Popular Reviews
Giant Little Ones
Franky is a buff swimmer and from the moment Giant Little Ones kicks off it seems fairly certain, from the way the camera is lingering on his upper body as he wakes up in the morning, that it’s a gay drama we’re watching. Why a camera can’t have a female gaze, I don’t know. Discuss. Anyhow, Franky is popular with the other guys in the swim team, has a girlfriend “with a fine rack” according to one of his friends, and what’s more she’s very keen to lose her virginity and Franky seems like the guy to do it. All this changes after Franky’s birthday and a late-night, very drunken, stoned fumble with … Read more
26 May 2014-05-26
Out in the UK This Week Inside Llewyn Davis (StudioCanal, cert 15, Blu-ray/DVD/digital) The Coen brothers specialise in films about absence or lack – The Man Who Wasn’t There being the most obvious exemplar. Inside Llewyn Davis is about a folk singer on the Greenwich Village circuit just before Bob Dylan turned up and electrified – joke intended – the scene. It stars the hitherto obscure Oscar Isaac as the struggling singer who just lacks that last, magical quarter of an inch of whatever it is that makes an artist break through. It’s heartbreak in slo-mo, in other words, and to some extent it’s unwatchable, if you find beautifully crafted, brilliantly acted films unwatchable. … Read more
Supergirl
Green kryptonite at the box office, Supergirl is standard superhero fare juiced with Deadpool-style wit and smarts. Well, that’s the intention. In fact, the wit is a bit strained and the smarts are a touch familiar. Everyone is trying just a bit too hard. Put it down to nerves. DC realised their DC Extended Universe (2013’s Man of Steel to 2023’s Aquaman and the Lost Kingdom) had lost whatever mojo it had ever had and so decided to reboot it as the more streamlined DC Universe – “Extended” was possibly a hostage to fortune. As part of all that, out went Sasha Calle, a perfectly fine Supergirl in The Flash, and in came … Read more
To Live and Die in LA
To Live and Die in LA – the title is almost an invitation. Its director, William Friedkin, though born in Chicago, did live in Los Angeles, and that’s where he died aged 87 last week (I’m writing this on 18 August 2023), till the end a combative, charming, rough-edged, cultured man of many parts. The director who gave us the magisterial The French Connection and the blood-thinning The Exorcist stumbled at the box office with 1977’s Sorcerer (for all its merits nowhere near as good as the film it’s based on, The Wages of Fear) and then as good as fell off the edge of the world with Cruising, a film that looks … Read more
Journey into Fear
Is Journey into Fear an Orson Welles film sailing under a foreign flag? Norman Foster is the director name up on screen, but credits can be deceptive. The wartime thriller was co-written by Welles, though he has no screen credit. It was also produced by him, again uncredited. And we know for certain that Welles directed some bits of it – the opening sequence is pure Welles, inventive and with real narrative punch. But since Welles was never backward at coming forward, we have to assume that because he never laid claim to it – Welles was asked often enough if Journey into Fear was one of his – that Foster is the main … Read more
The Man in the White Van
The Man in the White Van slots into the mini-1970s horror revival that’s been going on for a while now. See the abduction horror of The Black Phone, or the folk horror of Midsommar, or the slightly Exorcist-y vibe of The Dark and the Wicked, or the Hammer-esque The Reckoning, just a few among many. That said, this movie is for people who don’t remember the 1970s and don’t particularly want to. Who find it all a bit long ago and perhaps a bit lank and unclean. Maybe that’s writer/director Warren Skeels’s take on the decade. It’s definitely how his movie comes across. Loosely based on the real life case of Florida serial … Read more
Murder by Contract
Shot in seven days and decades ahead of its time, Murder by Contract is a lean, spare, ascetic, almost arthouse film noir from 1958 and was once described by Martin Scorsese as “The film that has influenced me most.” It stars Vince Edwards, an actor who is not particularly well known but who is particularly good as the almost existential hero who weasels his way into the hitman business and ends up – in the film’s protracted climax – confronted with the job too far, the one revealing an actual heart beating away beneath his refrigerated exterior. The setup is exquisitely done. Claude (Edwards) urgently insinuates himself into the good books of hitman … Read more
Too Late for Tears
Misleading title, Too Late for Tears, suggesting there was a time for tears at all. By the time this 1949 film noir is done, the story of a woman rotten to the core, it’s clear that the time for tears – from her, or for her – might well be never. It’s Lizabeth Scott’s chance to chew the scenery, the furniture and her co-stars, playing a woman with a crushing sense of social inferiority who is transformed instantly when a big bag of cash suddenly lands on the back seat of the convertible she and her husband are powering towards a dreaded dinner party in the Hollywood hills. The car it came from … Read more
Smokin’ Aces
For anyone who gets confused between Ben Affleck and Ryan Reynolds, Joe (Narc) Carnahan’s latest feast of bang-bang macho will be very bewildering indeed, since they’re both in it. But then bewilderment seems to be what Smokin’ Aces is about. The hip-feast is built around Jeremy Piven, playing Buddy “Aces” Israel, a Las Vegas showman and stool pigeon whose decision to turn state’s evidence has signed his death warrant. Enter just about everybody else – either part of his close-knit retinue, part of the FBI team trying to protect him, one of the mob out to get him, or one of the other guys who also, confusingly, seem out to get him. Girls too, … Read more
Something in the Air
A movie for every day of the year – a good one 30 May Charles de Gaulle dissolves the National Assembly, 1968 On this day in 1968, French President Charles de Gaulle, in the face of increasing street protests against his government and his personal style, dissolved parliament. The previous day he had fled the country, telling his prime minister, Georges Pompidou, “I am the past, you are the future. I embrace you.” No one knew where he had gone. With strikes breaking out all over the country and running battles taking place on the streets of Paris, revolution was in the air. Government officials were burning documents and ministers were arming themselves … Read more
Memory
Memory stars Liam Neeson as a guy with a very particular set of skills… oh, you’ve gone. No, come back. He’s a hitman and it’s a one last job affair and… It doesn’t sound very promising, does it? After all by this point (2022) Neeson has been in how many of these – since Taken reinvigorated his career in 2008 the list contains (at least) Taken 2 and Non-Stop and Taken 3 and Run All Night and The Commuter and Cold Pursuit, all pretty similar. A seemingly average guy at a very particular stage of life turns out to be the sort of man you don’t want to cross. Where Neeson went, an … Read more
Two Prosecutors
What happens when a state goes mad and its leader starts to behave like a king, ruling by whim? Two Prosecutors (aka Zwei Staatsanwälte) is asking that big question right from its opening frame, in which state prosecutor Kornev (Alexander Kuznetsov) arrives at a 1930s Soviet gulag and asks to see a prisoner. Other countries/regimes are also available. As the film goes on we’ll learn something about Kornev but Ukrainian writer/director Sergei Loznitsa, working off Georgi Demidov’s novel, holds back vital information and to an extent leaves us in the dark about him and about what’s going on. Two Prosecutors, the title says. Here’s Kornev, he’s one, but who’s the other one? All … Read more
