Kansas City Confidential

Joe holds a gun to the head of Tony (Lee Van Cleef)

Hereā€™s a film about a perfectly planned heist, so perfect that it hasn’t made it into the city records, Kansas City Confidential announces as it opens, in one of those scrolling on-screen scene-setters that really should be read in an authoritative voice (but isnā€™t). And then, in the first of many flat illogicalities, the movie turns out to be about a heist that isnā€™t perfect at all. It goes wrong. Not at first, or not at first by very much. But go wrong it does. The film can take it. On its release in 1952 it was so successful that it spawned a string of other ā€œConfidentialā€ movies. New York. Chicago. Hong Kong. … Read more

Nightmare Alley

Zeena and Stanton in a carnival truck

1947ā€™s Nightmare Alley is lavish, melodramatic, contains a hint of the supernatural and is a touch too long ā€“ you can see why Guillermo Del Toro wanted to remake it. Itā€™s also a great role for a matinee idol trying to shrug off a pretty-boy tag (Tyrone Power even more so than Bradley Cooper in the remake). In a tale about a carnival worker tasting the heights and then plunging into the depths, Jules Furthmanā€™s adaptation of William Lindsay Greshamā€™s best-seller plays the hubris card early on, in a little speech in which carnie Stanton Carlisle (Power) explains himself. “You see those yokels out there,” he says to mindreader Zeena (Joan Blondell), laying … Read more