Paul Mescal

Hamnet

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Agnes and William running

Jessie Buckley does the acting and Paul Mescal once again plays Paul Mescal in Hamnet, a biopic of Shakespeare tilting the spotlight towards his wife, Anne Hathaway. Agnes, in fact, pronounced the French way, or that’s the way this sweet and salty adaptation of Maggie O’Farrell’s best-seller has it. Mescal, so often in a metaphorical leather jerkin, wears a real one this time around, playing the de-mythologised Shakespeare as stressed, hungover, doubtful of his own talents, a “useless… tradeless” (says his useless father) Latin teacher who meets a weirdo, “the daughter of a forest witch”, while she is out flying her hawk one day. He falls for her instantly, and she for him … Read more

The History of Sound

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David and Lionel

Paul Mescal and Josh O’Connor in a film together? Sold to that salivating wreck at the back of the room. The History of Sound has pulled off a casting coup, that’s for sure. Two of the hotmost of actors right now in the same movie. If you were to take a guess as to what sort of movie that might be – given their CVs of sexy and queer-adjacent stuff – you might go for something like a Brokeback Mountain remake. And that’s just what this is, dressed up in a different era’s clothes and with the two men committing themselves to the roles as a pair of students who meet at Boston … Read more

Gladiator II

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Paul Mescal looking thoughtful

As if made by the “if you like that you’ll like this” algorithm, Gladiator II takes all the bits you liked in the first film and does them all over again, with a bit more blood, a touch less swagger and far better CGI than Ridley Scott could muster in 2000. Scott is again at the helm, with quite a few members of the same technical team from the first film – DP John Mathieson most notably – a couple of the same actors in the shape of Derek Jacobi and Connie Nielsen, and pretty much the same storyline. The original Gladiator opened with a spectacular battle sequence, and so does this film – flaming fireballs … Read more

All of Us Strangers

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Adam with his father and mother

All of Us Strangers, Andrew Haigh’s first movie since the atypical Lean On Pete, sees him back in familiar Haigh territory – with a twist. “Familiar” means an intense, almost claustrophobic, relationship-focused drama, but the twist comes from the way Haigh tells his story. It’s a spooky, old-fashioned ghost story. Not, note, a haunted house story (though there is a haunted house in it). Nor is this a horror movie, though psychological horror lurks somewhere in the background. It’s a ghost story of MR James variety, a style of storytelling that’s having a bit of a moment in UK movies right now – see Joanna Hogg’s The Eternal Daughter for something on fairly … Read more

Aftersun

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Sophie and Calum

Thanks to Normal People, the BBC adaptation of Sally Rooney’s best-seller, for a while Paul Mescal was one of the most famous actors in the UK, and further afield. The world, as the Brits like to say, was his lobster. So it’s nice to see him lending his name to Aftersun, a debut movie by an unknown director, and one who’s taking risks with storytelling technique. It turns out to be a smart choice, since Charlotte Wells’s film is astonishingly well conceived and astonishingly well made. A bare-bones description: a dad and his daughter are on holiday in Turkey. Wells’s camera appears to be logging scenes from their time together as if showing … Read more