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Police Story

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Jackie Chan in Police Story

There are plenty of people who think of Jackie Chan as a brilliant martial artist who has squandered his gifts on silly comedy. Even they, the Chan purists, acknowledge the brilliance of Police Story, Chan’s best film. And now that we’re in 2013 and Chan is nudging 60 years old, he’s never going to trump it. From the opening scenes in which Chan hangs on to a double decker bus with an umbrella as it careens around Hong Kong, to the final sequence in a shopping mall during which he smashes through glass, hops from one escalator to another – not forgetting the most gob-smacking of all, the downhill drive through a shanty town … Read more

Persuasion

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CiarĂĄn Hinds and Amanda Root in Persuasion

Before popping up seemingly out of nowhere when he directed Notting Hill, Roger Michell had had a successful career as a theatre director, at the groundbreaking Royal Court Theatre in London with Samuel Beckett and John Osborne (where he also met Danny Boyle), before moving on to the Royal Shakespeare Company (RSC) and then switching to directing for TV. Persuasion was his second gig for the BBC, and considering that stories of difficult love (Notting Hill, The Mother, Venus) would be his future, and the theatre was his past, it is the Venn diagram overlap of the two spheres. His cast for Persuasion is theatrical through and through, Amanda Root (an RSC stalwart) … Read more

The 39 Steps

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Madeleine Carroll handcuffed to Robert Donat in The 39 Steps

There are several filmed versions of John Buchan’s novel. The other two notables have Kenneth More and Robert Powell in the lead. But this one, in spite of its antiquity, is the best. It stars debonair, pencil-moustached Robert Donat as the innocent man forced into going on the run after accidentally getting caught up at the wrong end of someone else’s spying caper. The “innocent” theme was something Alfred Hitchcock was already comfortable with in 1935 and one which he’d return to repeatedly, most notably in North by Northwest. If you’ve read John Buchan’s original book, you’ll know The 39 Steps is a taut thriller full of derring-do, a rattling good read even … Read more

The Spy Who Came In from the Cold

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Richard Burton in The Spy Who Came in from the Cold

Based on the breakthrough novel by former spy John Le CarrĂ©, shot in black and white to suggest that espionage is unglamorous, dirty work and starring a hollowed out Richard Burton, The Spy Who Came In from the Cold is as far from James Bond as it’s possible to get – further, even than Michael Caine’s Harry Palmer of the Ipcress File. Telling the story of a jaded spy who is busted to a desk job in London and then recruited by East German intelligence – or that’s what they think – it’s a bleak marvel, as redolent of the drab side of the 1960s as the smell of a wet duffel coat. Martin … Read more

Song of Summer: Frederick Delius

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Max Adrian as Frederick Delius in Song of Summer

Any follower of British arts programmes on TV, from the South Bank Show backwards, will be aware of the bleating of Ken Russell and his ilk that no one really makes ’em like they did in the Sixties, when clever chaps freshly down from Oxbridge would be sent out with a curmudgeonly working-class crew and instructed to make films on anything that took their white-shirted fancy. Well, I have to report that Russell’s 1968 B/W film on Delius does back him up. Detailing the strange five-year relationship between Eric Fenby, the young amanuensis who helped blind dying syphilitic Frederick Delius complete some of his most noted works, it is very good indeed. Russell wasn’t … Read more

Jazz On A Summer’s Day

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Anita O'Day in Jazz on a Summer's Day

Back when cats wore hats, stills photographer Bert Stern, fresh from his famous shoot with Marilyn Monroe in the buff, went off to the 1958 Newport Jazz Festival and made a film about Louis Armstrong, Thelonious Monk, George Shearing, Dinah Washington, Anita O’Day, Mahalia Jackson, Jack Teagarden, Gerry Mulligan, and even Chuck Berry, as they displayed their formidable talents and charismas for the moneyed and honeyed of Rhode Island. It is the only film Stern ever made and the result is a colourful impressionistic blur – the musicians are at their relaxed best, and the audience is no less entertaining, decked out in what looks now like the finest retro-chic hip, all digging … Read more

Nosferatu

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Max Schreck as Nosferatu

Murnau’s 1922 silent expressionist classic is one of defining moments in movie-making. It borrowed its story wholesale from Bram Stoker’s Dracula, gave it the lightest of resprays and hoped no one would notice the theft. Bram Stoker’s widow noticed and sued for breach of copyright, won the case and had all the prints of Nosferatu destroyed. But the film refused to die, and rose from the undead. Its star, who plays Count Orlok (aka Nosferatu), is one Max Schreck, “Schreck” being the German word for terror. Maximum Terror – and you thought modern Hollywood had a lock on this sort of thing. Adding to that in terms of myth-making, it was always rumoured that … Read more

The Matrix

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Laurence Fishburne and Keanu Reeves, The Matrix

Who has not seen The Matrix? It’s the Gone with the Wind and Star Wars of our era, a phantasmagoria in black leather open to multiple readings that was already being described as mind-bending and complex before it even debuted. From this distance it all seems as clear as water – Mr Anderson (Keanu Reeves), a disaffected slacker/hacker is invited to visit another plane of awareness, from which vantage point he can see that the plane he once inhabited, what he thought of as the “real” world, is in fact a construct, assembled by a computer program. Strip away the program and in the real “real world” humans are being grown in tanks … Read more

Colonel Redl

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Klaus Maria Brandauer as Colonel Redl

Colonel Redl is an adaptation of John Osborne’s play A Patriot for Me and charts the rise and fall of a soldier with opportunism where principles should be. It’s a sumptuous affair set in the dog days of the Austro-Hungarian empire and builds slowly towards a painfully frenzied climax, as did the previous collaboration between director IstvĂĄn SzabĂł and actor Klaus Maria Brandauer. And as in Mephisto we’re following a man of few scruples making his way from relative obscurity to the top of his tree – the secret service in this case. Redl was a real man, an officer in the espionage wing of the Austro-Hungarian army who sold his country’s war … Read more

Finding Forrester

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Sean Connery in Finding Forrester

A young ghetto kid (Rob Brown) breaks into the local recluse’s house only to discover it’s his literary hero, an author whose one novel has been followed by nothing except a mysterious silence for 40 years. The gruff old codger doesn’t bark at the kid and send him on his way. Nor does he shoot him with the gun he keeps on his bedside table. He doesn’t do either of these things because we’re in master-and-protĂ©gĂ© territory, a fact which director Gus Van Sant cunningly seems to have made us fully aware of before the film has announced that that’s what it is. And he’s done that maybe to dial down our expectations. … Read more