enter the void

Popular Reviews

Key Largo

If you liked Humphrey Bogart’s cynical romantic Rick in Casablanca, Key Largo gives you another go around the track with him. And if you liked the dynamite pairing of Bogart and Bacall in To Have and Have Not, The Big Sleep or Dark Passage, they get another outing too, in the last of the films they’d make together. He plays a major back from the war and in the sweltering Florida Keys on a courtesy visit to the father of one of his men, who died in the Italian campaign. But when Major Frank McCloud gets to the hotel owned by James Temple (Lionel Barrymore), he discovers that it’s been taken over by … Read more

Speak No Evil

Another film that’s hard to like but easy to admire, Speak No Evil comes hot on the heels of a recent example of the same – Soft & Quiet – which I watched last week. Both set up and stoke a tension that becomes so janglingly unpleasant that, for this home viewer, pausing, getting out of the chair and walking around a bit became a necessity. I suspect the way to really watch this film is in a cinema, where there is more pressure to stay in your seat and not out yourself as such an obvious wuss. Again like Soft & Quiet, Speak No Evil starts out in the sunlit uplands of … Read more

Investigation of a Citizen above Suspicion

The twang of a jew’s harp is the first sound you hear in 1970’s Investigation of a Citizen above Suspicion. “BOING,” it goes, slightly ridiculously, the soundtrack of Ennio Morricone (who else?) instantly setting the tone for the entire film, an uneasy mix of the absurd and the satirical. Meanwhile, on screen, a handsome man’s man (Gian Maria Volontè) in a smart cream suit is arriving at the apartment of a beautiful woman (Florinda Bolkan) who is clad in a kaftan and little else. “How are you going to kill me this time?” she purrs. Clearly this “killing” is all part of some sex game they play, he the killer, she the victim. … Read more

Small Axe: Mangrove

Small Axe: Mangrove is the first of a series of five standalone films made for the BBC by Steve McQueen. The umbrella title takes its name from the reggae song by Bob Marley (or Lee Perry, depending on who you ask) and though it was originally aimed at the big-name Jamaican music producers muscling everyone else out of the market, it translates perfectly to any underdog story. Mangrove is that story – 1968, Notting Hill in London, before it became the Notting Hill of Hugh Grant/Julia Roberts fame, was a downmarket inner-city area full of fine houses left to rot, crammed with too many tenants, many of them from the West Indies. It … Read more

The Avengers: Series 2, Episode 23 – Conspiracy of Silence

Tight direction is the saving of Conspiracy of Silence, episode 23 of the second series of The Avengers, a mix of the confusing and the humdrum. Why, for example, is Steed being targeted by a killer while he’s out walking his dog? The imdb brief description tells us it’s because he interrupted a drug-trafficking op run by the Mafia. So, assuming you are the Mafia, why not just kill him in one of the more usual ways, rather than deploy an innocent, Carlo (Robert Rietty), transformed into an automaton killer by a trigger phrase in a redundant mind-control subplot? Perhaps The Avengers were just warming up the idea for future episodes – mind control … Read more

Black Book

A movie for every day of the year – a good one 23 May Netherlands declares independence from Spain, 1568 On this day in 1568, the battle of Heligerlee was fought and won by the rebel army of William I of Orange, against the Duke of Alba, representative of the Hapsburg ruling dynasty. It marked the beginning of the 80 Years’ War for the independence of the Protestant Netherlands from Catholic Spanish rule. Though the rebels won the battle, they lost the campaign, due to lack of funds, and the rebellion sputtered out, only to flame up again in 1572. By 1581 the Netherlands were independent, though it took until 1648 for this … Read more

Playdurizm

Playdurizm starts with what looks like a moment from a feverish dream. A man and a woman having sex. She’s in a sling and he’s standing up. Ecstasy on both sides. Meanwhile, in a separate reality, another man appears to be hurtling through space and/or time in a lo-fi mock-up of 2001: A Space Odyssey’s “stargate sequence”, while in voiceover a quotation from Francis Bacon (the painter not the philosopher) informs us that humans are all “meat”. Dream over, that man, Demir (Gem Deger, who also directs and co-wrote with Morris Stuttard), wakes up in a strange place, not sure who or where he is. In the kitchen of the kitschy, Pop Art-y … Read more

The Drover’s Wife

Leah Russell stars, writes, directs, produces and plunders her own family history for The Drover’s Wife (aka The Drover’s Wife: The Legend of Molly Johnson), a fine-looking revisionist western set in the Australian Outback. Russell plays Molly, it almost goes without saying to say, a woman left to fend for herself and her kids out in the back of beyond while her husband is away droving sheep up in the high country. Handy with a gun but with a tendency to shoot when the red mists descend, Molly may be suffering from a form of PTSD, as no one back then ever called it. It’s writer/director Russell’s first fictional feature (she’s done some … Read more

The Munsters

Rob Zombie’s The Munsters is a reboot of the 1960s TV show borrowing heavily from the original and dredging it all in a tooth-rotting production design. Rarely if ever has a black-and-white TV show been re-imagined so gaudily. The end product, like Herman Munster himself, is a bag of bits. That’s maybe intentional. Herman Munster was an ersatz Frankenstein’s monster, the original version having been assembled in the good Baron’s laboratory. In much the same way, in the 1960s The Munsters was assembled from offcuts of Universal’s 1930s and 1940s horror movies – Frankenstein, Bride of Frankenstein, Dracula, The Wolf Man etc. This made financial sense. No character rights to pay for since Universal … Read more

Nausicaä of the Valley of the Wind

Hayao Miyazaki’s career as an animator in charge of his own destiny starts here, with Nausicaä of the Valley of the Wind, two hours of typical Miyazaki, from 1984, which more or less set the benchmark for what was to come. There had been one full feature before, 1979’s The Castle of Cagliostro, but that was part of an ongoing series dedicated to Lupin III, supposedly the grandson of the French master thief Arsène Lupin. In Nausicaä of the Valley of the Wind, we are introduced to Nausicaä, a pure Miyazaki character, a tough, brave, kind, thoughtful and resourceful young woman separated from her parents and adrift in a world that’s a mash-up … Read more

Branded to Kill

Branded to Kill is a crime thriller with so much style it’s absurd. Clearly aiming for the ridiculous it is deliberately style over content. Hashed out on the hoof by eight different writers who were clearly egging each other on, it’s a mad tumble of French New Wave crash edits and film noir poses, all held together – if it is held together at all – by a jazzy, jerky, atonal score. Nikkatsu, the Japanese studio that made it, thought it was a mess and wouldn’t release it. Its director, Seijun Suzuki, thought they just didn’t understand what they’d been given and sued them. And won. The film got its release but Suzuki’s … Read more

The Devil Wears Prada

The sort of film that has an inbuilt media audience – women’s magazines – who will receive it with the same lack of scrutiny as they treat each launch of a new beauty product, The Devil Wears Prada is a clever title halfway towards being a clever film. It’s adapted by Aline Brosh McKenna from Lauren Weisberger’s chick-lit novel, and since Weisberger’s spent some time working at American Vogue as editor Anna Wintour’s assistant we don’t have to look too far for its inspiration. Anne Hathaway plays the simpering Weisberger avatar, an intern/newbie at a fashion magazine not unadjacent to Vogue. And Meryl Streep is also clearly styled on the fashion bible’s redoubtable editor, who … Read more

Popular Posts