Sirât
If ringing the changes is the big challenge of genre cinema, Sirât pulls it off brilliantly. Occasionally the workings of writer/director Óliver Laxe’s mind are visible – how can I catch the audience off guard? Mostly they’re not. And that’s probably down to the people and the places – both unusual. It’s two genres in one, really. In one, a father and son are trying to track down a missing daughter/sister in Morocco – a road movie. In the other the father/son brush up against a contingent of old ravers, the ones who didn’t go home when the party finished, and end up hooking up with them, certain that they will lead them to the … Read more