Popular Reviews
Labyrinth of Cinema
At a certain point words won’t do. So it is with Labyrinth of Cinema, a wild kaleidoscopic three hours designed as a farewell by an old man to an art and craft he has loved, and to the world he’s been living in for around 80 years. The man is called Nobuhiko Ôbayashi and he’d been making films since 1944 – his first one minute short – when he was eight years old. In 2016 Ôbayashi was diagnosed with terminal cancer while making his previous movie, Hanagatami, and told he had only three months to live. He finished that film and, amazingly, started work on this next one, designed as a vast summing up … Read more
Nope
Nope is what you say when heroics are required but you’ve decided on an impulse that absolutely no way are you going to do what’s required. Maidens to be saved, beasts to be slain or dim passageways to be entered, whatever it is, the answer is no. Nope is also the return to form for Jordan Peele, the actor turned director whose conceptually brillant Get Out – Guess Who’s Coming to Dinner done as a horror movie – was followed up by the less conceptually innovative but nonetheless very tidy Us. Nope is Jaws done as a sci-fi, a tale of a big something lurking somewhere out “there” in the sky somewhere and … Read more
Three Times
Shu Qi and Chang Chen are the actors playing three different sets of lovers, in 1911, 1966 and 2005, in this unusually beautiful film from director Hou Hsiao-hsien. All three stories take place in Taiwan and focus on love in different manifestations – love in its glorious first flush, love thwarted, and love carnal – to show how milieu and mores affect what is usually seen as an immutable, timeless emotion. In 1911 a republican activist gets caught up in the world of a concubine. In 1966 a military conscript falls for a hostess at a pool hall. In 2005 a photographer loses his heart to a singer. Hou places the 1911 story in … Read more
The Avengers: Series 2, Episode 17 – Box of Tricks
A thin, confusingly plotted and frankly rather dull episode is only emphasised by the terrible picture and sound quality (on the old box set I’m watching this series on, anyway). And it’s a Venus Smith episode, which means a song from the chanteuse, but not until after the opening credits. Before they roll, we watch as a magician in the night club does the disappearing lady trick. Glamorous assistant enters magic box covered in spangles. Magician utters the magic words. Glamorous assistant exits magic box covered in spangles and blood – dead. We cut to a seemingly unrelated story, set in the house of a senior military gent (Maurice Hedley) in a wheelchair, overseen … Read more
Lux Aeterna
Gaspar Noé’s Lux Aeterna (or Lvx Æterna in its original Latin-script form) is a short film about the shit women have to put up. Like the old ironic joke about the light at the end of a tunnel probably being an oncoming train, Noé’s “eternal light” (the translation of lux aeterna) is probably being emitted from the fire built to burn problematical women as witches. The first image is from Carl Theodor Dreyer’s Day of Wrath (made in 1943, but with looks from 1443) and is a remarkable shot of a woman being placed on top of a ladder, from where she’s dropped down at speed into a massive fire. The actress, Noé’s … Read more
The Spider’s Web: Britain’s Second Empire
An urgent, informative film asking all the right questions – or how the rich people stole all the money Here in Brexit Britain we find ourselves in a peculiar situation. In spite of having done pretty well out of the European Union, what with various rebates, opt-outs and special deals, fifth richest country in the world and all that, the country suddenly rebelled, and stormed out of the arrangement in a strop, angry about something that no one can quite articulate – it might be the straightness of bananas or immigrants or democratic accountability, or something else entirely. Meanwhile, the political left largely appear to have lost their connection to their working class … Read more
The Monkey
A man killed by vape, a woman blown to bits on diving into a swimming pool. Fish hooks, a coffee steamer, on they go, the vectors of weird death, in Osgood Perkins’s The Monkey, a Stephen King story tricked out with Final Destination-style ingenuity and given a comedy-macabre polish. Groans followed by chortles is the idea, with the reactions stopping this side of disgust, as Perkins tells the story of twins who grow up to be adult versions of the milquetoast/asshole combo they are as kids and the malevolent mechanical monkey that follows them on their journey, wreaking bloody havoc all the way. A pre-credits sequence shows the monkey doing its thing – … Read more
13 July 2015-07-13
Out This Week The Voices (Arrow, cert 15) Marjane Satrapi has made a good film about a man with appalling schizophrenia. That she’s chosen to make it into a comedy, and has cast Ryan Reynolds as the disturbed guy who believes his pet cat and dog are talking to him shows she doesn’t lack for ambition. I suspect a lot of people won’t like The Voices at all, because a comedy about a man who likes to dismember people, and who is shown sawing them up and packing them neatly into many stacked Tupperware boxes like so many packed lunches, is, let’s face it, a bit gruesome. And he’s the “hero”. But Reynolds is excellent … Read more
Hell of a Summer
Billy Bryk and Finn Wolfhard met as actors on the Ghostbusters: Afterlife shoot, realised they had similar tastes and decided to write a movie together. Hell of a Summer is the result. It’s an “everyone dies” slasher set at a summer camp where counsellors have assembled before the kids arrive to have some bongs’n’beers before settling down to their more serious duties. Gruesome comic death is the idea, which Bryk and Wolfhard establish in a pre-credits sequence in which a guitar played around a camp fire ends up where campfire guitars should probably end up more often, and both the senior counsellors at this remote place take a one-way journey to eternity. After … Read more
Flushed Away
Aardman, the animation house that gave us Wallace and Gromit, announced the ending of their collaboration with DreamWorks (Shrek) just as Flushed Away was released. And watching it, you can understand why. High on sentimentality and laden with backstory, it’s a DreamWorks movie with Aardman touches, rather than what Aardman probably hoped for – an Aardman movie with DreamWorks muscle behind it. A good movie that could have been a great one, in other words, though the good stuff makes it worthwhile. The over-complicated story tells the tale of Roddy St James, a privileged London pet rat (voiced by Hugh Jackman) who gets “flushed away” down the toilet and into the sewers, where … Read more
Starter for 10
Write what you know, they say, and David Nicholls certainly does that here. An adaptation of his 2003 best-seller about a 1980s working class kid going to university, written by a 1980s working class kid who went to university, this comedy is full of period flavour and has the tang of authentic experience. Nicholls and director Tom Vaughan haven’t left success to chance, however, they’ve pumped all this bittersweet detail into the most durable of genre plots – the romantic comedy – with James McAvoy playing the Nicholls avatar, Brian Jackson, a fresher at the high-end Bristol university (Nicholls’s own alma mater) who is slightly out of his social class and so signs … Read more
The Day After
So this is what “the most watched TV movie in US history” looks like – The Day After, a disaster-movie-style treatment of nuclear apocalypse from 1983. “Most watched” is one of those tags up for debate, obviously – watched on the day of transmission versus watched again and again, for example. Or watched in the olden time of big broadcasters and mass viewing versus the Netflix era, where everything is a TV movie one way or another. Less up for debate is how effective Nicholas Meyer’s film still is. And it’s become increasingly relevant all over again as Russia pushes its armies into eastern Europe, while in America a debate rages over whether the … Read more
