Popular Reviews
The Tailor of Panama
Between Bond movies The World Is Not Enough and Die Another Day, busy Pierce Brosnan managed to fit in two other projects. One of them was this adaptation of a John Le Carre story about a downmarket spy (Brosnan) in Central America who uses a sweatily nervous tailor (the unimpeachable Geoffrey Rush) to gain access to the local generals, his object: to sell them all manner of dodgy information designed to destabilise the country. It may say Le Carre on the tin but there’s the definite feeling we’re in Graham Greene country here, the atmopshere of mosquito netting, insanitary plumbing and lousy tea all being typical Greene touches. Adding suitably weird supporting performances … Read more
Ho!
After a year off working out what to do next, Jean-Paul Belmondo returned in 1968 with Ho! (sometimes called Ho! Criminal Face). Having been courted by Hollywood, he’d decided he wanted to stay in France and stick with what he was best at – films that emphasised a moody masculinity. It’s got to be said straight up that Ho! isn’t very good, but it is very stylish and so is Belmondo. He plays François Holin (aka Ho), a former racing driver who is now a getaway driver for a mob. Ho was once a star but now he’s treated like an errand boy by the other guys in the gang. Secretly he yearns … Read more
Following
Can you honestly tell from Following, that its first-time director Christopher Nolan is only two years away from making Memento, the film that put him on Hollywood producers’ speed-dials? Shot on weekends and holidays guerrilla-style around London for about $6,000, it is a real “you saw it here first” effort and the acting is strongly redolent of the great days of British film – it’s rank. But when a story is this strong it barely matters. It’s simple too. We follow, in low-budget monochrome, a young, luckless and broke writer (Jeremy Theobald) who thinks it would be fun, “creative” in an artschool way, maybe, to “follow” people and see where it leads him. … Read more
The Big Combo
The Big Combo has a big reputation. A regular on the “best film noir” lists, it can’t quite match its rep and is more a solid crime thriller that’s been polished to a stygian gleam by excellent technicians, well chosen actors and some careful snaffles from other sources. The most obvious lift is from 1944’s Laura and its strange plot device of a cop falling in love with the image of a woman rather than the woman herself. That’s also what happens in The Big Combo, when upright and driven Lieutenant Leonard Diamond (Cornel Wilde) becomes infatuated with a mobster’s gal, Susan Lowell (Jean Wallace), even though he’s never met her. Susan is … Read more
Zoo
There’s the bones of a true story inside Zoo, a light British cocklewarmer about a boy who, during the Second World War, spirited a baby elephant away from his local zoo and housed it in a back yard until danger from the Luftwaffe had passed. So, no, this is not to be confused with Robinson Devor’s bizarre 2007 documentary Zoo, about men who like to have sex with animals, or even We Bought a Zoo, though this is undoubtedly as light-hearted, entertaining and uncool as Cameron Crowe’s 2011 bauble. We’re not in California but in Belfast, Northern Ireland, where Tom’s zookeeper dad has been called away to war, and his mum is always … Read more
Nosferatu
The films of Robert Eggers can get a bit overwrought and Nosferatu is no exception. Both The Northman and The Lighthouse (The Witch not so much) overdid it. All well and good if you subscribe to the view that too much gothic is still not enough. And you’ll be doubly re-assured by Eggers’s decision to go back to the sensational source as the inspiration for his turreted gothic assemblage. That’s not entirely true. Eggers does lean narratively and visually on FW Murnau’s 1922 Nosferatu, but that itself was a blatant steal from Bram Stoker’s novel, Dracula. Murnau and co hadn’t paid for the rights and hoped that changing character names would be enough … Read more
Hotel Rwanda
A movie for every day of the year – a good one 7 April Rwandan genocide starts, 1994 On this day in 1994, a period of mass killing lasting 100 days started in Rwanda, during which around 20% of the country’s population was killed. The violence was organised by the government, targeted against the Tutsi tribe and carried out by members of the Rwandan army, the police, as well as government backed militias and members of the Hutu population. Between 500,000 and a million people were killed, largely by machete, as neighbour turned on neighbour, the Hutus gaining the land of their Tutsi neighbours once they’d murdered them. The grievance of the Hutus … Read more
House of Bamboo
In many ways an atypical Sam Fuller film, House of Bamboo does conform to Fuller type in one specific way – strong performances by his two leads. They are Robert Ryan and Robert Stack, as two guys involved in different ways in crime in post-War Japan. Doing almost nothing at all, Ryan acts Stack right off the screen as crime boss Sandy Dawson, an American who has found rich pickings in the debris of post-War Japan. And yet Stack is also pretty effective as a smalltime hoodlum who arrives in the country and immediately starts throwing his weight around and extorting money in the smallest of smalltime ways. What Eddie Spanier (Stack) doesn’t … Read more
Babylon
Damien Chazelle’s Babylon is a behemoth about Hollywood excess in the silent era, a feisty female ingenue’s rise and its biggest male star’s fall, and the arrival of the talkies and how that changed everything. It packs a lot in and moves at pace but whoah is it long. At three hours and a handful of minutes it covers more or less the same ground that Singin’ in the Rain or The Artist did with 90 minutes to spare. Chutzpah on Chazelle’s part, you could say, or a lack of discipline, maybe. It’s big and baggy and overegged yet undeniably glorious. The first two hours are brilliant and the last hour-and-a-bit brilliant too. … Read more
Murina
Martin Scorsese must be asked to lend his name to films by unknowns all the time. Murina obviously impressed him – he’s on board as an executive producer. It also won the Caméra d’Or, the gong handed out at Cannes to the best film by a debut director. Antoneta Alamat Kusijanovic is that director and her film is a brilliant, tightly wound study of a family falling apart. It would be ugly if it weren’t set on the coast of Croatia, an idyll where grouchy Ante (Leon Lucev), his pretty wife Nela (Danica Curcic) and their lithe, sporty daughter Julija (Gracija Filipovic) live a simple life, catching fish to eat to supplement their … Read more
Secuestro Express
Inspired by the Latin American practice of secuestro express – or quickie kidnap – the Venezuelan Jonathan Jakubowicz’s debut feature tracks a miserable night in the life of a rich Caracas couple (Mia Maestro, Jean Paul Leroux) after a wild night out of partying ends with abduction at the hands of a trio of gun-happy barrio gangsters. We’re then with the couple and the banditos until the woman’s father (played by Rubén Blades) coughs up. And as the night of brutality wears on, nuance starts to push its way through what at first looked like stereotypes. Maybe our gangsters aren’t so bad; maybe our heroes aren’t so heroic. It’s a garishly lit thriller, … Read more
9 September 2013-09-09
Out in the UK this week Iron Man 3 (Disney, cert 12, Blu-ray/DVD/VOD) Drawing a veil over the fact that Avengers Assemble was in effect Iron Man 3, the official Iron Man 3 arrives with Jon Favreau bumped from directing duties and Shane Black in the writing/directing chair. Black wrote the Lethal Weapon films and, blow me, if he hasn’t turned Iron Man – one of the best superhero franchises of recent years, thanks to its understanding of the sheer exhilaration of being able to do cool stuff – into a leaden, clanking 1980s action movie. Yes, Black can fashion a quip, and Robert Downey Jr is certainly the man to deliver them, … Read more
