Amsterdam

Christian Bale as Burt Berendsen

That looks like Taylor Swift, I thought to myself, watching the opening moments of David O Russell’s promising looking Amsterdam, his first film since 2015’s Joy. It actually is Taylor Swift, just one of a galaxy of stars in a cast list so luminous that the likes of Anya Taylor-Joy, Andrea Riseborough and Zoe Saldana could almost be safely removed without harming the texture of the movie. No, maybe not Taylor-Joy, one of the important components, it turns out, when Amsterdam finally gets round to revealing its nature – an angry political drama, and a good thriller, hidden inside a meringue of deflection, pastiche, jokes, songs, historical factoids, good performances and all the … Read more

Barbie

Barbie and Ken in her car

And so Barbie is born, as a live-action presence, I mean. She’s been in utero one way or another for nearly 40 years, going all the way back to the 1980s and the Cannon Group’s plans to put her on the big screen (shudder). Between there and here there have been many possible outcomes – a possible Amy Schumer Barbie, a possible screenplay by Diablo Cody, Wonder Woman director Patty Jenkins in charge. All of them sound interesting, but in the event it turns out to be Margot Robbie as Barbie and Greta Gerwig directing, with Noah Baumbach in the backroom as co-writer with Gerwig. The stories about a movie’s gestation are often ones … Read more

Babylon

Nellie LaRoy rides the crowd at a party

Damien Chazelle’s Babylon is a behemoth about Hollywood excess in the silent era, a feisty female ingenue’s rise and its biggest male star’s fall, and the arrival of the talkies and how that changed everything. It packs a lot in and moves at pace but whoah is it long. At three hours and a handful of minutes it covers more or less the same ground that Singin’ in the Rain or The Artist did with 90 minutes to spare. Chutzpah on Chazelle’s part, you could say, or a lack of discipline, maybe. It’s big and baggy and overegged yet undeniably glorious. The first two hours are brilliant and the last hour-and-a-bit brilliant too. … Read more

The Suicide Squad

Harley Quinn screams

The Suicide Squad, not to be confused with Suicide Squad from five years ago, fixes the mistake made by the 2016 movie, which got bogged down in plot. The Suicide Squad does that by not really having one. Or if it does it treats it as something to be vaguely referred to now and again, like a map by a driver who knows his way. The driver here is James Gunn, who does just about everything right in this super-sequel follow-up to the Dirty Dozen of comicbook movies. The first film was quite simply terrible, though bursting with great things, a kind of satire on Marvel movies, if you wanted to see it … Read more