Sentimental Value

Father Gustav and daughter Nora

Imagine a standing ovation lasting for 19 minutes – enough time to have a bath. That’s what Sentimental Value got when it was shown at Cannes. Where, admittedly, they like this sort of thing – European, dense, non-genre, self-referential, serious, full of unsympathetic characters and recalling auteurs of the past. Bergman most obviously, and Persona in particular, a high point in his career of high points. There is a story, though it’s a jumping-off point for a series of meditations rather than a plot. After their mother dies, two sisters, Nora and Agnes, are slightly surprised and perturbed when estranged father, a cinema auteur whose best days are probably behind him, re-appears. Gustav, it … Read more

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