O.S.S.

Rogers and Masson

1946’s O.S.S. makes a strong case for Alan Ladd as the first James Bond, sort of, ish, in prototype. A new sort of spy thriller about a new sort of spy agency – the Office of Strategic Services was the forerunner to the CIA and had only been set up four years before – it was rush-released by Paramount, who knew that other studios were hot on their heels with similar movies. It’s written by Richard Maibaum, who’d go on to work on almost all the James Bond movies from the first, Dr No, to his death in 1991, aged 81. With that knowledge frontloaded, the experience of watching O.S.S. is indeed like … Read more

The Glass Key

Brian Donlevy, Alan Ladd and Veronica Lake

Watching The Glass Key you wouldn’t think it was the inspiration behind Kurosawa’s Yojimbo, which itself inspired Leone’s A Fistful of Dollars. But they’re in there if you peel back the 1942 fashions and noirish looks and swap out Alan Ladd for Toshirô Mifune or Clint Eastwood. Ladd plays the cool, smart, tough loner caught between various interacting groups of crooks, politicians, the police and the media, all in various ways in cahoots but falling out as an election swings into view and existing power dynamics are threatened. Ed Beaumont (Ladd) is a fixer for Paul Madvig (Brian Donlevy), a man who is himself a fixer, a shady operator trying to swing the … Read more

This Gun for Hire

Veronica Lake and Alan Ladd

The gun for hire in This Gun for Hire is Alan Ladd’s, here in the role that made him a star, his blond hair dyed black the better to play a character called Philip Raven, a hitman who’ll do in anyone anytime as long as the money is right. It’s also the film that first teamed up Ladd with Veronica Lake – three more features and a number of appearances in morale-boosting wartime musical revues were to follow – one of the great pairings of the film noir era. It’s an adaptation of Graham Greene’s redemptive novel A Gun for Sale, and tells the story about a hitman (Ladd) who kills a man … Read more