Popular Reviews
La Chienne
La Chienne. It translates as The Bitch, literally. But if it ever goes by an English title it’s usually Isn’t Life a Bitch?, which kind of misses the point. It was made by Jean Renoir in 1931 in France and then remade by Fritz Lang in Hollywood in 1945 as Scarlet Street, with Edward G Robinson and Joan Bennett in the lead roles. Here it’s Michel Simon who plays the silly old duffer, Maurice, who falls for a prostitute, without realising what she is, and is then systematically cleaned out by her and her pimp. Foolish Maurice on one side, cool, calculating Lulu making the big eyes on the other, with Dédé the … Read more
The Woman in the Window
Not to be confused with the 2021 movie of the same name, 1944’s The Woman in the Window is the second of three film noirs Fritz Lang made with Joan Bennett and the first of two he’d make with Edward G Robinson. It’s a queer beast – noir with a plot trick picked up from The Wizard of Oz, a trick used so brilliantly it rescues what looks like a film that’s gone weirdly off the rails. Robinson plays the tweedy psychology professor called Richard, Dick to his friends – Sigmund Freud bubbles around beneath the surface of this plot and that name is no accident – who, while admiring a portrait of a … Read more
The Phantom of the Opera
It’s something of a minor industry to make fun of Andrew Lloyd Webber. But with this film version of his stage phenomenon (billions of dollars at box offices worldwide, and counting) it looks like the musical lord is once more going to be having the last laugh. It’s a story we all know – a hideously disfugured creature, endowed with a gift for music, yearns for the love of a pretty, young singer. He tutors her and turns her into a star. But could she ever love him? It’s often said that the story is a coded version of the relationship between Lloyd Webber and his ex-wife, Sarah Brightman. Brightman was the original … Read more
Untouchable
A movie for every day of the year – a good one 20 April Enoch Powell’s Rivers of Blood speech, 1968 On this day in 1968, the senior Conservative British politician Enoch Powell made a speech in which he alluded to Virgil’s Aenid – “As I look forward, I am filled with foreboding; like the Roman, I seem to see ‘the River Tiber foaming with much blood’.” A Greek scholar who also spoke Urdu – Powell as an ambitious young man had set his sights on becoming the viceroy of India, only to find in later life that the Indians were coming to him – Powell was referring to the prospects for race … Read more
Nausicaä of the Valley of the Wind
Hayao Miyazaki’s career as an animator in charge of his own destiny starts here, with Nausicaä of the Valley of the Wind, two hours of typical Miyazaki, from 1984, which more or less set the benchmark for what was to come. There had been one full feature before, 1979’s The Castle of Cagliostro, but that was part of an ongoing series dedicated to Lupin III, supposedly the grandson of the French master thief Arsène Lupin. In Nausicaä of the Valley of the Wind, we are introduced to Nausicaä, a pure Miyazaki character, a tough, brave, kind, thoughtful and resourceful young woman separated from her parents and adrift in a world that’s a mash-up … Read more
Faust
It says a lot about the continuing differences between the Old World and the New that not one of the many stabs at a straightforward cinematic version of Faust is American. The tale of the old man who sells his soul to have his youth back and then uses his new vigour to ruin a beautiful young girl’s life is a European staple, but probably not the sort of thing Tom Hanks’s agent is going to beat down Meg Ryan’s door with – in the New World you can have it all; in the Old it comes at a cost. No matter, the German F.W. Murnau made this version in 1926, in the days … Read more
Moonage Daydream
One for the fans, Brett Morgen’s brilliant phantasmagoric jukebox Moonage Daydream is everything the David Bowie nut could want for Christmas – a painstakingly researched, collated and montaged-together impressionistic celebration, with footage that’s never seen the light of day before, leaning heavily on his most creatively productive years in the 1970s. I stress “for the fans”, not the obsessives, who will carp that there’s no Tin Machine, or that albums like Outside or Earthling don’t figure. It’s not for the newbies either. There are no onscreen explicators, so if you don’t know, then Moonage Daydream isn’t going to tell you that this particular clip is from the Ziggy tour, or that another one … Read more
High and Low
Akira Kurosawa’s High and Low – one of a run of successful movies from him in the late 1950s and early 1960s – is something of a surprise. It sets off in one direction, with a moral dilemma, only to wind up in a different place entirely, as a police procedural the likes of which you can catch on TV any night of the week. This comes as a bit of a relief, because for its first third the tension is so exquisitely pitched it’s hard to look at the screen. It’s based on an Ed McBain thriller and tells the story of a businessman locked in the middle of a struggle for control … Read more
Space Is the Place
Without Space Is the Place no Black Panther? Afrofuturism on screen pretty much starts with this cosmic freak-out from Sun Ra. Made in 1972, released in 1974, Space Is the Place sets out an alternative agenda for black Americans, suggesting an imaginative future of sci-fi possibility unconstrained by the daily grind of the street hustle. The film builds theoretically out from Ra’s series of Berkeley lectures titled The Black Man in the Cosmos. With sci-fi and white guys inevitable bedfellows at the time, Ra’s lectures about the place of black people in modernity had seemed like missives from an alternate reality (actually, the future, it turned out). His film sets out with the … Read more
What Women Want
Nick Marshall, a sexy, charming and single Hollywood exec, hey it’s Mel Gibson everybody, suddenly develops the ability to hear what women are thinking. Of course he’s completely freaked, though obviously flattered at some of the “what a great butt” comments – this being the very last time that Gibson’s physique rather than his politics would be attracting attention. To start with Nick exploits his talents as many men would – getting laid, psyching out his female boss (Helen Hunt) and shortcutting his way back into his estranged daughter’s affections. But then something weird happens, which lifts this film right out of the common run. As a result of listening to the hopes … Read more
The Big Heat
The Big Heat is one of the big movies of film noir – see The Big Sleep, The Big Clock, The Big Combo from the classic era, or The Big Easy, The Big Blue and The Big Lebowski from later on. Weak joke aside, it’s big in the other sense too, being important, pivotal, epochal even. Here you get director Fritz Lang at the top of his game and a screenplay that works like a ratchet, almost every scene advancing the story a notch while flinty characters are pushed hither and yon by a cruel and ironic fate. It’s the film that famously starts with the image of a gun on a desk. … Read more
Savage State
Savage State is a western in French. Just that fact makes this film, also known as L’état sauvage, unusual and worth a watch. Is that enough though? Not quite, but as with Frenchness so with the rest of its many idiosyncrasies. This is a strangely bland film packed with unusual and often pungent elements. The setting for one. We’re in the teeth of the American Civil War, but rather than being on one side or another we’re with the neutrals, the French settlers ordered from afar by Napoleon III to take no part in the conflict. Early scenes establish a frontier setting of double-cross and gunfights, contraband and big characters, in particular the … Read more
