Koen De Bouw

The Memory of a Killer

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Angelo with gun

A hitman’s final job. A cop on the case. A paedophile network run by very well connected men. Corruption at the top end of the police. What could easily have been an identikit crime thriller comes out as something a bit more in The Memory of a Killer, thanks to intelligent direction by Erik Van Looy, fine playing, in particular by Jan Decleir as the conflicted gun-for-hire on the home straight, music by Stephen Warbeck that dives into the rhythmic when the going gets tense, and editing that lifts the whole production a notch and helps make it look like it’s got more than a TV budget behind it. You might know it … Read more

The Man Who Sold His Skin

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Sam and his Schengen visa tattoo

“Sometimes I think I”m Mephistopheles,” guyliner-wearing conceputal artist Jeffrey Godefroi (Koen De Bouw) tells Sam (Yahya Mahayni) near the beginning of The Man Who Sold His Skin. Sam is the Syrian refugee Godefroi is about to sign up to be a living art work, and Godefroi’s declaration is as clear a reference as you need that this is an update on the Faust legend, albeit with a clever retooling for a more secular age – men no longer sell their souls, it’s their ass or, more decorously, their skin that’s in this game. The Arabic original title – translated as The Man Who Sold His Back – gets things a touch closer to … Read more