Kiss Me Deadly

Here’s Kiss Me Deadly, the American film that gave birth to the French New Wave, or so said both Jean-Luc Godard and François Truffaut, so that’s a claim made with some authority. It starts with a terrified woman flagging down a car containing private eye Mike Hammer and ends with another woman who opens a box containing nuclear material and bursts instantly into flames. In between one of the most abjectly nihilistic of the noirs, with not a smidgeon of light relief, not a smile, very little in the way of social nicety, and a detective who takes on a case not because he’s crusading for justice but rather, we sense, because there’s … Read more