Richard Widmark

No Way Out

by
Linda Darnell, Sidney Poitier and Richard Widmark

Issue-driven but dramatic enough and making political points that still resonate, No Way Out is a film about racism and stars Sidney Poitier in his first major role. He’s 22 and his self-assurance is both remarkable and one of the key selling points of director Joseph L Mankiewicz’s film. Poitier plays Dr Luther Brooks, a black doctor in a very white hospital where – as Mankiewicz and co-writers Lesser Samuels and Philip Yordan’s go to great pains to show – Brooks is treated as an absolute equal by his fellow doctors. In particular Dr Dan Wharton (Stephen McNally) and hospital administrator Dr Sam Moreland (Stanley Ridges). Don’t be fooled, black lift operator and … Read more

Don’t Bother to Knock

by
Richard Widmark and Marilyn Monroe

The casting is crucial to the success of Don’t Bother to Knock as a taut psychological drama. On one side two actors – Richard Widmark and Elisha Cook Jr – known for playing weirdos, psychos, oddballs or generally damaged individuals. And on the other is Marilyn Monroe. In her first lead role, after a series of minor cheesecake roles and light comedies, it’s actually Monroe who’s the proper whacko in this strange story centred on Nell Forbes (Monroe), a disturbed young woman who is babysitting a little girl for one night when by rights Nell should probably be in an asylum. As for Cook and Widmark, the former plays Nell’s decent uncle Eddie, … Read more

The Street with No Name

by
Mark Stevens, Barbara Lawrence and Richard Widmark pose for a publicity shot

Full of guys with nicknames like Mutt, Shivvy and Whitey, 1948’s The Street with No Name is your tough, streetwise crime drama making many claims to authentiticity. It was one of a run of “semi-documentary” movies made around this time, often by Twentieth Century-Fox, and shot out on the streets, in the bars and at the racetracks where ordinary Americans lived their lives in the boom that followed the Second World War. Don’t get too cosy is the message, delivered via stern voiceover and onscreen teleprinter in the film’s opening moments – gang activity is starting to re-assert itself now the peace has been won, it declares in so many words. If the … Read more

Night and the City

by
Harry with a silhouette of St Paul's Cathedral behind

Night and the City is often described as the best film noir out of the UK. It was made by an American director with a French sounding name, Jules Dassin, which is poetically appropriate at least since the US is the home of noir and it was the French who coined the term. The title is surely the noirest of the noir – both night and the city are key elements of the genre. But this is London-based, and with a vengeance. Dassin, having fled the House UnAmerican Committee’s McCarthyite witch hunt after taking Twentieth Century-Fox’s Darryl F Zanuck’s advice to make himself scarce and head to London, took full advantage of a … Read more