Popular Reviews
Still Alice
A super confident woman, top of her game, a linguistics professor, one day discovers herself grasping for a word while she’s giving a lecture. This being the movies, where a cough in one scene leads to coughing up blood in the next, we automatically suspect she’s got Alzheimer’s. The title providing another nudge (why Still?). And so it turns out, in a movie that seems determined to put a polish on the disease of the week movie, and largely succeeds. Polish number one is that it’s not just any old Alzheimer’s but familial Alzheimer’s, in which the gene – should you have been unlucky enough to have inherited it from an affected parent … Read more
Underworld
1927’s Underworld is often described as the first gangster movie, or the first film noir. It’s neither really, but it’s easy to see why the tags stick. It is undeniably the movie that kicked off the gangster craze in the late 1920s and early 1930s and there’s enough moody lighting in it to tick any number of noir boxes. But really it’s a tale of doomed romance, the story of a gangster’s moll caught between not two but three men – her original guy, who she wants to do right by, a psychopathic rival, and the guy she falls for. For a silent movie it has a lot of psychological nuance, though the … Read more
Cyrano
If the tricky bit in musicals is the moment when people transition into song, what about the quasi-musical? Cyrano demonstrates that the problem isn’t doubled but squared – every time Peter Dinklage, Haley Bennett or Kelvin Harrison Jr burst into song, it’s a genuine shock. The fact that the actual songs are a bit hit and miss is an added burden. In Edmond Rostand’s original story, Cyrano de Bergerac is the warrior poet with a massive nose and effortlessly spectacular language skills who falls badly for Roxanne, his ideal of femininity, but then helps a fellow soldier – handsome but dim Christian – woo her with his words, knowing that he has no … Read more
The Untamed
Genre collision is the dish of the day in The Untamed (La Région Salvaje) as the most down-to-earth drama, the soap, meets the most out there – sci-fi. The result probably shouldn’t work but it really does, thanks to writer director Amat Escalante’s decision to keep the sci-fi stuff in the background for most of the film. After an opening shot of a black meteorite in space, followed by one of a pretty young woman apparently pleasuring herself, or being pleasured by, a giant pink tentacle, we’re off into an entirely different realm until, in the film’s last section, the tentacle, and the creature it’s attached to, return for some very out-there cross … Read more
Savage State
Savage State is a western in French. Just that fact makes this film, also known as L’état sauvage, unusual and worth a watch. Is that enough though? Not quite, but as with Frenchness so with the rest of its many idiosyncrasies. This is a strangely bland film packed with unusual and often pungent elements. The setting for one. We’re in the teeth of the American Civil War, but rather than being on one side or another we’re with the neutrals, the French settlers ordered from afar by Napoleon III to take no part in the conflict. Early scenes establish a frontier setting of double-cross and gunfights, contraband and big characters, in particular the … Read more
Fallen Leaves
Aki Kaurismäki tantalises us with Fallen Leaves (Kuolleet Lehdet). Is it going to be a Sleeping Beauty story about a princess saved by a kiss? Or is it the more downbeat but emotion-choked tale of two ships that pass in the night, a Finnish Brief Encounter? Kaurismäki references both, one way or another, as he spins out a typically deadpan, typically miserablist and typically gripping story of love among the “fallen leaves”, a pair of midlife McJobbers who could find happiness with each other if only they could connect up in the first place. That’s his story. To tell it, two great actors. Alma Pöysti as Ansa, a supermarket worker who is fired … Read more
Follow Me Quietly
Follow Me Quietly is only one hour long and so desperate to use its time well that it’s already running its first scene beneath the opening credits – a woman walking to and fro in the rain. From the way she’s pacing, and shielding the glowing end of a cigarette like a soldier in a trench, we can tell she’s a femme fatale. Inside the next five minutes all the other key characters have been introduced in a similarly concise way, by which point we know this is a thriller about a serial killer called the Judge, and that this is a story about driven characters – the killer, the cop on his … Read more
The Avengers: Series 6, Episode 19 – The Curious Case of the Countless Clues
If you had been watching The Avengers every week in 1969, you’d have seen Tara King effectively neutralised – warming the bench – in the two previous episodes, Killer and The Morning After. And at first The Curious Case of the Countless Clues looks like third time unlucky for Linda Thorson. Tara has a broken tibia, it turns out, and is laid up at her apartment, forcing Steed to go it alone when a government minister is implicated in the murder of a man we’ve already seen dispatched in bizarre fashion, by a pair of “detectives” who appeared to have “found” the evidence of the man’s death before any crime has even been … Read more
A Face in the Crowd
Loved by Truffaut, borrowed by Spike Lee, strangely overlooked today, A Face in the Crowd is a prescient film from 1957 that uses the word “influencer”, is worried about demagogues in public life, the corrupting effect of the media and the weird lives of celebrities. It’s directed by Elia Kazan, a man with an eye for for a political meme – he did Gentleman’s Agreement (anti-semitism) and On the Waterfront (union corruption) – and was made five years after he’d testified to the House Unamerican Activities Committee and “named names”. The febrile McCarthyite atmosphere of the times is partly what Kazan and regular writer Budd Schulberg are tilting at in the story of … Read more
Blue Story
Scrappy but powerful, Blue Story is also known as the film that got briefly banned by some UK cinema chains, because some people going to see it were arriving armed to the teeth. “Blue Story, a violent gangster movie, made by the BBC,” is how one British newspaper, never happier than when playing the race card and trashing the “woke” BBC, described the film in its reporting on the violent skirmishes at Star City, Birmingham, when the film opened. What was doubly unfortunate, from the film’s perspective, is that the other film showing that day was Frozen II, so the kids lining up to see that got a lot more than they bargained … Read more
Class Action Park
Class Action Park is a punning title for a reasonably even-handed documentary about Action Park, Vernon, New Jersey, a trailblazing theme park when it opened in the 1970s, which later became infamous on account of the number of accidents and deaths that happened there. It was the brainchild of Gene Mulvihill, a disgraced Wall Street trader who realised there was money to be made from a park that varied its offer with the seasons – by winter a ski resort, a water park in summer. “Uncle Gene” is what the teenagers in his employ affectionately called him, and it’s their testimony that forms the bulk of Seth Porges and Chris Charles Scott’s film. … Read more
Eraserhead
David Lynch’s first full length film was made piecemeal between 1971 and 1977 and is the perfect visual accompaniment to an era obsessed with industrial decay – check out the music of Cabaret Voltaire or Throbbing Gristle for the aural equivalent. It follows a passive, expressionless man with a perpendicular hairstyle through a succession of grim, clanking scenarios back to his home, where his livid girlfriend and their newborn child – a cross between ET and something that might crawl up your urethra and start living in your insides – seem to be waging psychic war on him. Is he schizophrenic? Are we viewing these scenes from inside his mind? Lynch won’t say, … Read more
