Gene Tierney

The Iron Curtain

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Gene Tierney and Dana Andrews

Winston Churchill made his “iron curtain” speech on 5 March 1946. In late 1947, 20th Century-Fox went into production with The Iron Curtain, one of a rake of movies designed to prove to the House Un-American Activities Committee that its assertion – “subversive” Hollywood doesn’t make anti-communist films – was baseless. The fact that filming started two days after the “Hollywood Ten” had been blacklisted for refusing to answer HUAC’s questions is also significant. Considering its whens and wheres, the resulting film is a remarkably sophisticated work – it’s not just anti-communist propaganda but also a coded rebuke to the likes of Senators McCarthy and J Parnell Thomas and their prescriptive view of what … Read more

The Return of Frank James

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A dignified Henry Fonda as Frank James

So The Return of Frank James it had to be, what with Frank’s brother Jesse James having died at the end of his eponymous 1939 movie. No sequel featuring hotshot outlaw Jesse being possible, how about one all about his more grounded older brother, the big sell being that Henry Fonda had been persuaded to return to the role? Boring Frank to sexy Jesse, on the face of it that’s not much of a proposition. And yet director Fritz Lang squeezes a good movie out of it, by focusing on the film’s looks. This is one of the handsomest westerns ever made. Shot in Technicolor and using locations Lang had scouted while prepping … Read more

Where the Sidewalk Ends

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Mark Dixon with the man he's just accidentally killed

Not the best Otto Preminger film but a very good example of what he was about, Where the Sidewalk Ends is a film noir directed with maximum economy that re-teams Laura‘s golden pairing of Gene Tierney and Dana Andrews, he again impassive as you like, she almost unbearably long-suffering. It’s not much of a role for her, as Laura wasn’t in fact (her character was literally dead for most of it and for the rest of it represented ideal womanhood). But for Andrews it’s a great example of his abilities inside the noir genre, where minimalism is generally the best option. No one was more minimal than Andrews. He’s Dirty Harry before Dirty … Read more

Heaven Can Wait

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Henry spots Martha making a phone call

Here’s the logline that the IMDb is currently using for Heaven Can Wait – “An old roué arrives in Hades to review his life with Satan, who will rule on his eligibility to enter the Underworld.” Fair enough. It’s the line everyone inevitably takes when describing this 1943 movie, which cleverly sells a headline (the supernatural stuff) only to deliver something completely different. Yes, it does start out with Henry Van Cleve arriving in Hell, where the Devil, referred to as His Excellency throughout, refuses to grant Henry entry until he’s heard his story. And that’s the last we’ll see or hear of His Excellency until the dying moments of the film, when … Read more

Whirlpool

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Husband and wife William and Ann

A diabolically brilliant plot is the making of Whirlpool, a very noirish whodunit from 1950, which gets off to a flying start with a rich psychiatrist’s wife, played by Gene Tierney at her most fragile, being caught shoplifting in a department store. Within seconds it’s been revealed that Ann Sutton (Tierney) is a kleptomaniac but rather than take her problems to her husband, the city’s go-to guy for mental problems, she’s been keeping her secret dark, which has now laid her open to manipulation by David Korvo (José Ferrer), a hypnotist, astrologer and all-round quack who is soon putting the squeeze on Mrs Sutton – she initially thinks he wants money or sex, … Read more

Leave Her to Heaven

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An impeccably dressed Ellen in sunglasses rows a boat

Psycho wife alert, Leave Her to Heaven is melodrama of the first order, dressed to the hilt, played to the max and with Technicolor looks so lush that they border on the histrionic. If there’s an award for the best-looking film ever made, this has to be a contender. It’s a Darryl F Zanuck production and it looks like he’s taking aim at rival David O Selznick’s Gone with the Wind in terms of production values and storyline – an unhinged woman whose psychosis is so destructive it leaves a trail of broken people in its wake. Poor unwitting writer Richard Harland (Cornell Wilde) glimpses beautiful Ellen (Gene Tierney) on a train and is … Read more

Laura

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Laura with Shelby Carpenter

A complex psychological thriller masquerading as a film noir, 1944’s Laura is about three men who are bewitched by a woman so ethereally, transcendentally beguiling that it is entirely appropriate that, when director Otto Preminger takes the curtain up, Laura (Gene Tierney) is already dead. What follows is a basic whodunit pulled in various unusual directions. A for-instance: the cop on the case, Detective McPherson (Dana Andrews), invites one of the men suspected of killing her, Waldo Lydecker (Clifton Webb), to accompany him while he cross-examines other witnesses. What cop does that? Another: the cop doesn’t do very much actual investigating and instead spends an inordinate amount of time in the dead woman’s … Read more

Night and the City

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Harry with a silhouette of St Paul's Cathedral behind

Night and the City is often described as the best film noir out of the UK. It was made by an American director with a French sounding name, Jules Dassin, which is poetically appropriate at least since the US is the home of noir and it was the French who coined the term. The title is surely the noirest of the noir – both night and the city are key elements of the genre. But this is London-based, and with a vengeance. Dassin, having fled the House UnAmerican Committee’s McCarthyite witch hunt after taking Twentieth Century-Fox’s Darryl F Zanuck’s advice to make himself scarce and head to London, took full advantage of a … Read more