Richard Conte

Cry of the City

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Debra Paget, Richard Conte and Victor Mature

Threaded with religious sentiment like a 1970s Martin Scorsese or Abel Ferrara movie, 1948’s Cry of the City stars Richard Conte and Victor Mature as two Italian-Americans who knew each other as kids. Now grown up they’ve wound up on opposite sides of the law – Martin Rome (Conte) is a criminal languishing in a prison hospital after a heist gone wrong. Vittorio Candella (Mature) is the cop trying to chase down what happened. A cop also died at the scene of the heist so Martin Rome is heading for Death Row, if he survives. Aiming to use this to his shadowy client’s advantage, slippery lawyer WA Niles (Berry Kroeger) is also buzzing about … Read more

Call Northside 777

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McNeal in shirtsleeves with a coffee

Call Northside 777 tells the true story of a miscarriage of justice – Joseph Majczek framed for killing a cop in 1932 and sentenced to 99 years – and the crusading journalist from the Chicago Times who got the case overturned. The same story was the source material for Railroaded!, released the year before in 1947. It’s probably the better movie all told – better pace, fewer digressions – but Call Northside 777 has the advantage of a big spend and very well cast actors in its lead roles. James Stewart as cynical journalist PJ McNeal , Lee J Cobb as ballsy editor Brian Kelly and Richard Conte as the wrongly imprisoned man. Joe … Read more

Operation Cross Eagles

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Richard Conte

Operation Cross Eagles is the only film Richard Conte ever directed. Great at playing bad guys and constipated good guys, in Conte’s one and only go calling the shots he never quite works out what he’s meant to do with the camera and the film is a bit of a mess. That said, it is a fine example of a particular type of movie made at a particular time and came out the same year as Where Eagles Dare, 1968, which does the same thing but better. We’re talking not just about the adventure movie but about the adventure movie stacked with ageing thespians, in reality too old for the action hijinks their … Read more

The Blue Gardenia

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Norah on the phone

A young woman whose soldier boyfriend has just dumped her goes out for a drink with a known “wolf”. Drunk and vulnerable, she then heads back to his place, where, he tells her, there’s a party going down, only to discover that the party consists of just her and him. The next morning the very handsy Harry Prebble (Raymond Burr) is dead, beaten to death with a poker. Did sweet Norah (Anne Baxter) do it? Of course she didn’t – we know how these things go. But for the rest of this underwhelming thriller’s 85-minute running time we watch and wait for energetic journalist Casey Mayo and lacklustre cop Sam Haynes to arrive … Read more

Thieves’ Highway

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Mike Figlia, a haggling customer and Nick

Jules Dassin is so associated with Rififi (aka the best heist movie ever) that his other films tend to get eclipsed. Here’s 1949’s Thieves’ Highway, one of his run of great movies, which had got underway with Brute Force two years earlier. It’s the story of a guy who comes back from the war to find that his immigrant dad Yanko, a truck driver, has lost his legs in an accident and been swindled out of all of his money by an unscrupulous wholesaler. Determined to find answers, Nick buys a truck and takes to the road himself. Dassin gives us a movie that’s three things simultaneously. At one level a movie about … Read more

Whirlpool

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Husband and wife William and Ann

A diabolically brilliant plot is the making of Whirlpool, a very noirish whodunit from 1950, which gets off to a flying start with a rich psychiatrist’s wife, played by Gene Tierney at her most fragile, being caught shoplifting in a department store. Within seconds it’s been revealed that Ann Sutton (Tierney) is a kleptomaniac but rather than take her problems to her husband, the city’s go-to guy for mental problems, she’s been keeping her secret dark, which has now laid her open to manipulation by David Korvo (José Ferrer), a hypnotist, astrologer and all-round quack who is soon putting the squeeze on Mrs Sutton – she initially thinks he wants money or sex, … Read more

The Big Combo

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Brown (left) tortures Diamond (right) with a hearing aid

The Big Combo has a big reputation. A regular on the “best film noir” lists, it can’t quite match its rep and is more a solid crime thriller that’s been polished to a stygian gleam by excellent technicians, well chosen actors and some careful snaffles from other sources. The most obvious lift is from 1944’s Laura and its strange plot device of a cop falling in love with the image of a woman rather than the woman herself. That’s also what happens in The Big Combo, when upright and driven Lieutenant Leonard Diamond (Cornel Wilde) becomes infatuated with a mobster’s gal, Susan Lowell (Jean Wallace), even though he’s never met her. Susan is … Read more