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If the characters from Dr Strangelove somehow escaped and eventually found themselves in a Tarantino movie, it might look like One Battle After Another. A 1970s-vibing, magpie-thieving, funny and relentlessly entertaining ride, director Paul Thomas Anderson’s movie is basically one gloriously extended chase with added spiritual input from Hitchcock, the Coens and Paul Greengrass (plus … Read more
Light-hearted, ironic, passionate, frivolous, lush, beautifully made and full of little jokes, The Earrings of Madame de… is the sort of self-consciously filmic film that film-makers love but audiences are less enthusiastic about. It was a favourite of Kubrick. Douglas Sirk described it as perfect. When it got its Criterion Collection release Paul Thomas Anderson did … Read more
The year is 2073 and in a post-apocalyptic world a survivor of a climate catastrophe ekes out a meagre existence in New SanFrancisco, a colony of survivors in a world divided into the billionaire class and the rest. Cities are shattered, settlements are flooded. Unlucky non-billionaires like Ghost (Samantha Morton) scurry about in the wreckage, … Read more
If the supposedly highly autobiographical The Mother and the Whore (La maman et la putain) is anything to go by, its writer/director Jean Eustache was a cock, a pseud and the sort of blowhard who could dish it out but not take it. A flattering portrait it is not but what’s usually considered Eustache’s best … Read more
Manslaughter mispronounced as “man’s laughter” – by a cop! I laughed, so shoot me with a service pistol. The Naked Gun, back after nearly 30 years and with Liam Neeson now playing Frank Drebin Jr, son of the cop originally played by Leslie Nielsen, is funny. Not, perhaps, as funny as the original, but it … Read more
František Vláčil’s The Valley of the Bees (Údolí včel) got a fairly cool reception when it came out in 1968, even though his previous film, Marketa Lazarová, had been a success. Maybe they followed too hard on each other – Bees came only four months after Lazarová. Maybe the same 13th-century setting failed to hit … Read more
Ryûsuke Hamaguchi originally intended Evil Does Not Exist to be a 30-minute short but realised somewhere along the way that he had the makings of a bigger film on his hands, one that’s part thriller, part meditation on (and manipulation of) audience sympathies. In a variation on the WB Yeats line “There are no strangers … Read more
Often pitched as Robert Bresson’s most accessible film, Four Nights of a Dreamer (Quatre nuits d’un rêveur) is, for him, a wild ride. Not exactly pulsing with vivid event, perhaps, but by Bressonian standards highly unusual. The people in it, for example, actually act, rather than read out the words with as little emotion as … Read more
It’s taken a long time but maybe that’s as it should be. As Spinal Tap II: The End Continues opens, the cultural landscape is awash with ancient rockers back on the road cranking out their greatest hits one last time. In that context the four decade gap since the original movie isn’t all that inappropriate. … Read more
The title Fudoh: The New Generation begs the question: was there a Fudoh: The Old Generation? There wasn’t, strictly speaking, though there was a manga series called Fudô, which Takashi Miike based this film on. And there were some subsequent regenerations, with Fudoh 2 and 3, neither of which were directed by Miike. Miike was … Read more
Lucile Hadžihalilović has been making films like The Ice Tower ever since her feature debut, 2004’s Innocence, an allegorical semi-fairytale in which a young Marion Cotillard played a pivotal role in a story that wasn’t about her character at all. Same here – Cotillard pivotal, playing Cristina, an actress in a very non-specific 1970s whose … Read more