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Popular Reviews

The Avengers: Series 3, Episode 24 – Concerto

Shot in April 1963 but not actually broadcast until April 1964, Concerto is a spytastic episode with a Cold War setting, espionage chicanery and so on, with a plot about a concert pianist being accused of rape and murder. Or more to the point, a plot about Steed and his Russian opposite number Zalenko (Nigel Stock) trying to prevent pianist Stefan Veliko (Sandor Elès) being fingered as a criminal in order to keep trade talks between the two countries on the road.   It’s a Steed-heavy episode, with Mrs Gale relegated to babysitting the accused man within minutes of the episode kicking off, right after a journalist has cried blue murder after a … Read more

One Night in Miami

What did Muhammad Ali, Sam Cooke, Jim Brown and Malcolm X all talk about when they met to celebrate on the night of Ali’s victory over Sonny Liston in January 1964? It’s a fascinating  question that One Night in Miami asks. The answer, in reality, is nothing, since the meeting never took place. But Kemp Powers’s  play imagined that it did, and it didn’t do the box office any harm. Now Regina King’s silky and understated direction brings it to a wider audience. Ali wasn’t called Ali back then. He was still using his birth name, Cassius Clay, a fact that boomers will already know since Ali is part of their programming. For … Read more

Reflection in a Dead Diamond

Arthouse discovers the rigours of genre in Reflection in a Dead Diamond (Reflet dans un diamant mort), a vogue-ing pastiche of Bond movies with a bit of Death in Venice. If you like the work of Hélène Cattet and Bruno Forzani, who have been doing this sort of thing for over 20 years, in films like Amer, The Strange Colour of Your Body’s Tears and Let the Corpses Tan, this will be catnip. Personally, I thought this latest feature – brilliantly assembled though it is – exposed a weak flank. They can make the richest, lushest and most referential movies possibly ever. But can they tell a good story? They would probably argue … Read more

The U.S. vs. John Lennon

Professional musician and amateur situationist John Lennon has always been an easy target for anyone wanting to level a charge of hypocrisy. “Imagine no possessions,” he sang, and the fingers started pointing at his lavish lifestyle – insert your own version of the story about the fur coats kept in a refrigerated room in the Dakota Building. David Leaf and John Scheinfeld’s documentary will provide fuel for both the haters and the idolisers, it being the story of how the US authorities revoked the chippiest man in rock’s Green Card in the 1970s, in an attempt to get this dangerous dissident out of the country. Well, that’s ostensibly what it’s about. In fact for … Read more

La Dolce Vita

More than 50 years old yet curiously contemporary, Federico Fellini’s 1960 masterpiece isn’t just a cynical critique by a conflicted Catholic of “the sweet life”, it’s the film that announces the arrival of the world we now inhabit. It starts with one of cinema’s most famous shots, a lingering view of a huge statue of Christ being airlifted, possibly rescued, from a Rome gone to the bad. God, Fellini appears to be saying, has left us, and in his place we have placed the pursuit of carnal pleasure, the joys of the night, drink and the worship of our new deity – the celebrity. This, after all, is the film that introduced the … Read more

The Thirteenth Chair

A classic country-house whodunit from 1937, The Thirteenth Chair gets the whole thing done and dusted in just over an hour, which is more than you can say for a lot of these things. And it can boast May Whitty – billed as “the Distinguished English Actress Dame May Whitty” – in the lead role as a clairvoyant. Set in India during the Raj, it opens with Scotland Yard inspector Marney (Lewis Stone) and local man Commissioner Grimshaw (Matthew Boulton) discussing the recent murder of a man not universally loved by the expat community who lord it about in Calcutta. The dead man’s best friend, John Wales – “fanatical”, says Grimshaw, so obviously not … Read more

The Promised Land

Mads Mikkelsen is a reassuring presence in any movie and is the making of The Promised Land (Bastarden in the original Danish), a movie that promises much and eventually delivers too much, but stylishly, always stylishly. He plays Ludvig Kahlen, an 18th-century ex-soldier who petitions the Danish king to allow him to cultivate the Jutland Heath, a vast expanse of the country on which nothing, a preamble tells us, will grow. His petition is accepted by the courtiers who act as an intermediary between the Kahlen and the monarch. It’s one of the drunken king’s crazy schemes, this turning of the wilderness into farmland, and the courtiers reason that by agreeing to Kahlen’s … Read more

Spider-Man: No Way Home

Spider-Man spun? Spider-Man: No Way Home is another gargantuan Marvel movie full of action, great power/great responsibility moments and the sort of emotion you’d expect in stories about a highly strung teenage superhero. Jon Watts is back as the director, and the writers are again Chris McKenna and Erik Sommers – all three have been behind the other webslinging adventures with “home” somewhere in the title, (2019’s Far from Home and 2017’s Homecoming, if you’re not up to speed). Fine craftsmen all. But. But. But. The suspicion lingers that this creative team knows what Marvel also obviously does – that these Spidey stories are done and don’t need doing any more, and that … Read more

The Hunt

Very much a Trump-era movie, The Hunt is the story of a gang of the “elite” going on their annual “deplorables” hunt (spot the Hillary Clinton reference), with a ragtag bunch of gagged and tied rednecks as their quarry. Interesting concept. The idea is that the elite set the rednecks running and give them something of a head start before coming after them with an intention to kill. The reference point for this sort of thing is usually Kinji Fukasaku’s 2000 bloodfest Battle Royale, though it wasn’t the first movie to present hunting as some sort of bloodsport – 1987’s The Running Man springs to mind, or going even further back there’s 1965’s The … Read more

James Bond: The Omega Man

007 first strapped on an Omega watch in 1997. Since then the once-ailing franchise has gone from strength to strength. Coincidence? Every human being on the planet, even those in Bhutan, or out in the rainforest distilling poison from tree frogs, knows who James Bond is. So ubiquitous is he that even people who haven’t yet been born have a favourite James Bond actor, a favourite Bond girl, a favourite Bond movie, Bond song, car or baddie. In fact even as I write these words images of Louis Armstrong, Daniel Craig, an Aston Martin Vanquish, Jaws and Denise Richards (wrong, I know) are flashing across my cerebral cortex. But, now that Adele has belted … Read more

19 November 2012-11-19

Out in the UK this week Arthur Christmas (Sony, cert U, Blu-ray/DVD) After some awful homegrown CGI animations – anyone remember Valiant? –  the Brits have made a comic adventure about Santa Claus and family that’s witty, gutsy, insightful and entirely entertaining. A new Christmas classic, surely. Arthur Christmas – Watch it/buy it at Amazon Two Years at Sea (Soda, cert E, DVD) Hungarian miserabilist Béla Tarr is clearly a heavy influence on this artfully artless documentary following a hippie/hermit as he serenely goes about his hardscrabble life. For stressed-out, always-on screen-jockeys this could be the ideal therapy. Two Years at Sea – Watch it/buy it at Amazon Big Boys Gone Bananas (Dogwoof, cert E, … Read more

3 June 2013-06-03

Out in the UK this week Bullet to the Head (Entertainment One, cert 18, Blu-ray/DVD) Last week it was Arnie in The Last Stand. This week the DVD shelves are groaning with 400lbs of mechanically recovered Sylvester Stallone, complete with new facelift and hair (though there’s not much you can do about that creaky old gait). It’s a dick-swinging action movie directed by Walter Hill, who memorably gave us 48 Hours. Bullet to the Head is 48 Hours part two, you could say, with Sly as the criminal being partnered by reluctant cop buddy (the rather good though underused Sung Kang) to take down a bad guy (Christian Slater, sneering at 16:9 ratio). … Read more

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