Popular Reviews
Defamation
A movie for every day of the year – a good one 25 June Anne Frank’s Diary published, 1947 On this day in 1947, a book originally called Het Achterhuis. Dagboekbrieven 14 Juni 1942 – 1 Augustus 1944 (The Annex: Diary Notes 14 June 1942 – 1 August 1944) was published by Contact publishing in Amsterdam. The annex being the place where the 13-year-old Jew Anne Frank and her family, along with another Jewish family called the Pels, hid in order to avoid arrest by the Nazis. The annex was in the upper, hidden rooms of Anne’s father’s business premises and the family hid there from 6 July 1942 until their discovery and … Read more
Viva
The IMDb plot keywords for Viva include “large breasts” and “limp penis”, a rough indicator of what’s being served up in Anna Biller’s debut, a relentlessly accurate and grim pastiche of the pornified world of the 1970s sexploitation movie, or 1970s society itself. Biller wrote, directed, produced, edited, wrote some of the songs, designed the clothes and sets, painted the paintings, did the animated sequence and even played the organ. She also plays the main character. You could say it’s her film. What a world she’s conjured. Barbi (Biller), a suburban wife who we meet in her bath, tits prominent, smoking, drinking wine and looking pretty morose as she flicks through a magazine. … Read more
Scarygirl
Smart eight year olds might go a bundle on Scarygirl, an Australian animation visually targeted more at their parents, though its bounce, straightforward storytelling and bold (ok, simplistic) messaging says young. There’s a touch of Finding Nemo in the plotting. Actually it’s more Finding Dory, the sequel, the one in which little Dory goes on a big long undersea quest to find her parents. Here it’s Arkie, a strange cross between an octopus and a human, with a patch over one eye and a mouth held together at the edges with stitches, setting off to find her dad, Blister, who’s been kidnapped by the despicable Dr Maybee. Blister is a big yellow/green octopus … Read more
In the Summers
This tricky but not tricksy feature debut for writer/director Alessandra Lacorazza Samudio is a lightly dramatised account of the summers spent with her sister visiting her dad in New Mexico. Tricky because it’s a film about a lack rather than a presence, a failure to connect on both sides – though both dad and the kids do score points for trying. Done sometimes as snapshots, at other times as more extended scenes from a life, the story is told through the eyes of the two sisters who arrive in Las Cruces every year, to stay with dad while their mother back home in California – never seen or heard – does whatever footloose … Read more
No Other Choice
Park Chan-wook probably hit peak cultural clout with 2003’s Oldboy. No Other Choice reminds us yet again that he’s still here, and has been knocking out good films ever since. If The Handmaiden and Decision to Leave and a clutch of others don’t quite get the coverage that Oldboy and the other two films of the “Vengeance” trilogy did, that’s more our problem than his. In fact Sympathy for Mr Vengeance, Oldboy and Lady Vengeance would better be described as the “Sympathy” trilogy, since that’s their currency. But in the crazy-busy world of the attention economy Vengeance sells and Sympathy comes across as a bit wafty, so Vengeance it is. Which brings us … Read more
Panic Button
A movie for every day of the year – a good one 2 May Maiden flight of the world’s first passenger jet, 1952 On this day in 1952, the de Havilland DH 106 Comet was introduced into service by BOAC airlines. It was the world’s first commercial jet and its clean lines, big square windows, relatively quiet cabin and comfortable interior meant it looked like it was going to be a success. However, things did not start auspiciously for the plane. Several Comets had to abort take-off as they were taxiing down the runway. Over the next year, three in-air catastrophes occurred, with planes falling apart in mid-air. It was discovered that the … Read more
The Nature of Love
A cliche sits at the centre of The Nature of Love, caught by its original French title, Simple Comme Sylvain (which translates as Simple Like Sylvain). Namely, that what a nice middle class woman with a white-collar job really wants is a no-nonsense big-handed guy who knows his way around a toolbox and a woman’s body. After putting up the shelves he’ll take her roughly from behind, or from any other direction he fancies. Writer/director Monia Chokri introduces us to nice middle-class Sophia (Magalie Lépine Blondeau) at a dinner party, where she and her partner Xavier (Francis-William Rhéaume) are having a lovely evening with old friends, chatting about things in a conceptual, liberal … Read more
The Battle of the Sexes
A movie for every day of the year – a good one 20 September Billie Jean King plays Bobbie Riggs at tennis, 1973 On this day in 1973, a retired 55-year-old male tennis pro who had won Wimbledon in 1939 took on one of the timeless champions of women’s tennis, then in her absolute prime. The media hoopla surrounding this tennis match at the Houston Astrodome cannot be overstated. It is still regularly described as “the most watched tennis match in TV history” which can’t still be true, but nevertheless gives an idea of the interest. Riggs, a showman, gambler and wielder of a huge shit-eating grin, had shown a master’s command of … Read more
Jack Strong
Jack Strong – the name is only heard once in this movie of the same name. It’s the code name of Ryszard Kukliński, a real-life colonel in the Polish army who worked as a spy for the CIA in the period running up to the fall of the Iron Curtain and the end of communism. Much of the advertising for this film, which came out in 2014, centres on Patrick Wilson, who is barely in it, and also Dagmara Domińczyck (now a lot more famous on account of Succession). The two of them are married and so presumably came as a package, Polish-born Polish-speaking Domińczyck having suggested Wilson, I’m guessing. Fine though they … Read more
Brighton Rock
Not many British films make the “Best Film Noir” lists but Brighton Rock regularly does. And unlike many a key “British” noir, this one was directed by a Brit, John Boulting rather than an American fleeing McCarthyism (Jules Dassin and Night and the City or Cy Endfield and Hell Drivers), a visiting Frenchman (Edmond Gréville’s Noose) or an expat Brazilian (Alberto Cavalcanti’s They Made Me a Fugitive). It’s also unusual because of the role it gives Richard Attenborough. Nice, cuddly Dickie later of Jurassic Park fame here plays a smalltime 17-year-old psychopathic mobster in the town of Brighton, a seaside resort with a reputation for kiss-me-quick hats and extramarital affairs conducted by people … Read more
Nobody Is Crazy
Sci-fi as self-help, Federico Arioni’s second feature film, Nobody Is Crazy (Nadie Está Loco), does away with most of the trappings, scratch that, all of the trappings of the sci-fi movie and focuses instead on the mental well-being of Rafael, an Argentinian teenager with OCD. It’s a a strange, confident movie made for no money, starring whole swathes of Arioni’s family, including his mother, who plays Rafael’s mother, and Arioni himself, who turns up in black mask as a time-travelling “chrononaut”, or so he says. Or maybe he’s Rafael’s dad, arriving from the past, or Rafael himself, from some years in the future. The film is the story of the relationship between these … Read more
Arsène Lupin
1932’s Arsène Lupin wasn’t the first movie about the gentleman thief by a long stretch but it is one of the best, thanks to canny casting and a pace that never slackens. The canny casting comes in the shape of the Barrymore brothers, Lionel and John, on screen together in starring roles for the first time – the publicity machine made much of it. Older sibling Lionel gets the best of it as the huffing, irascible cop Guerchard, while John (aka “The Great Profile”) does more matinee idol stuff as the Duke of Charmerace, womanising noble lord by day, thief by night, and a thief, what’s more, who likes to announce to the … Read more
