Popular Reviews
Memory
Memory stars Liam Neeson as a guy with a very particular set of skills… oh, you’ve gone. No, come back. He’s a hitman and it’s a one last job affair and… It doesn’t sound very promising, does it? After all by this point (2022) Neeson has been in how many of these – since Taken reinvigorated his career in 2008 the list contains (at least) Taken 2 and Non-Stop and Taken 3 and Run All Night and The Commuter and Cold Pursuit, all pretty similar. A seemingly average guy at a very particular stage of life turns out to be the sort of man you don’t want to cross. Where Neeson went, an … Read more
Tornado
Samurai swords in Scotland in the 1700s. Like his debut, Slow West, John Maclean’s follow-up Tornado is a grand chase movie held together by not much at all. In this case a simple plot about a young Japanese woman on the run from some vagabonds who want their gold back. Simple stuff. Akira Kurosawa is in here, so is Sergio Leone. It’s very elemental. Archetypal, you could say, an arthouse western in an unlikely setting. What the men chasing Tornado (Kōki) don’t fully understand is how skilled this slip of a girl is when it comes to wielding a honed blade, but they will, when they back her into a corner in the … Read more
The Last Man on Earth
Four years before George Romero is supposed to have revived the genre, the zombies are already alive and kicking (well, shuffling) in 1964 in The Last Man on Earth, a lurid yet oddly static example of a genre movie with all the signs of something knocked out with little respect for its audience. Unsurprisingly it got little respect back in return. It does have a few things in its favour, though. Vincent Price as the titular last human, and a story by Richard Matheson which would be repurposed a number of times, most famously as The Omega Man, starring Charlton Heston, and I Am Legend, with Will Smith. There’s a legend surrounding the … Read more
Love Lies Bleeding
The spirit of Jim Thompson takes Thelma and Louise for a ride in Love Lies Bleeding, Rose Glass’s follow-up to her feature debut, Saint Maud. That was a tortured, angst-ridden tale about the overlap between mental illness and religious belief – with a helluva twist. This is a dark and gruesome story tale about sex, death and bodybuilding with such a small sprinkling of comedy that you might not notice it. But also a twist you won’t see coming. The above-the-line star is Kristen Stewart, in another of her Joan Jett-style feather-cut-n-jeans roles as the bozo black sheep of a crime family who we meet literally arm deep in turds as she unblocks … Read more
The Black Phone
The Black Phone is the movie Scott Derrickson went off to direct after leaving Dr Strange in the Multiverse of Madness due to “creative differences”. He’d directed the first Dr Strange, a massive financial success, so you’d have thought the Marvel guys would cut him a bit more slack than they ultimately were prepared to. Anyway, on to the next project, a strange (pun intended) genre-crash horror movie that’s not that frightening, nor does it seem intended to be. Someone is kidnapping kids. Even big tough kids are disappearing into the van of some weird guy who leaves behind telltale black balloons. The kids are never seen again. Enter our milquetoast hero, Finney … Read more
The Avengers: Series 3, Episode 9 – The Medicine Men
The Medicine Men first went out on 23 November 1963, the day after the assassination of President Kennedy in the USA, and on the same night as the first episode of Doctor Who (also created by Avengers creator Sydney Newman). Of course none of this is reflected in the episode, which was made a couple of weeks earlier. Instead it’s a periodic obsession of The Avengers that gets an airing: the state of British industry. In a plot that’s been chopped up a bit because, I suspect, it was a bit on the boring side, Steed and Gale investigate the murder of a woman in a steam room, a murder which leads them … Read more
The King of Staten Island
The thing to know going into The King of Staten Island, co-written by Judd Apatow, Dave Sirus and Pete Davidson, is that Davidson’s father was a fireman who lost his life in the call of duty (at the World Trade Center on 11 September 2001, in fact). The father of Scott Carlin, the character Davidson plays in this movie, also lost his life in the line of duty, so it’s fair to say there’s probably an autobiographical element in this semi-comic look at a life held in arrested development by family trauma. If you don’t know Davidson, he’s the guy with the slappable face from Saturday Night Live, a slappability put to good … Read more
Golem
Golem is the first of Polish director Piotr Szulkin’s Apocalypse Tetralogy – as it’s sometimes called – and is also often credited as being one of the inspirations for Blade Runner. Before Ridley Scott fans start rubbing their hands together with glee, Szulkin is far less interested in entertainment than Scott. His film is bleaker, more paranoid and more obviously Kafkaesque than Blade Runner. Think Rainer Fassbinder’s Berlin Alexanderplatz meets Terry Gilliam’s Brazil rubbed all over with an oily rag heavy with swarf. It’s political too, in a coded sort of way and though set ostensibly in a destroyed society decades after an apocalyptic nuclear event, it’s clear that Szulkin has Communist Poland in … Read more
Straightheads aka Closure
Yet another Danny Dyer movie in which he plays a flaky spliffer. And another, like Outlaw, in which he’s involved in vigilantism of a particularly unpleasant sort. This one, though, co-stars Gillian Anderson as the posh totty Dyer ends up bedding after installing CCTV equipment at her pad. And then, after she’s invited him out to a party at a swish country house, the pair are set upon on the drive back to town. He is horribly beaten up, she is brutally raped. But hang on – Danny Dyer? Gillian Anderson? No, it doesn’t seem right somehow but Anderson has a habit of turning up in some odd corners. And in Straightheads actually work … Read more
Godzilla Minus One
A country basks in the reflected glow of a single man’s redemption in Godzilla Minus One, the 33rd outing for Toho Studios’ big bellowing beast/god and a contender for best of the bunch. Writer director Takashi Yamazaki wants to tell a story of shame and salvation rather than wang on about a big lumbering beast destroying things, though that happens as well, and narrows his focus onto a Japanese kamikaze pilot in the Second World War who chokes when it comes to his big day and then struggles to come to terms with his actions, or lack of them. Godzilla is effectively that pilot’s shame incarnate – the creature arrives on the scene … Read more
L’immensità
Preferring to watch movies unprepped, I hadn’t realised when I started watching L’immensità that its director, Emanuele Crialese, was a trans man (ie started life as a woman). What I did know is that I liked the earlier stuff, movies like Nuovomondo and Respiro, which were beautifully crafted stories demonstrating the writer/director’s way with emotionally engaging characters. The world didn’t know Crialese was trans either, by which I mean the media. Crialese “came out” at the Venice Film Festival as a way of explaining his film, which is set in Rome in the 1970s and focuses on a girl on the verge of puberty who really wants to be a boy. Since Crialese … Read more
See You Then
See You Then pulls a neat “did not see that coming” switcheroo early on, though a glance at any of the blurbs about the film will reveal what it is. It doesn’t matter much – it comes scant minutes in, so won’t ruin the fun. Two women meet up. They were evidently once lovers. Both seem nervous. It’s been a long time, at least ten years, since they saw each other. Kris (Pooya Mohseni) seems keen, nervous, Naomi (Lynn Chen) less sure, wary. Having got the “look at you”, “it’s been so long” niceties out of the way, the two of them head for a friendly restaurant, where Kris reveals that her changed … Read more
