Month: January 2013

The Ladykillers

      Now that there’s a new team at Ealing Studios, using an illustrious old name to sell underweight product (St Trinian’s, Dorian Gray, Burke and Hare) it’s a good time to look back at 1955’s The Ladykillers, the last classic of the studio’s golden era. Its director, Alexander

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In the Mood for Love

    Escape the tyranny of the huge flatscreen TV for an evening and surrender to a slow-moving visual feast best seen on the big screen in a darkened room with lots of people barely breathing. They’re holding their breath for a variety of reasons. The gorgeousness of Christopher Doyle’s

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4 February 2013-02-04

 Out in the UK this Week   Untouchable (EV, cert 15, Blu-ray/DVD) A rich white tetraplegic (François Cluzet) gets lessons in life from a lusty black guy from out of the projects (Omar Sy). Untouchable (Intouchables in French, and the plural is there for a reason) is the most successful

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Dog Day Afternoon

    Look at all those 1960s heist movies – gents with David Niven accents in cat-burglar outfits effortlessly walking out of Monte Carlo with a heist of diamonds. How different the 1970s heist movie. In the decade when it became apparent that, economically, everything was falling apart, director Sidney

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The Phantom of the Opera

    Gaston Leroux’s famous story of the Phantom – who lives in the bowels of the Paris opera house, falls for a pretty singer and wreaks terrible revenge when she won’t play footsie – seems to have a strange effect on artists. Leroux went super-gothic – very pretty girl,

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The Leopard

    Visconti’s masterpiece is one of the best examples of the period epic ever made, a film that makes Merchant/Ivory look like kids messing about with the dressing-up box. It tells of the arrival of democracy in Italy and the decline of the fine old aristocratic way of life,

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Aleksei Kravchenko in Come and See

Come and See

      Best Of lists are designed to infuriate, obviously, to provoke debate. But even so, it seems beyond the realms of the credible that Elem Klimov’s Come and See only made it to number 71 when UK television’s Channel 4 ran a Best War Movies Ever poll a

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28 January 2013-01-28

Out in the UK This Week     Holy Motors (Artificial Eye, cert 18, Blu-ray/DVD) From Leos Carax, who only seems to manage one feature film a decade, a unique and remarkable French film that only starts to make sense towards the end, after Kylie Minogue has sung us a

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Eraserhead

      David Lynch’s first full length film was made piecemeal between 1971 and 1977 and is the perfect visual accompaniment to an era obsessed with industrial decay – check out the music of Cabaret Voltaire or Throbbing Gristle for the aural equivalent. It follows a passive, expressionless man

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The Third Man

    So much is right about the Third Man that could have gone so wrong. Producer David O. Selznick wanted it shot entirely on studio sets. Director Carol Reed disagreed and won, which is why it’s shot on the dank streets of post-war Vienna, a city as overrun with

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