The Pawnbroker

Sol, with the bars of his pawnbroker's shop casting a shadow on his face

The Pawnbroker used to be a prestige movie, both when it came out in 1964 and for decades afterwards. It’s lost some of its sheen over the years, for a variety of reasons. Films referencing the Holocaust are no longer as scarce as they were when the Beatles were first conquering America. Rod Steiger’s star has also waned. Once seen as a rival to Brando, Steiger is now often regarded as a ham using Method techniques to disguise overacting. And the Method itself, of course, also no longer commands the respect it once did. There is still much to admire in the film though, and in Steiger’s performance, which he promised director Sidney … Read more

O.S.S.

Rogers and Masson

1946’s O.S.S. makes a strong case for Alan Ladd as the first James Bond, sort of, ish, in prototype. A new sort of spy thriller about a new sort of spy agency – the Office of Strategic Services was the forerunner to the CIA and had only been set up four years before – it was rush-released by Paramount, who knew that other studios were hot on their heels with similar movies. It’s written by Richard Maibaum, who’d go on to work on almost all the James Bond movies from the first, Dr No, to his death in 1991, aged 81. With that knowledge frontloaded, the experience of watching O.S.S. is indeed like … Read more