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James Stewart? Doris Day? Alfred Hitchcock? No. Instead meet Colin Wallace, a retired real-life spook who got heavily involved in the UK government’s undercover operations in Northern Ireland during the Troubles, blew the whistle when his paymasters started asking him to start smearing democratically elected politicians, then wound up
Antarctica is a Booksmart-style comedy about a couple of high school girls, friends who don’t fit in, cocky and standoffish as a defence against the scorn they get from fellow schoolmates. They are not cool. They have fairly OK home lives which they think are horrible, a perfectly decent
There are two interesting things going on in Scare Me, what looks at first glance (and probably deliberately) like a Stephen King-style horror story about a writer having a tough time of it out in a cabin in the woods. Director/writer Josh Ruben also plays struggling writer Fred, here
In 2006 a Leeds-based American man called Asta Philpot visited a brothel while on holiday in Spain. He got laid. Nothing unusual there, except Asta was born with arthrogryposis, a condition that means he could barely move. Having enjoyed himself and suddenly realising that he didn’t necessarily have to
Shirley is your madwoman’s breakfast, a seething mass of dramatic tropes held together by a distinctly 1940s Freudian thriller atmosphere and populated by characters from a hall of mirrors. Elisabeth Moss plays real-life novelist Shirley Jackson (even Moss is cagey about how close her Shirley is to the original),
Having played the junior James Bond figure Alex Rider in Stormrider, and then a few teenage heartthrobs before bulking up to become a kind of Channing Tatum in waiting, Alex Pettyfer takes control of his own destiny by starring in his own film. It’s his directorial debut and a
One of three 2014 Kristen Stewart films that seemed designed to shift her image out of Twilight territory and into something with a bit more actorly grunt, Camp X Ray works better as brand realignment than as drama. The other two were Clouds of Sils Maria and Still Alice,
It was reading about his highly anticipated 2020 film Ammonite that jolted me into the realisation that I’d never got around to seeing God’s Own Country, former actor Francis Lee’s 2017 debut as writer/director. It was on the must-watch list and then another load of must-watches came along and
Christmas movies. They’re churned out by TV channels, who plop a cute jumper on a couple of their botoxed, permatanned stars, add a bit of grog to a romantic plot involving the healing of a family rift – or something – and there you are, 90 minutes (perhaps 120 with
Stab a human being in a vital area of the body and what happens? In most movies, after one clean thrust a modicum of blood seeps decorously into an item of clothing and the victim promptly drops dead. But this is a Brandon Cronenberg movie and Brandon is the
