Joan Crawford

Letty Lynton

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Jerry and Letty

Letty Lynton tells the story of Madeleine Smith, who wanted to move on from a lover who didn’t want to move on from her. And so she killed him. The same story was also told in David Lean’s Madeleine in 1950 (good too) and in Dishonored Lady, starring Hedy Lamarr in 1947 (not seen it). Here it’s Joan Crawford who plays the deadly female, a rich flibbertigibbet first encountered in Montevideo dancing the night away with hot Latin lover Emile Renaul (Nils Asther). It’s obvious from the film’s opening moments that Letty has had enough of Emile, who’s a bit clingy for her liking. And so, instructing her maid Miranda (Louise Closser Hale) … Read more

Dancing Lady

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Patch and Janie laughing

Can a dancer also be a lady? 1933’s Dancing Lady is already asking the question in its title. It stars Joan Crawford – 1933 Joan Crawford, before the batshit stare developed – as a dancer in a risqué burlesque show who, in the film’s opening moments, is being arrested for indecency by the cops. And is then bailed out by a Park Avenue swell who thinks he sees something in young Janie Barlow. What Tod Newton (Franchot Tone) sees, in fact, is another notch on his bedpost, but ambitious Janie is determined she’s not going to help him carve it. Instead, holding on tight to her honour, she decides to ride what she … Read more

Possessed

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Louise in bed in the hospital

Superb and quite mad, Possessed gives us Joan Crawford at full hatstand, eyes boggling, jaw tight, fists clenched, a portrait of an unhinged woman, a stalker before the term was coined. This melodrama from 1947 comes from a time when they knew how to do this sort of thing unapologetically. It opens calmly but oddly enough. After big, blaring, noirish opening credits we’re on city streets at dawn, where a discombobulated lone woman (Crawford) is stumbling about looking for someone called David. She’s clearly in the midst of some kind of breakdown and winds up in hospital, in the Psychopathic Ward, in a catatonic state. The doctor, after opining that there’s a lot … Read more

Sudden Fear

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Joan Crawford with her hands to her face

Joan Crawford did not do shading, subtlety or character acting. She did something much more gothic. Sudden Fear plays straight to her strengths, a “woman in peril” movie that starts out in the world of realism but slips gradually into the realm of the histrionic. In early scenes Crawford’s acting looks mummified, as if the light of naturalism had been shone on a museum artefact. Playing a writer whose latest Broadway smash is about to be staged, her Myra Hudson is meant to be a woman born rich who has nevertheless forged her own career away from daddy’s money, and become successful in her own right. And then she meets Jack Palance’s Lester … Read more

I Saw What You Did

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Libby, Kit and young Tess

Master of the kitsch gimmick William Castle’s 1965 shocker I Saw What You Did is a cautionary tale about the terrible things that happen to nice teenage girls who make prank phone calls. It’s also notable for being the last appearance in an American film by Joan Crawford. Though not her last film – 1967’s Berserk and 1970’s Trog were shot in the UK – it is like them a horror film, as befits a star who had been around since the 1920s and had become along the way a bit of a gargoyle. However, it’s not really about her. Instead attention focuses on Libby and Kit, two teenagers having a fun night … Read more

Daisy Kenyon

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Joan Crawford and Henry Fonda

Let’s just get this out of the way. Daisy Kenyon isn’t a film noir, even though it features on many noir “best of” lists. It’s a romantic melodrama of a very peculiar sort – “High powered melodrama surefire for the femme market” is how Variety described it on its release in 1947, in their odd, truncated way of communicating. More up-to-the-minute viewpoints can be found on Amazon – “NOT a true example of film noir”… “certainly not a film noir”… “DEFINITELY NOT FILM NOIR” – three of many. However, the tagging persists. It’s in the Fox Film Noir series of movies, its Amazon page pegs it as “Mystery & Suspense/Film Noir”, which is doubly, … Read more