Gus Van Sant

Dead Man’s Wire

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Tony Kiritsis with Richard Hall on the end of his lethal wire

In 1977 Tony Kiritsis walked into a loan company in Indianapolis and took mortgage broker Richard Hall hostage. With a gun to his hostage’s head, and a wire connecting Hall’s neck to the trigger, Kiritsis had the broker where he wanted: any interference and Kiritsis would pull the trigger; should Hall make a sudden movement, then the “dead man’s wire” would activate the trigger. The police, who were soon on the scene, were helpless. Kiritsis had a beef with the company, which he claimed had lent him a lot of money to develop a shopping mall and then engineered things so the project would fail. In the process Kiritsis had gone bust and, … Read more

Finding Forrester

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Sean Connery in Finding Forrester

A young ghetto kid (Rob Brown) breaks into the local recluse’s house only to discover it’s his literary hero, an author whose one novel has been followed by nothing except a mysterious silence for 40 years. The gruff old codger doesn’t bark at the kid and send him on his way. Nor does he shoot him with the gun he keeps on his bedside table. He doesn’t do either of these things because we’re in master-and-protégé territory, a fact which director Gus Van Sant cunningly seems to have made us fully aware of before the film has announced that that’s what it is. And he’s done that maybe to dial down our expectations. … Read more