Pedro Pascal

The Fantastic Four: First Steps

by
The Thing, Mr Fantastic, Invisible Woman and the Human Torch

The Fantastic Four: First Steps. The title is a joke, a reference to Marvel history and also an announcement – this, fanfare please, is the opening film in the Marvel Cinematic Universe’s glorious Phase Six. The joke. The Fantastic Four has taken many first steps before. It’s the failed-to-launch superhero franchise par excellence, with three damp squibs – two with Ioan Gruffudd and Jessica Alba and one with Miles Teller and Kate Mara plus assorted unremarkable FF walk-ons in other MCU movies. “Damp” may be overdoing it, but those three movies did not sweep all before them, let’s say. And then there was Roger Corman’s run at the material, with a movie in … Read more

Materialists

by
Lucy and Harry dance

Celine Song’s follow-up to 2023’s Past Lives is disappointing if you’re expecting Materialists to be more of the same – exquisite slow-burn romance done with a sadist’s sense of deferred gratification. Instead Materialists is… a satire? An attempt at a takedown of When Harry Met Sally soppiness? A reckoning with Clueless, Bridget Jones or Jane Austen’s Emma, as if to atone for having, in Past Lives, made some sort of modern classic? I don’t know. Ask Song’s therapist. What, ladies – this film takes aim at women – do eligible young women want? A financially sorted guy who has his own hair and a status job (finance), it seems. Tall, tall is mentioned several … Read more

Gladiator II

by
Paul Mescal looking thoughtful

As if made by the “if you like that you’ll like this” algorithm, Gladiator II takes all the bits you liked in the first film and does them all over again, with a bit more blood, a touch less swagger and far better CGI than Ridley Scott could muster in 2000. Scott is again at the helm, with quite a few members of the same technical team from the first film – DP John Mathieson most notably – a couple of the same actors in the shape of Derek Jacobi and Connie Nielsen, and pretty much the same storyline. The original Gladiator opened with a spectacular battle sequence, and so does this film – flaming fireballs … Read more

The Wild Robot

by
Rozz with gosling Brightbill in her hand

A shipwrecked robot adopts an orphaned gosling and learns to be a mother in The Wild Robot, a perky and poignant animation produced by DreamWorks and directed by Chris Sanders of How to Train Your Dragon fame. The bumf says Miyazaki and old Disney informed the look of the finished product, but the DreamWorks hit Ice Age is the dominant vibe – smart, anthropomorphised animals say the darnedest things, which seems to have been enough for most critics to give it the hearty thumbs up. I liked it a lot less, I have to say, though it does get itself together towards the end, when the quips are given a rest and Sanders and … Read more

The Unbearable Weight of Massive Talent

by
Nick Cage makes the palm hold fist salute

Hell yeh – The Unbearable Weight of Massive Talent is that sort of movie, a brash, fun one-joke affair with a concept strong enough to keep itself motoring until about half an hour from the end. Your mileage may vary. The joke comes in two versions. One is the Larry David one about a person playing a near-facsimile of themselves. Nicolas Cage here plays Nick (note extra “k”) Cage, a mega-acting legend who decides to pack it all in and then ends up in a real-life version of a Nicolas Cage movie – Con Air variety. The second iteration is borrowed from Adaptation (which Cage also starred in) and features a younger Cage double … Read more

Wonder Woman 1984

by
Gal Gadot in Wonder Woman gear

And so Wonder Woman 1984. Last time we saw Gal Gadot’s lasso-swinging Amazon she was helping to win the First World War, and now, nearly 70 years on, here she is again in the era of Armani suits and “greed is good” and in a year most closely associated with George Orwell. This is a big, heavy, beast of a film that’s too long, too slow, too dull, and if that is a political message about democracy that writer/director Patty Jenkins is trying to sneak in there, someone should really have told her not to. Gal Gadot remains a wondrous Wonder Woman, though, a flawless paragon of superherodom, and the story gets off … Read more