Peter Lorre

Holiday in Spain aka Scent of Mystery

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Peter Lorre and Denholm Elliot as Smiley and Oliver

The odd thing about Holiday in Spain is that it was originally released in Smell-O-Vision under another title, Scent of Mystery. It flopped, even with the gimmick of various aromas being piped into cinemas as audiences watched. With another smelly film, Dead Lover, currently doing the rounds (writing this in March 2026) – it’s in Stink-O-Vision, a scratch-and-sniff take on the same idea – I thought I’d go back to this 1960 oddity and give it a spin. Which, of course, I can’t. Not the original Scent of Mystery at any rate. I don’t have the Smell-O-Vision technology and can’t find a copy of the film. Holiday on Spain, on the other hand, is … Read more

The Chase

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Scotty and Lorna dancing

The Chase is an “And Peter Lorre” movie from 1946, and though he’s not in it that much, he provides a good bit of the flavour of this very odd movie about a genial nobody who winds up in the employ of a psychopath, falls for his woman and then runs off to Cuba with her. Robert Cummings is top-billed and is the everyday nobody, a down-on-his-luck war veteran who finds a wallet and, having treated himself to a decent breakfast, returns it to its owner. Impressed with the guy’s honesty – Chuck Scott fesses up to the breakfast – rich gangster Eddie Roman (Steve Cochran) offers him a job as a driver. … Read more

Secret Agent

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Madeleine Carroll and John Gielgud as the Ashendens

Anyone for the fifth best British film of 1936, as voted for by the readers of the defunct Film Weekly? Secret Agent is one of a run of spy thrillers Alfred Hitchcock made in the 1930s. Sandwiched between The 39 Steps and Sabotage it’s the least compelling of the three, a misfire in many ways. There are two reasons for that, both Hitchcock’s fault. But let’s get to that later. First, you need to know that it stars John Gielgud as Edgar Brodie, a successful novelist recruited by the British secret service, given the spy moniker Ashenden (the title of the Somerset Maugham book on which the film’s based) and sent to Switzerland. … Read more

The Mask of Dimitrios

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Pter Lorre grabs Sydney Greenstreet's lapel

Writer Eric Ambler was the British spy guy in the mid 20th century and The Mask of Dimitrios is a good example of what he was about – sinister people in exotic locations doing dastardly things. Ambler followed John Buchan’s lead in that respect – don’t trust a foreigner. It took until John LeCarré – who’d actually been a spy – for portrayals of fictional foreign spies to come in human shape, though Graham Greene was a useful warm-up act. The oddballs and gooks are out in their droves in this not entirely gripping but highly flavoured meta-fiction about crime writer Cornelius Leyden, played by Peter Lorre, chasing across Europe in search of … Read more

Stranger on the Third Floor

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An extravagantly lit John McGuire

Peter Lorre is top-billed but he’s really just the seasoning in Stranger on the Third Floor, often described as the first film noir. Lorre owed RKO a couple of days on his contract and so got shoe-horned into Boris Ingster’s directorial debut, bumping John McGuire from poll position. The film doesn’t need Lorre to work, but he adds off-whack flavour to the portrayal of an escaped lunatic – a scant handful of scenes, not that much to get excited about. In 64 tight minutes, Ingster, cinematographer Nicholas Musuraca and writer Frank Partos do two remarkable things. First, they make a thematic break with the crime movies that came before to deliver an indictment … Read more

The Face behind the Mask

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Janos/Johnny in his mask

Playing the child murderer in Fritz Lang’s M bought Peter Lorre his ticket to Hollywood, where he soon tired of playing exotics and weirdos. He was already Hollywood’s go-to creep when he made The Face behind the Mask in 1941. It follows a naive watchmaker who arrives in New York off the boat from old Europe, gets horrifically burned in a hotel fire, then, unable to get work on account of his looks, embarks on a life of crime to pay for reconstructive surgery. Both a wild gothic-crime story and an an invitation to overact, Lorre gives it both barrels. The story gets wilder once Janos discovers that surgery will be impossible. Instead, … Read more

All Through the Night

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Jane Darwell with Humphrey Bogart

An entertaining fruit cocktail, All Through the Night was one of a raft of propaganda movies Hollywood made to try and turn isolationist American public opinion in favour of entering the Second World War. In the end it didn’t matter. By the time the film came out in early 1942, Japan had bombed Pearl Harbor, Hitler had declared war on the United States and President Roosevelt had decisively taken his fellow Americans into the fray. It’s a Warner Bros movie, full of Warner players, with Humphrey Bogart leading the pack as Gloves Donahue, a wiseguy gambler with a heart of gold, the sort of guy who makes a lot of money but is … Read more

Black Angel

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Dan Duryea, June Vincent and Peter Lorre

The final film of director Roy William Neill, who died not long after it was released, 1946’s Black Angel is one of those overlooked noirs that could stand a bit more attention. Neill was the director of the string of Sherlock Holmes film starring Basil Rathbone and Nigel Bruce, rattling yarns that all came in at around 60 minutes. Here he’s also wasting no time, though he has almost a feature’s length to play with – 80 minutes – introducing his characters and setting out his stall at speed. One femme fatale, three men. The femme is played by Constance Dowling, and what a magnificent firecracker of nastiness it seems like she’s going … Read more

The Maltese Falcon

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Joel Cairo is threatened by Sam Spade

Not a bad way to start. The Maltese Falcon, one of the most highly acclaimed films ever made, was John Huston’s directorial debut. He also wrote the screenplay, adapting Dashiell Hammett’s hard-boiled thriller into a lean piece of cinema that stands the test of time. In the 21st century if you want to watch something that’s a piece of surefire entertainment from front to back, The Maltese Falcon will not let you down. It’s a simple story, not really a story at all, more a contrivance just sturdy enough to hold together a series of interactions between people, about three desperados all in search of a fabulously ornate bejewelled bird – the so-called … Read more

M

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Peter Lorre with M chalked on his back

The point of Fritz Lang’s 1931 film M – Eine Stadt Sucht einen Mörder is slightly lost when its truncated title, simply M, is used. This is a story not about a murderer (which is what the M stands for) but about the mob, when the rule of law is rejected in favour of a lynching. Which all comes as a bit of a surprise if you’re watching M for the first time and only know it from its reputation. There are two other things that most people coming fresh to this film already “know”. These are a) that M is an expressionist masterpiece and b) it’s got Peter Lorre in it. Dealing … Read more