WC Fields and Mae West

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Jim Broadbent and Allan Corduner in Topsy-Turvy

Topsy-Turvy

Lovers of costume drama and light operetta are in for a treat. And so are people who can’t stand either, thanks to Mike Leigh, more usually known as a purveyor of working-class drama to the realm. Taking as its starting point the creative roadblock reached by the librettist WS Gilbert and his writing partner, the composer Arthur Sullivan, after the relative failure of their Princess Ida in 1884, Leigh’s film follows the duo as they struggle towards the rejuvenating success of The Mikado. Leigh’s masterstroke is to weave the composer/librettist’s full antler stand-off – Gilbert wanted to write an opera called The Magic Lozenge; Sullivan most definitely didn’t – with an oblique commentary on … Read more
Paris, dawn, August, in the long hot summer of 1976

C’était un Rendezvous

The story goes that after wrapping on a film starring Catherine Deneuve, having come in under budget and with a day of shooting time left, as he often managed, director Claude Lelouch decided to do something mad and foolish, make a guerrilla short. All you need to make a movie is a gun and a girl, is how Lelouch’s New Wave colleague Jean-Luc Godard had put it. Lelouch set out to show you didn’t need even that, just a fast car and a camera strapped on the front. And that’s what C’était un Rendezvous is, a single shot from a slow-slung camera, as the car it’s attached to (a Ferrari?) hurtles through the … Read more
Pasolini's Arabian Nights

Arabian Nights

Pier Paolo Pasolini’s beautiful, erotically charged Arabian Nights took Cannes by storm in 1974 but all these years later it’s an almost forgotten film and the director seems to have fallen even further out of favour than fellow Italians Visconti, Fellini or Antonioni. Perhaps he’s gone so far out of fashion that he’s about to come back in via the back door. The film is definitely worth a look, being the third and best in his Trilogy of Life series. More completely than Canterbury Tales and The Decameron, Arabian Nights showcases Pasolini’s eye for unconventional beauty – both male and female. To get a taste of Islamic authenticity, Pasolini shot his handful of the … Read more
Max Schreck as Nosferatu

Nosferatu

Murnau’s 1922 silent expressionist classic is one of defining moments in movie-making. It borrowed its story wholesale from Bram Stoker’s Dracula, gave it the lightest of resprays and hoped no one would notice the theft. Bram Stoker’s widow noticed and sued for breach of copyright, won the case and had all the prints of Nosferatu destroyed. But the film refused to die, and rose from the undead. Its star, who plays Count Orlok (aka Nosferatu), is one Max Schreck, “Schreck” being the German word for terror. Maximum Terror – and you thought modern Hollywood had a lock on this sort of thing. Adding to that in terms of myth-making, it was always rumoured that … Read more
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The Leopard

Visconti’s masterpiece is one of the best examples of the period epic ever made, a film that makes Merchant/Ivory look like kids messing about with the dressing-up box. It tells of the arrival of democracy in Italy and the decline of the fine old aristocratic way of life, as seen through the eyes of the enigmatic head of an ancient Sicilian family. The shock of this Italian-language movie is the person playing that central role, a mutton-chopped Burt Lancaster, the actor who started life as a circus acrobat. Why was a man more associated with horses and the high wire, a man so often smeared in diesel, playing an aristocrat and standing on … Read more
chaney phantom large

The Phantom of the Opera

Gaston Leroux’s famous story of the Phantom – who lives in the bowels of the Paris opera house, falls for a pretty singer and wreaks terrible revenge when she won’t play footsie – seems to have a strange effect on artists. Leroux went super-gothic – very pretty girl, monstrous beast, subterranean caverns, stygian doom, death by fire and water and so on. And everyone since has more or less kept up the melodramatic pace, right down to Andrew Lloyd Webber – ‘the phantom of the opera is there/Inside your mind’ cackle, twirl. This 1925 silent film is actually the best of the lot – it’s got Lon ‘Man Of A Thousand Faces’ Chaney … Read more
Robert Downey Jr, Michael Douglas and Tobey Maguire

Wonder Boys

Michael Douglas plays the college prof with one book under his belt and a smart-ass student (Tobey Maguire) about to steal his thunder with his debut novel, which is going to be glorious, headline-grabbing, sexy, everything Douglas once was but now just isn’t. However, this fading wonder boy does still have enough residual kudos to make him a honeypot for a girl (Katie Holmes) who’s attractive dark-haired and far too young for him (and what a nudge nudge that was at the time). He’s also having an affair with his boss (Frances McDormand). And, on the weekend of frenzy that we catch up with him, he’s being pursued by his drug-monster editor, played … Read more
fellini marcello mastroianni and anita ekberg la dolce vita

La Dolce Vita

More than 50 years old yet curiously contemporary, Federico Fellini’s 1960 masterpiece isn’t just a cynical critique by a conflicted Catholic of “the sweet life”, it’s the film that announces the arrival of the world we now inhabit. It starts with one of cinema’s most famous shots, a lingering view of a huge statue of Christ being airlifted, possibly rescued, from a Rome gone to the bad. God, Fellini appears to be saying, has left us, and in his place we have placed the pursuit of carnal pleasure, the joys of the night, drink and the worship of our new deity – the celebrity. This, after all, is the film that introduced the … Read more
together

Together aka Tillsammans

There’s something very funny and fairly tragic about Lukas Moodysson’s 2000 film set on a Swedish commune called Tillsammans (or Together, in English). It’s set in 1975, just as the Spanish dictator Franco has been declared dead and follows what happens when Elisabeth, an abused woman and her children arrive and are taken in, grudgingly, by a gang of virtuous, or so they think, communards on a big experiment in free living outside Stockholm. Liberal idealism is at its peak and nurture has the philosophical upper hand over nature. The lentil-eaters believe that lesbianism is a political choice, not a predisposition,  that sexual love should come with no emotional baggage and that washing-up … Read more
Christopher Walken surveys his kingdom in King of New York

King of New York

I used to work at a magazine and would get a lot of DVDs in for review purposes. King of New York was the one that really got all my co-workers misty eyed. They started quoting lines from the script, remembering the best bit of the film, asking me if I could have the disc after I’d finished with it. No wonder. It’s a hugely influential piece of work and you can see its impact on almost every mob drama since. It was made when Christopher Walken was in his pomp, here he plays the self-styled King, a classically ruthless gang boss with a strangely benevolent streak, a man who tries, in his … Read more
Snow White sings to the bluebird in Snow White and the Seven Dwarfs

Snow White and the Seven Dwarfs

David Hand? Look at the credits and you’ll see the name down as the director, one among quite a few, depending on where you’re looking. Such is the grip of the “director as auteur” notion on modern thinking that everyone – from the IMDB down – feels obliged to list the director first, as if theirs were always the guiding hand. Which is a long-winded way of saying that Snow White is a Walt Disney film. He might not have directed any of it but he directed the people who did. And, in the days when we’re meant to marvel at the computer-generated output of Pixar and the like, how much more amazing to … Read more
You're thinking "that HT box is seriously off codeSaffron Burrows in Deep Blue Sea

Deep Blue Sea

Not to be confused with high-tone The Deep Blue Sea, from 2011, this action thriller whose USP is “smart sharks” got a mixed reception when it came out, everyone suddenly having forgotten how many people have tried to follow in the wake of Jaws – and totally failed. Renny Harlin’s film succeeds, mostly, thanks to his understanding of action, his writer’s reliance on the old “someone’s been messing with nature” plot, of Godzilla vintage, and a better cast than these things often have (Michael Caine in Jaws: The Revenge being a rare exception). So we have Saffron Burrows as a scientist who’s been genetically modifying sharks in an attempt to find the cure … Read more

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