John Payne

Here’s a film about a perfectly planned heist, so perfect that it hasn’t made it into the city records, Kansas City Confidential announces as it opens, in one of those scrolling on-screen scene-setters that really should be read in an authoritative voice (but isn’t). And then, in the first of many flat illogicalities, the movie turns out to be about a heist that isn’t perfect at all. It goes wrong. Not at first, or not at first by very much. But go wrong it does. The film can take it. On its release in 1952 it was so successful that it spawned a string of other “Confidential” movies. New York. Chicago. Hong Kong. … Read more