaigre) in English-speaking territories when it was released in 1985 but instead went for a different French title. Poulet is slang for cop. Cop in vinegar? Shrug. Actually, it’s everyone else who’s in vinegar in this superficially straightforward policier set in a charming French provincial town where a trio of local notables are trying to corner the market for real estate and now just need one family to agree to sell up. Director Claude Chabrol opens the film with a quick scene at a party, which introduces the action. It drifts by but … Read more
28 September 2015-09-28
Out This Week San Andreas (Warner, cert 12) A disaster movie like they used to make in the 1970s, with Dwayne Johnson as a John Wayne kinda guy – a helicopter pilot whose extraordinary likeability and bravery is simply a case of “just doing my job, ma’am” (actual line from film). And as with the 1970s, there are also girls being bimbos: Carla Gugino as Johnson’s estranged wife – about to marry smirking, rich architect Ioan Gruffudd (his job a nod to Towering Inferno) – and Alexandra Daddario, hired not because she can easily pass for the minor she’s playing (in fact she’s 28) but because she has Hollywood’s most bounteous rack right now, … Read more
Beanpole
Beanpole (Dylda) is an obsessively observed, massively ambitious Russian film set in the aftermath of the siege of Leningrad which tells its story of lives brutalised by war from the point of view of two young women. It won Kantemir Balagov the best director gong at Cannes in the Un Certain Regard category. That’s the one for young directors doing ambitious or unusual work, which puts Beanpole in the company of films such as Dogtooth, The Death of Mr Lazarescu, White God and Rams – classics all. Balagov, a onetime student of Alexander Sokurov, had already picked up the FIPRESCI prize at Cannes two years earlier, when he was only 26, with his … Read more
District 13
Free-running is the gimmick powering this actioner scripted and produced by French action powerhouse Luc Besson and also known as District B13 (B is for “Banlieue”). Set in a broken-down Paris in the near future, District 13 has an Escape from New York kind of vibe and follows a tough cop (Cyril Raffaelli) and a gangland desperado (David Belle) into a walled-off urban badland to sort out the guys who’ve nicked a nuclear weapon (it was the US president in Escape from New York). But back to the free-running, or le parkour as its French originators (one of whom is David Belle himself) call it – the adrenalised athletic stuntorama that could simply … Read more
The Father
There’s a very watchable YouTube video in which, playing the publicity game, Anthony Hopkins and Jodie Foster discuss his most recent film, The Father, hers, The Mauritanian, and in between share a few memories of The Silence of the Lambs, among other things. During the half hour Zoom call Foster asks Hopkins, in so many words, about his “process”, how he approached his character in The Father, what preparation he did. “None… really,” says Hopkins, blowing what’s left of Method acting out of the water with a couple of words. They’re even more impressive once you’ve seen the film, which is not an easy watch, be warned, unless you’re the sort who cheers … Read more
Lamborghini: the Man behind the Legend
Frank Grillo is the best thing about Lamborghini: the Man behind the Legend, putting force and subtlety into his portrayal of Ferruccio Lamborghini, the farmer’s son who wanted to make tractors, later the tractor manufacturer who became a producer of high-end sports cars. Choose your metaphor – a vehicle that never quite gets going, a gear change fumbled, an engine running on the wrong fuel – this a strange film relying on prior knowledge, and lots of it, to fill in the gaps. Back from the Second World War, young Ferruccio (played here by Romano Reggiani) disappoints his farmer father by proclaiming that he’ll not be taking on the farm when his time … Read more
Zizek!
The media’s love-in with “the wild man of theory”, the Slovenian philosopher Slavoj Zizek, continues with this documentary about the bear/clown himself. Starting with Zizek’s rhetorical question, “What would be my spontaneous attitude towards the Universe”, Astra Taylor’s film continues in a playful vein through a US lecture tour and ends up back in Zizek’s Ljubljana home, where he waxes philosophical from the bedroom, the kitchen, even the bathroom on whatever pops into his wildly fermenting head – Hitchcock, plastic water bottles, the state of toilets in the US. This sort of photogenic posturing explains why Zizek has become the pin-up philosopher of our time – he’s not only the most media-friendly thinker, … Read more
A Perfect Enemy
Keeping its cards close to its chest, almost until it’s too late, A Perfect Enemy is one of those low-budget Euro-thriller co-productions that also (eventually) makes some sense of its transborder elements, particularly its cast. There are only really two people, in a “starring” sense, in any case. The Polish actor Tomasz Kot you might know from Pawel Pawlikowski’s Cold War. He plays Jeremiasz Angust, a onetime high-flier architect who’s cashed in the status jobs and become even more of a somebody by taking on work that’s strictly humanitarian – hospitals in Rwanda, and the like, he tells the audience at the Ted-style talk he’s giving as the film opens. And Athena Strates, … Read more
Trainspotting
A movie for every day of the year – a good one 27 September Irvine Welsh born, 1958 On this day in 1958, in Leith, Edinburgh, Irvine Welsh was born. Or was he? After a police arrest in 1996, just after fame had hit him like a heroin rush, the police revealed that he was in fact seven years older, so born in 1951. Or 1961, if the BBC’s Writing Scotland website is to be believed. But 1958 is what the author maintains (I say “maintains” though his own website is silent on the subject), so let’s stick with that. After growing up in nearby Muirhouse, Welsh moved to London in the late … Read more
The Ice Tower
Lucile Hadžihalilović has been making films like The Ice Tower ever since her feature debut, 2004’s Innocence, an allegorical semi-fairytale in which a young Marion Cotillard played a pivotal role in a story that wasn’t about her character at all. Same here – Cotillard pivotal, playing Cristina, an actress in a very non-specific 1970s whose latest role, as Hans Christian Andersen’s Ice Queen, gets her caught up with a young runaway hiding out in the studio where the film is being shot. Mistaken for an extra, Jeanne (Clara Pacini) is gradually wound into the movie itself, into the life of Cristina and into the world of the Ice Queen. Hadžihalilović slides about between … Read more
Thor: Love and Thunder
Though the Asgardian deity has appeared in other Avengers movies in the interim,Thor: Love and Thunder is the first outing for Chris Hemsworth’s caped godhead since the last standalone Thor movie, 2017’s Thor: Ragnarok. Time has moved on and we’re now in a different phase of the Marvel Cinematic Universe, one determined to bolt a “meta” onto the usual stew of tall tales, quips, dressing up, special effects and heroics. Some things have changed, but some remain the same. In textbook Thor fashion, we first meet the villain. Christian Bale plays Gorr, a grieving father driven into a frenzy when he discovers that Rapu, his liege lord/godhead, doesn’t give a stuff about his … Read more
Fantômas: L’échafaud magique
Fantômas: L’échafaud magique (aka Fantomas: The Magic Scaffold) is the first of four feature-length adaptations made in the 1980s for French TV. No less than Claude Chabrol directed this first one, with Juan Luis Buñuel (son of Luis) picking up numbers two and three, before Chabrol returned to round the series off. If you know Fantômas at all then it’s probably not through his TV outings. The infamous master-criminal appears in a vast number of novels and was famously turned into a rollicking silent feature by Jean Feuillade in 1913 (the first of five that appeared over the next year and a bit), returning even more famously on film in a series of … Read more
