Josh O’Connor

Rebuilding

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Callie-Rose and Dusty sitting on a fence

In plain language Rebuilding doesn’t sound like much of a proposition. A guy whose farm has been burnt out by a devastating fire tries to put his life back together while taking shelter in a Federal Emergency Management Agency trailer. That’s it. But give it a bit of space, as director/writer Max Walker-Silverman gives his characters space, and it rewards the interest. It’s a warm and lovely film at many levels, but a psychologically nuanced one too. The fire is a metaphor. When we first meet Rusty (Josh O’Connor) he’s selling off what’s left of his cattle and pitching up at the FEMA camp for people whose farms and homes have been destroyed. … Read more

The History of Sound

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David and Lionel

Paul Mescal and Josh O’Connor in a film together? Sold to that salivating wreck at the back of the room. The History of Sound has pulled off a casting coup, that’s for sure. Two of the hotmost of actors right now in the same movie. If you were to take a guess as to what sort of movie that might be – given their CVs of sexy and queer-adjacent stuff – you might go for something like a Brokeback Mountain remake. And that’s just what this is, dressed up in a different era’s clothes and with the two men committing themselves to the roles as a pair of students who meet at Boston … Read more

The Mastermind

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James Mooney on the run

Loved by lovers of French film who can tell their Bresson from their Melville, The Mastermind is a touch inert if you come to it expecting what it’s billed as – an art-heist thriller. Instead Kelly Reichardt and her star, Josh O’Connor, cook up something altogether more speculative, meditative. Dull? We are largely denied the joys of the heist movie – watching a meticulously planned operation as it is put into play. Instead Reichardt does a “what if?”. What if the mastermind is at the last minute called on to mind the kids, for instance. Just one of many handfuls of grit thrown into the well-oiled machine – which isn’t that well-oiled in … Read more

Lee

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Lee smoking a cigarette

Before Lee we’d kind of already had a movie about Lee Miller. Kirsten Dunst’s character in Civil War, an old-school photojournalist, had been named Lee in honour of Lee Miller, so she said, and her character was clearly modelled on Miller’s. Now here’s the real thing, a representation at least, with Kate Winslet applying herself to the task of playing a woman whose life was so interesting that the movie can afford to pretty much toss away her first flush – life as a model and muse palling about with Man Ray, Picasso and the like in the 1920s. So, flapper not so much, snapper it is, this being Lee Miller the Sequel, … Read more

La Chimera

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Arthur with an ancient Etruscan artefact

Halfway through making La Chimera, its star Josh O’Connor took a break and went off to make Challengers for Luca Guadagnino, then came back to Italy to finish off for Alice Rohrwacher. Since his breakthrough in 2017’s God’s Own Country, after five or so years of plugging away, these days everyone wants a piece of O’Connor. They’re not remotely similar roles – a tennis player in Challengers, a graverobber in La Chimera – but from the actor’s point of view they have something in common. Both are essentially unlikeable people the audience needs to feel something for, and does, because O’Connor, as he also demonstrated in God’s Own Country and then Only You … Read more

Challengers

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Art and Patrick kissing Tashi

Structured like a game of tennis, pinging back and forth over a chronological net, Challengers tells the story of three people locked together in an unsavoury menage. A big, panting melodrama of the sort Douglas Sirk would recognise, it’s thrillingly conceived, ingeniously constructed and plays out impressively but overstays its welcome like a tie break that will not deliver a victor. And that’s your lot for tennis metaphors. It starts at the end, where once-friends and now-rivals Art Donaldson (the solid plugger) and Patrick Zweig (the naturally talented bad boy) are at a tournament playing the game of their lives, though how important that game is won’t become apparent until the film reaches … Read more

Hope Gap

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Annette Bening and Bill Nighy

About as unfashionable as they come, Hope Gap has two and a half great actors in it and tells a tender story with great compassion. It’s an adaptation of writer/director William Nicholson’s play The Retreat from Moscow and though Nicholson throws in scenes set on the cliffs and by the sea as often as possible, in an attempt to cinematify things, this is obviously a chamber piece that doesn’t in any case need them. Instead it gets its power from the gulf between what is said and what is unsaid, and the interaction of the two. The two great actors are Annette Bening and Bill Nighy, playing a long married couple called Grace … Read more

God’s Own Country

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Josh O'Connor and Alec Secareanu

It was reading about his highly anticipated 2020 film Ammonite that jolted me into the realisation that I’d never got around to seeing God’s Own Country, former actor Francis Lee’s 2017 debut as writer/director. It was on the must-watch list and then another load of must-watches came along and it got lost. Thanks to the imminence of Ammonite, amends have now been made. “God’s own county” (not “country”) is what proud Yorshirefolk call England’s biggest (and once richest) administrative region, a sentiment not shared by the protagonist of this tale of big emotions played out on small canvases. Johnny (Josh O’Connor) hates Yorkshire, he hates the family farm he works on with his … Read more