Bill Murray

What About Bob?

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A smiling Bill Murray as Bob

Bill Murray made What About Bob? in 1991, two years after Ghostbusters II and two years before Groundhog Day. Richard Dreyfus, his co-star, was one year on from Postcards from the Edge and on a run including Lost in Yonkers (1993) and Mr Holland’s Opus (1995). Director Frank Oz’s previous two movies had been Little Shop of Horrors and Dirty Rotten Scoundrels. They’re not all classics but they’re at least all decent movies. And yet What About Bob? didn’t quite get the attention it deserved. A comedy with these names attached might have expected a review in the New York Times, for example. There wasn’t one. Nor did Roger Ebert, the US’s most … Read more

Ant-Man and the Wasp: Quantumania

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Daughter Cassie with Ant-Man

First Ant-Man, then Ant-Man and the Wasp and now Ant-Man and the Wasp: Quantumania, an element added to the title each time, the films also getting longer on each new iteration. Longer, busier, more sclerotic, this could be the worst Marvel Cinematic Universe movie to date, and that’s including Shang-Chi and the Legend of the Ten Rings. This is also the first movie in phase five of the MCU, aka the Multiverse saga (if it’s the 2020s there must be multiverses), but never mind whether it calls into question the likelihood of there ever being a phase six (it doesn’t – Deadpool 3 is already in the works), it should raise all sorts … Read more

The French Dispatch

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Bill Murray as the editor of the Dispatch

A middle finger to the haters, The French Dispatch finds an unrepentant Wes Anderson doubling down on the whimsy and pastiche of films like The Grand Budapest Hotel or The Life Aquatic with Steve Zissou. There’s more. An artist’s statement, done early on in Owen Wilson’s laconic voiceover, vouchsafes that “All grand beauties withhold their deepest secrets.” Secrets? Deepest? Anderson is all surface, surely? Anyhow, on to the Dispatch, which is an American magazine/supplement of New Yorker stripe run in the old way – a liberal institution headed by a steely eccentric (played by Bill Murray), never short of money and with enough space to contain at least one writer who doesn’t write, … Read more

On the Rocks

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Rashida Jones and Bill Murray in a cab

A Sofia Coppola movie with Bill Murray as an agent of misrule? Lost in Translation II is the guiding principle of On the Rocks, though “stars” Rashida Jones and Marlon Wayans might disagree. First up, we’re served Jones and Wayans hot and then cold – an opening scene shows Laura (Jones) and Dean (Wayans) in love and hot for each other sneaking away from their own wedding party to take a swim in the pool in the hotel basement. Cut to some years later and Dean arrives home late from a work thing, kisses Laura sleepily and then reacts with surprise when she says something. Was he expecting someone else? She was in … Read more

Groundhog Day

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Bill Murray in Groundhog Day

A movie for every day of the year – a good one 2 February Groundhog Day Today is Groundhog day. In areas of Pennsylvania where a High German dialect known as Pennsylvania German or Pennsylvania Dutch (from Deutsch) is still preserved the event is marked with a fersommlinge (Versammlung in modern German, meaning meeting) at which much interest is shown in a groundhog, a type of marmot, and whether it throws a shadow when leaving its burrow. If it does, so the folklore says, there will be another six weeks of winter. But if it is cloudy, then spring is on the way. The largest of these celebrations is held in Punxsutawney, where … Read more

Rushmore

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Jason Schwartzman in Rushmore

Hollywood in look but in tone something else, this is the odd tale of an intellectually precocious, loquacious, speccy, blazer-wearing 15-year-old (Jason Schwartzman) who falls for one of his teachers, pretty Olivia Williams (think of a non-irritating Liz Hurley with a couple of decent dinners inside her). Unfortunately, misanthropic  local steel baron Bill Murray (back on Groundhog Day form) is equally smitten. Faint heart never won fair lady and the oddly mismatched and yet similarly obsessive love rivals are soon at it hammer and tongues. Very weird and often touching romantic comedy ensues as these two strange characters are dissected, helped along by acting that’s all played straight, no one raises even so … Read more