Ms .45

Thana dressed as a nun, with a gun

All you need to make a movie is a girl and a gun, so the old saying goes. Ms .45 takes it literally and concisely, squeezing both into the title of Abel Ferrara’s unglamourised, low-budget 1981 exploitationer, making much of the New York streets of the era and the face of its star, 18-year-old Zoë Tamerlis. Face not voice. Tamerlis plays a mute, a seamstress in the Garment District who is driven to psychotic acts of revenge after being raped twice in the same day, first in an alley on the way home (Ferrara plays the rapist) and then again once she’s arrived back at the safe haven of her apartment. Second time … Read more

China Girl

Tony and Tye meet at the club

1987’s China Girl is usually described as a reworking of the Romeo and Juliet plot, or as a song-free update on West Side Story (which is a reworking of the Romeo and Juliet plot). But that’s to fall for the elaborate feint of director Abel Ferrara and writer/frequent collaborator Nicholas St John. Yes, there are star-crossed lovers meeting across an unbreachable divide – ethnicity in 1980s New York – but Ferrara and St John are not that interested in handsome Tony (Richard Panebianco) and sweet Tye (Sari Chang), the Romeo update from Little Italy and the reconditioned Juliet from Chinatown. Instead, flipping the dynamic, their focus is on the modern-day Montagues and Capulets, … Read more

Zeros and Ones

Ethan Hawke as JJ the soldier

Zeros and Ones starts with a to-camera introduction by Ethan Hawke expressing how honoured he feels to be working with director/writer Abel Ferrara. After namechecking Willem Dafoe, who’s been Ferrara’s go-to for the past few years, and asserting that an actor’s greatest gift (a well known actor, he means) is being able to champion talent, he reaches forward and clicks the switch on the camera to the off position. The movie proper starts. This gush is all written by Ferrara, of course, as is the concluding epilogue Hawke also delivers, just the first instance of Ferrara messing with the mind of his audience, which isn’t about to get an easy ride. Zeros and … Read more

Tommaso

Tommaso and his wife Nikki

Tommaso is a film by Abel Ferrara that’s essentially a film about Abel Ferrara, with Willem Dafoe in the lead role as an avatar of the writer/director, a creative dude trying to live out his golden years in Italy but finding old demons constantly resurfacing. It’s an uncomfortable and not entirely gripping drama, though Dafoe’s amazing performance does almost get it over the line. We first meet the talented, accomplished and open Tommaso at a language school learning Italian, making the effort because he has a much younger wife at home (Ferrara’s own wife, Cristina Chiriac) and an infant daughter (Ferrara’s own daughter, Anna). He’s a film-maker, still working, and because of a … Read more

Siberia

Clint and an Inuit man out in the snow

Abel Ferrara’s 2019 film Siberia wasn’t shot in Siberia, unlike the 2018 film of the same name starring Keanu Reeves, which was. Ferrara now lives in Rome and so, needing snowy wastes to tell a story about a remote bar-owner’s journey into his own psyche, he starts and ends his film in the Italian Tyrol, where the white drifts of winter snow pass muster. The film is based on Carl Jung’s Red Book, which was a full-blown surrender to his own unconscious mind in the wake of his split with fellow psychoanlyst Sigmund Freud. Though he worked by day, gave lectures and saw patients, by night Jung just let it all go, letting … Read more

King of New York

Christopher Walken surveys his kingdom in King of New York

I used to work at a magazine and would get a lot of DVDs in for review purposes. King of New York was the one that really got all my co-workers misty eyed. They started quoting lines from the script, remembering the best bit of the film, asking me if I could have the disc after I’d finished with it. No wonder. It’s a hugely influential piece of work and you can see its impact on almost every mob drama since. It was made when Christopher Walken was in his pomp, here he plays the self-styled King, a classically ruthless gang boss with a strangely benevolent streak, a man who tries, in his … Read more