Franchot Tone

Dancing Lady

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Patch and Janie laughing

Can a dancer also be a lady? 1933’s Dancing Lady is already asking the question in its title. It stars Joan Crawford – 1933 Joan Crawford, before the batshit stare developed – as a dancer in a risqué burlesque show who, in the film’s opening moments, is being arrested for indecency by the cops. And is then bailed out by a Park Avenue swell who thinks he sees something in young Janie Barlow. What Tod Newton (Franchot Tone) sees, in fact, is another notch on his bedpost, but ambitious Janie is determined she’s not going to help him carve it. Instead, holding on tight to her honour, she decides to ride what she … Read more

I Love Trouble

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Janet Blair and Franchot Tone publicity shot

I Love Trouble is The Rockford Files, or a dry run at it, give or take. If you don’t know what The Rockford Files is, that means you’re not ancient, so well done you. It’s the TV show where James Garner played a dog-eared detective raising a wounded eyebrow as he got beaten up week after week. Roy Huggins wrote both. I Love Trouble was his screen debut, an adaptation of his own novel, The Double Take, which S Sylvan Simon directs with half an eye on the drawing-room whodunits of yore. Huggins also wrote 77 Sunset Strip, The Fugitive and Maverick (also starring Garner) – so was something of a TV colossus … Read more

Jigsaw

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Franchot Tone with gun drawn

Organised race hate is a grift, the unusually prescient 1949 film Jigsaw points out, and is just another way of separating the poor and gullible from what little money they have. Donations, uniforms, other paraphernalia, it all adds up. Franchot Tone plays an assistant district attorney investigating the death of a printer. Who, it turns out, used to do off-the-books work for a far-right hate gang. The dead man’s wife insists that a journalist is involved in her husband’s death. Though she also insists that her husband killed himself, so who knows. DA Howard Malloy believes that the woman is scared out of her wits and is only telling him what she’s been … Read more

Phantom Lady

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Thomas Gomez, Ella Raines and Franchot Tone

A man with a spare ticket to a show invites a random woman to go with him. He’s been stood up, he explains and this is a geniune “shame to waste it” offer. She, wary of this stranger but distraught about something and needing distraction, half-heartedly agrees. No introductions, she insists, no names. To emphasise that this is no prelude to a pick-up, or beginning of a relationship, or anything of that sort. It’ll just be an evening of fun at a show. And so it is. They take a cab from the bar where they met to the Chica-Boom-Boom musical revue, where the revue’s drummer gives the mystery lady the glad eye. … Read more

Mickey One

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Mickey on stage

Old Hollywood meets new in Mickey One, a neglected thriller from 1965 directed by Arthur Penn and starring Warren Beatty, both of whom would upend the cosy certainties of a sclerotic industry with Bonnie and Clyde two years later. They run through a few of the possibilities here. The film focuses almost entirely on Beatty, as a club comedian and light-entertainment guy who goes on the run from the Mob after getting on the wrong side of them over money, a woman, and possibly a few other things. Mickey One is what the fugitive ends up being called after assuming the identity of a turned-over vagrant, “One” being as near as most people … Read more