Melvyn Douglas

A Woman’s Secret

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Marian leans over the body of Susan

Thriller? Farce? A Woman’s Secret eventually collapses under the weight of its own indecision but until it does it’s a rapid-fire piece of brilliance, full of sparkling wit, weirdness, coded aberrant sexuality and lethal shenanigans including one woman trying to kill another, and that’s all in the first opening scenes. It was a flop, and it’s easy to see why. Read it as a thriller and it’s no good at all. But watch it as a camp front-of-curtain entertainment by showbiz folks for showbiz folks and it makes a lot more sense. The key roles are played by Gloria Grahame, who plays a big radio singer, who in opening scenes informs us that … Read more

Theodora Goes Wild

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Irene Dunne, Melvyn Douglas and Corky the dog

Almost a commentary on Hollywood’s transition from Pre-Code licence to Post-Code moralising, 1936’s Theodora Goes Wild is a breezy screwball comedy that straddles the decades with its opposition of conservative smalltown standards and liberal big-city values. Irene Dunne is the go-between, playing Theodora Lynn, a compliant daughter of the founding family of the small burgh of Lynnfield, but secretly also Caroline Adams, author of a work of racy fiction currently scandalising her staid puritanical aunts. Life for Theodora/Caroline continues on this twin track – dutiful mouse at home, sophisticated woman of the world on her visits to the city – until smoothie-chops New York book illustrator Michael Grant (Melvyn Douglas) takes a shine … Read more

Ninotchka

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Ninotchka and Count Léon

Because Ninotchka stars Greta Garbo, was directed by Ernst Lubitsch and was written by the great Billy Wilder and Charles Brackett, along with Walter Reisch, it tends to get an easy ride when talk turns to the momentous American films of the golden era. It was released in 1939 too, Hollywood’s annus mirabilis, which also helps. If it’s not quite the classic it’s often billed as it’s not far off. Its problem – let’s get the bad stuff out of the way to start with – is that it solves the question it poses early on, leaving its star slightly with nowhere to go. The question: how would a stern, utilitarian Communist react … Read more