Popular Reviews
The Ice Storm
A movie for every day of the year – a good one 8 August President Nixon resigns, 1974 On this day in 1974, facing impeachment for his involvement in the Watergate affair, Richard Nixon went on air to declare that he would resign the next day. His speech admitted no wrong-doing and spent at least half of its duration cataloguing the achievements of his administration, especially in foreign policy. Watergate brought Nixon down not because he admitted what he knew – he possibly didn’t know that Republican hirelings had broken into a Democrat HQ to steal vital documents – but because he didn’t admit that he had learned about it some days later … Read more
Old Guy
Old Guy should be a good film but isn’t. Thanks to someone somewhere along the line deciding to funny things up. Not that the funny doesn’t have its moments. Take the opening scene, of an old guy with a big floppy grey moustache at a rave full of young people. Smiling ecstatically and throwing shapes, he’s caught up in the heady moshiness of it all. The camera spins. The music pumps. At a certain point the old dude clambers onto the stage to get chummy with the DJ. Only to be immediately escorted off the stage again by bouncers, though he’s punching the air in delight at having stormed the citadel. The fact … Read more
L’argent
A movie for every day of the year – a good one 28 October Black Monday, 1929 On this day in 1929, the Dow Jones index fell by 13% in a day. After nine years of an exuberantly rising market, during which time the index had risen tenfold, some economists had started predicting an end to boom and bust – “stock prices have risen to what looks like a permanently high plateau” said Yale’s Irving Fisher at the time. Theoretical neoclassical economists notwithstanding, the New York market tumbled on 18 September 1929. Two days later in London the flamboyant entrepreneur Clarence Hatry confessed to fraud and forgery, having propped up his underfinanced companies … Read more
Bridget Jones: Mad About the Boy
Bridget Jones Calls It a Day might have been a better title, but Bridget Jones: Mad About the Boy it is, a final trot around the paddock for Renée Zellweger and most of the familiar faces from the previous three films, plus a few new ones. Instant verdict: not bad. Definitely better than BJ2, but then that isn’t hard. Set in that Richard Curtis Cinematic Universe – a cosy well-to-do London beyond the imagination of most of its residents – it’s a genial, good-natured and ultimately rather rueful farewell which picks up the action with near-shut-in Bridget mourning the death of her husband (Colin Firth, who does a couple of ghostly cameos). The story then … Read more
18 March 2013-03-18
Out in the UK this week Amour (Artificial Eye, cert 12, Blu-ray/DVD) Whatever you say about the director of Hidden or Funny Games, no one does “pitiless gaze” quite as well as Michael Haneke. In Amour he takes one of his standing obsessions, the life bourgeois, and yokes to it a subject rarely covered in film – the loss of dignity and disappearance of the self that happens to most of us as death comes close. Jean-Louis Trintignant and Emmanuelle Riva are the film’s focus, playing a pair of sprightly retired piano teachers whose quietly tasteful, cultured lifestyle is interrupted when one of them has a stroke. What follows is harrowing but almost inevitable, the … Read more
The Crimson Kimono
The posters are much more direct about what’s going on in The Crimson Kimono than the film itself is. Over a picture of a couple in a clinch they klaxon – “YES, this is a beautiful American girl in the arms of a Japanese boy!”. YES, this is a movie about a transracial relationship! Columbia boss Harry Cohn wasn’t convinced that American audiences would be interested, or happy about, a story about such shenanigans but greenlit the film anyway, undoubtedly influenced by writer/director Sam Fuller’s ability to turn out profitable films quickly and cheaply – this was his second of three in 1959. Perhaps Cohn’s doubts also influenced Fuller’s decision to open his film … Read more
Trace of Stones
Socialism good, the socialist party bad is the idea driving Trace of Stones, originally Spur der Steine, a film made in the German Democratic Republic in 1966. It was shown a handful of times and then withdrawn, not to be seen again until the fall of the Berlin Wall. Audience unrest, said the authorities. Don’t criticise the Party! The SED (Sozialistische Einheitspartei Deustschlands aka Socialist Unity Party of Germany) really does get it in the neck in what’s otherwise quite a familiar film, not a long way from the “kitchen sinkers” being made by the likes of Lindsay Anderson in the UK, though director Frank Beyer’s direction is looser, his approach to dialogue … Read more
16 December 2013-12-16
Out in the UK this week We’re the Millers (Warner, cert 15, Blu-ray/DVD) Having turned up in small roles in good films (say, Friends with Money), in big roles in bad films (The Bounty Hunter), Jennifer Aniston finally makes a film in which she is a star and it is good and funny. She plays the poledancer pretending to be married to smalltime weed seller Jason Sudeikis, so they can smuggle a shitload of marijuana over from Mexico into the US, posing as an average family riding around in an RV. Along for the ride (and a cut of the cash) are street hustler Emma Roberts and dweeb Will Poulter. It’s basically your … Read more
29 June 2015-06-29
Out This Week Appropriate Behaviour (Peccadillo, cert 15) The New York Neurotics Club – founder member Woody Allen, recent arrivals Lena Dunham (Girls) and Greta Gerwig (Frances Ha) – gets a new member in the shape of Desiree Akhavan, who gives us a smart, self-deprecating comedy about a slightly deadbeat woman struggling in a mumblecore world where everyone else seems to be doing OK. Playing, in Larry David style, a version of herself, Akhavan is Shirin, the bisexual daughter of immigrant parents who can’t or won’t come out to mum and dad, and whose private life is a shambolic mess like the rest of her life. The meat of the film is a chronologically … Read more
Roxie Hart
An A team of acting and technical talent bring their A game to Roxie Hart, the tale of an innocent woman who pleads guilty to a murder in the hope that it’ll further her stage career. The law as an extension of showbusiness, the corrupting effect of the media, never mind the 21st century, this was made in 1942, and retells the true story of murderous Beulah Annan and Belva Gaertner, who were renamed Roxie and Velma by journalist Maurine Dallas Watkins when she decided to turn some wildly successful newspaper reporting into a 1926 stage play called Chicago. And that’s the way Roxie and Velma remained, as the play became first a … Read more
Mister Lonely
A movie for every day of the year – a good one 18 July Papal infallibility proclaimed, 1870 On this day in 1870, the Catholic church declared that certain utterances by its pope were to be considered infallible – they could not be wrong. The Church had long held that pronouncements made by the pope in his official capacity, and speaking ex cathedra, had a universal truth to them, basing this notion on Jesus Christ’s words to Peter, the first Pope – “I will give you the keys to the kingdom of heaven, and whatever you bind on earth shall be bound in heaven, and whatever you loose on earth shall be loosed … Read more
Le Doulos
Now considered a classic by the likes of Scorsese and Tarantino, Le Doulos got a harder ride when it came out in 1962. “Talkative and tiresome,” the New York Times called it. Maybe I caught it on a bad day, but I’m inclined to agree. When it comes to Jean-Pierre Melville, give me Le Samouraï, Army of Shadows or Un Flic any day. Only a fool would dismiss the film though, which is packed full of good things and is Melville to the end of its filmic digits. It’s all about masculine codes, in other words, or more specifically the breaking of them. Who among a gang of crooks is the snitch (The … Read more
