The Murderer Lives at Number 21

Suzy Delair and Pierre Fresnay

Agatha Christie, Alfred Hitchcock and (using a time machine) the Knives Out franchise jostle along chummily in The Murderer Lives at Number 21 (L’assassin habite… au 21), the 1942 feature debut by Henri-Georges Clouzot and a confident beginning by a film-maker who knows exactly what he’s about. Winking all the while at the audience, Clouzot gives us a murder right up front – a drunk in a bar who’s just won the lottery – done with a camera that slides between third-person omniscience to killer to victim, Clouzot as good as announcing himself as hugely talented before the film’s even got going, in the same way as the killer announces himself, with a … Read more

The Old Guard aka Les Vieux de la Vieille

Jean-Marie Péjat fixes a bicycle

You might not have seen 1960’s The Old Guard (aka Les Vieux de la Vieille), a charming French comedy of manners of the old school. But you might have seen Last of the Summer Wine, the British comedy currently holding the record for longest-running TV sitcom in the world. Since it ran 1973 to 2010 it’s a record in not much danger of being broken any time soon. They are almost identical in plot, tone and basic premise. Three old codgers, one of whom hasn’t seen the others for many years, reunite to reminisce, bemoan the lack of respect oldsters command these days and indulge in the sort of childish larks that exasperate … Read more