Garret Dillahunt

Red Right Hand

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Close up of Orlando Bloom

We’re in Appalachia for Red Right Hand, latest film by the Nelms brothers, Eshom and Ian. And immediately having said Appalachia, the shades start to assemble. Poor lives on the margin. Cackling inbreeds. Illicit drugs. Attack dogs. Tattoos. Guns and hunting. God. The family. Male relationships that seem overly familiar. Check, check, check, check and check (plus a few more). No one seems overly intent on overturning the stereotypes in Orlando Bloom’s latest foray into action-hero territory. This he has been exploring, presumably since he and his agent sat around scratching their heads over what to do with his career – Lord of the Rings must have been lucrative but that was a … Read more

The Dead Don’t Hurt

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Vivienne and Holger sitting together under a tree

How much of The Dead Don’t Hurt could you cut out without hurting it? Quite a bit, I’m guessing. It’s a slow and steady western, and that’s at least partly the point of it, an exercise in style and genre that could be quite a bit shorter but also a fair bit longer without changing its complexion. The story it tells is archetypal as are the characters in it. But the focus is on the woman, unusually, which brackets this alongside Kelly Reichardt’s Meek’s Cutoff, another distinct and handsome movie with a female focus. It’s directed by Viggo Mortensen, who also takes a key role (he stepped in at the last second, apparently, … Read more