Popular Reviews
The Duke
The Duke is a great example of the sort of film that Brits make for domestic consumption and which often do pretty well internationally as well. Playing up to harmless stereotypes, they’re full of silly sausages with funny voices and odd, eccentric behaviours. Here for the most part it’s Northerners being earthy and honest and principled, while down South a different sort of daffy stereotype – posh, restrained, clean – are hauling on barristers’ outfits and judges’ horsehair wigs to use Latinate turns of phrase in the most rarefied of settings, the courtroom. Both export beautifully. Both reassure the natives even more. The stereotypes are diamond tooled in The Duke, a true story … Read more
11 August 2014-08-11
Out in the UK This Week The Raid 2 (E One, cert 18, Blu-ray/DVD) Gareth Evans’s sequel picks up exactly where the first film ended – after the relentless and entirely exciting display of pencak silat martial arts that was the alpha and omega of The Raid (aka Raid: Redemption) – as if to suggest we’re about to get more of the same. In fact we’re not. And at times over the next 150 minutes, following Iko Uwais as a cop deep undercover, Evans had me shaking my head in sorrow. Yes, there are some mighty fine displays of brilliantly choreographed fighting by Uwais. And the final 45 minutes is one long orgy of pugilistic brilliance. … Read more
The Flash
The Flash is a superhero movie that knows exactly where it is in the scheme of these things – the end of days for costumed heroes – and uses that as a superpower. This film cuts quickly to the chase, doesn’t overdo the lore and knows that laughter is roughage in a superhero diet. It even understands that the obligatory “guys beating the shit out of each other” big finish needs freshening up a touch. We need to talk about Ezra Miller. The onetime star of a film about a teenager with serious issues grew into an adult with problems of his own, problems (multiple lawsuits and accusations flying) that threatened to pull this … Read more
Finding ’Ohana
’Ohana is the Hawaiian concept of family or home and in Finding ’Ohana a couple of ethnically Hawaiian New York brats discover its true meaning back “home” in Oahu. They’re looking for something else: lost pirate treasure which, according to an old journal belonging to their grandpa Kimo (Branscombe Richmond), can be found by following a number of clues, in much the same way as you might follow clues if you were geocaching. Handily, one of the two siblings is all about the geocaching. But let’s meet the family, as they say in game shows – Grandpa is living under a mountain of debt which his widowed daughter and frazzled single mom Leilani … Read more
The Page Turner
It’s often forgotten how much genre output the French make, and how well they do it. This icy thriller in a Chabrolesque mould has two brilliant performances at its centre. On the one side we have Déborah François as Mélanie, a young girl from a poor family whose ambition to become a pianist is ruined at an audition which goes so badly that she gives up playing for good. And on the other side we have Catherine Frot as the reason it went so badly, as Ariane, the famous pianist who is so blithely unaware of what the audition means for Mélanie that she signs an autograph for an adoring fan halfway through, … Read more
Rebellion
This ambitious and almost entirely successful drama sees Mathieu Kassovitz, the director of La Haine, back in France and back on form after a less than stellar time in Hollywood churning out studio cack such as Gothika and Babylon AD. It tells the true story of a small kerfuffle in 1988 in New Caledonia, a far-flung outpost of France, and follows a crack GIGN team – a SWAT team with brains – led by Captain Philippe Legorjus (Kassovitz) as they seek to restore order after a breakaway group of separatists seize a group of gendarmes and hold them hostage in a cave in a remote part of the island. Because of the way … Read more
The Magic Mountain
There are two versions of the 1982 adaptation of Thomas Mann’s weighty novel The Magic Mountain (Der Zauberberg). One is the theatrical cut, which came in at about 153 minutes. The other is the TV cut, which weighs in at an epic 312 minutes over three instalments. That’s the one I watched yesterday, all five hours and a chunk of it, having taken heed of reviews complaining about the theatrical cut’s lack of coherence. The theatrical cut is a lousy edit is the gist of the complaints. As to the full-fat version, it was easier to digest than I’d expected. I suspect the complaints about the theatrical cut are right. In the long … Read more
The Day of the Beast
A Christmas movie for Satanists, The Day of the Beast (El Día de la Bestia) is one of the key movies of a very 1990s style of grindhouse film-making. It’s the gonzo wild ride in which pump-action shotguns and breasty women compete for screen space with demons and SWAT teams, while rock music and satanic ritual drive the soundtrack. This genre is probably best exemplified by Robert Rodriguez’s From Dusk Till Dawn, from 1996. But Spanish director Álex de la Iglesia got there first in 1995, and he got there best. This is a very funny movie, probably at its best in early scenes introducing its hero, Father Ángel Berriartúa, a Catholic priest … Read more
26 October 2015-10-26
Out This Week Theeb (New Wave, cert 12) Jordan’s contender for this year’s Best Foreign language Oscar is, somewhat unexpectedly, an old school adventure story, the sort of thing Rider Haggard would recognise, set in a Lawrence of Arabia desert and starring Jacir Eid as a Bedouin kid. Eid is an untrained actor, as are most if not all of the excellent cast – goodies and baddies – and the plot is a basic dash across the desert, away from bad guys and towards a well which a floppy-haired English interloper wants to visit, for reasons probably nefarious. A sealed box provides a bit of a Maguffin, the cinematography knows that David Lean … Read more
Count Yorga, Vampire
Going in to 1970’s Count Yorga, Vampire, the thing to remember – and the reason why it sometimes flies under an alternative title, The Loves of Count Iorga, Vampire – is that it was originally destined to be a vampire movie of a softcore persuasion, at least as much about tits as teeth. It explains odd moments when the focus shifts from the matter at hand – an update on Bram Stoker’s Dracula story, in all the key essentials – and on to female flesh. There isn’t that much of it, to be fair to the film, which took its swerve away from the carnal early in the production process, at the point … Read more
Yes, God, Yes
Yes, God, Yes – a funny title pithily catching the twin obsessions of this slight but sharp movie. Sex and god. It stars Natalia Dyer, who somehow has managed to fit this in alongside the nine other movies and 30-odd episodes of the Netflix show Stranger Things she’s appeared in over the last six years or so. She was about 24 when she made this, but the big eyes and slender frame mean she can just about get away with playing Alice, a teenager from a sheltered background grappling with the first stirrings of sexuality at the Catholic school that seems almost unnaturally fixated on the carnal. Coming of agers with storylines that … Read more
The Best Films of 2015
There’s a tendency among people who watch a lot of films to boost ones that stand out rather than ones that are good. This can lead to some perverse choices in the “best of” lists that proliferate at this time of year. So that probably explains the rogue nature of the list below – ha ha. If you’re expecting to find Spectre (not at all bad) or the latest Marvel movie or Jurassic World, look elsewhere. These are just the films, of the maybe 350 films or so that I’ve watched in the past 12 months, that jumped out and grabbed me. Some of them are 2014 releases. Ten Best Paddington (dir: Paul … Read more
