On Swift Horses

Lee, Muriel and Julius on a swing seat

On Swift Horses is giddy 1950s melodrama for the 21st century, with Will Poulter and Jacob Elordi as brothers charting separate courses through the great American post-War boom. Daisy Edgar-Jones plays the prize for one of them, or she would be if she weren’t also on a journey of her own, towards a sense of self-actualisation. The dynamic is good boy/bad boy, Poulter drawing the short straw as Lee, the hard-working, conformist brother married to wife Muriel (Edgar-Jones), while Elordi has the fun as Julius, the sexy gambler on the road less travelled. In the film’s opening moments Julius arrives back from the Korean War at the homestead of Lee and Muriel and … Read more

Babylon

Nellie LaRoy rides the crowd at a party

Damien Chazelle’s Babylon is a behemoth about Hollywood excess in the silent era, a feisty female ingenue’s rise and its biggest male star’s fall, and the arrival of the talkies and how that changed everything. It packs a lot in and moves at pace but whoah is it long. At three hours and a handful of minutes it covers more or less the same ground that Singin’ in the Rain or The Artist did with 90 minutes to spare. Chutzpah on Chazelle’s part, you could say, or a lack of discipline, maybe. It’s big and baggy and overegged yet undeniably glorious. The first two hours are brilliant and the last hour-and-a-bit brilliant too. … Read more