Pan’s Labyrinth
It’s not every fantasy film that comes complete with a scene of a brutal fascist captain sewing his own face up, but that’s what you get in Guillermo Del Toro’s best film since The Devil’s Backbone (better, certainly, than Blade II and Hellboy). It’s a dark fantasy reminding us that the Grimm brothers’ original tales were cautionary and soaked in violence and full of the sort of dirty psychological motivation that Disney flirted with in Snow White and Pinocchio. However this youthful experimentation wasn’t to last, and as with the pot reefer and student politicians, Disney, it seems, never actually inhaled. More’s the pity. No such cutes or evasiveness here, where things start … Read more