Out in the UK This Week
Holy Motors (Artificial Eye, cert 18, Blu-ray/DVD)
From Leos Carax, who only seems to manage one feature film a decade, a unique and remarkable French film that only starts to make sense towards the end, after Kylie Minogue has sung us a song. Like Pola X, his last (in 1999), it’s a highly gothic, amphetamine rave of a movie, a mad mix of situationist vignettes following Denis Lavant (who surely should get some award for sheer physicality) as he works his way through a series of disguises, one of which involves being dressed as a mad tramp and kidnapping a model from a photo shoot (played by Eva Mendes). To explain what the plot is about is to ruin it. Just watch it.
The Queen of Versailles (Dogwoof, cert E, DVD)
What luck. When a documentary maker starts out making Documentary A, only to find that they’re sitting on top of a much bigger story. Andrew Jarecki’s Capturing the Friedmans (nice Jewish family turns out unexpectedly to be anything but) being a prime example. Something similar has happened to Lauren Greenfield. On the way to making a film about “the biggest house in America” – said building being a self-confident, unashamed avowal of success or a nouveau riche monstrosity, depending on your class loyalties – her subjects, timeshare magnate David Siegel and his blonde trophy wife Jaqueline run smack dang into the financial crisis that’s now enveloped us all. Greenfield keeps the camera rolling and, as private jets are swapped for trips on commercial airlines, and Jaqueline’s jaw hits the floor when the Hertz guy tells her the rental car doesn’t come with a driver, we’re fed a fresh portrait of these recessionary times that asks us to feel billionaire pain. Why this works is because it’s the whole financial mess the western world is in boiled down to one fascinating, frequently boggling story.
Looper (Entertainment One, cert 15, Blu-ray/DVD)
Brick was high-school noir, now director Rian Johnson and actor Joseph Gordon-Levitt bring us future noir, a walk through Philip K Dick territory in which Gordon-Levitt plays a heartless hitman offing guys from the future. Until his own future self (played by a soulful Bruce Willis) arrives on the scene. Seen in some quarters as “the 21st century’s The Matrix” – wasn’t that Inception? – Looper efficiently does what sci-fi movies about the future do. It seemingly explores the paradoxes of time travel but mostly it just fucks with our heads. Initially cool, increasingly chaotic, ultimately slightly disappointing, this is nevertheless a worthwhile dystopian sci-fi. The 21st century’s Blade Runner. How’s that?
Ashes (Entertainment One, cert 15, DVD)
Ray Winstone as a hardman with Alzheimer’s – that’s the USP of this unusual gangster thriller also starring Jim Sturgess as Winstone’s son, who busts him out of the clinic and takes him on a road trip for one last hurrah. The whole thing plays like a cross between Rain Man (the trip) and Unforgiven (is Winstone going to recover his mojo and strap the guns back on?). But Ashes has a few twists up its sleeve that certainly got me leaning forwards. Sure, Alzheimer’s as a subject isn’t exactly going to revive the fortunes of Blockbuster but it does allow Winstone to stretch a bit and co-star Jim Sturgess, so out of place as Anne Hathaway’s beau in One Day, is right on the money here too.
5 Broken Cameras (New Wave, cert E, DVD)
The cameras of the title belong to a Palestinian peasant whose land was cut in two by the Israeli security barrier. We get to see just how they got broken – a bullet is lodged in one, which gives you some idea. A nifty hook on which to hang a documentary and surprisingly the picture it paints of the Israeli army isn’t such a bad one. It’s the Jewish guys in hats and ringlets settling the Palestinian territory who don’t come out of this so well.
Paranorman (Universal, cert PG, Blu-ray/DVD)
Not to be confused with Frankenweenie, though there’s definitely some Tim Burton in Paranorman somewhere, here’s an animated kiddie-flick in the new Aardman style (CGI pretending to be claymation) about a boy who can see dead people. It takes a hell of a time to get going but then manages a good 40 minutes of fast Roald Dahl-style ghostly fun before heading for the icky ending someone in a suit decreed. If you’re really young, you’ll probably like it.
Keep the Lights On (Peccadillo, cert 18, Blu-ray/DVD)
A decade in the relationship of a New York gay couple – from frenzied early coupling, through crack pipes and promiscuity to… well let’s not ruin the ending. It’s a part-autobiography by writer/director Ira Sachs, and like his Forty Shades of Blue it’s got a distinctive tone of voice, is fresh, non-clichéd and very real. Apparently Sachs is doing a film about elderly gay guys next, starring Michael Gambon and Alfred Molina. Should be interesting.
© Steve Morrissey 2013