Masahiro Motoki

Touch

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Miko and Kristófer in the 1960s

Gentle and beguiling, Touch is a change of gear for director Baltasar Kormákur, the Icelander who made his name with a series of genre movies, like the homegrown thriller 101 Reykjavík, before heading to Hollywood where 2 Guns (with Denzel Washington) and Everest (Sam Worthington, Keira Knightley) showed he could handle big stars and big productions. That’s all dialled back here in a very human and quiet drama about a lone, ageing Icelander who, towards the end of his life and with a wife now dead, tries to find the young woman he fell in love with 50 years before. Kormákur chops between the eras. In the here and now Kristófer a grizzled … Read more

Gemini

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Kindly Yukio stuck in the well

Gemini director Shinya Tsukamoto was about 30 when he made his most infamous film, Tetsuo, which featured a man turning into a kind of scrapyard monster, complete with gigantic revolving hydraulic penis. Ten years later in 1999, nudging 40, here he is calmed down a touch, but not that much if the opening shots of Gemini – maggots crawling in meat, bedraggled rats feasting on what looks like an animal head – are anything to go by. Don’t expect restraint, in other words. Though there is a lot of taste and gorgeousness on display in Tsukamoto’s camerawork in early scenes as we meet a kindly noble doctor, his parents and beautiful amnesiac wife in … Read more