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En route to winning the Nobel prize for literature in 2014, Patrick Modiano co-wrote Lacombe Lucien with Louis Malle, not only a pitiless study of sociopathic human behaviour but a rebuttal of the dearly held notion in France that amost everyone during the Second World War was in the Resistance. It did not go down … Read more
The national myths of one country don’t necessarily click with a foreign audience. Harbin, about Korean freedom fighters battling to throw off the Japanese yoke, makes the point abundantly. If you’re Korean it’ll almost certainly mean more to you than it did to me, a Brit, who without the added zing of patriotic feeling and … Read more
It’s either a western that looks like a hard-boiled yakuza movie or vice versa, but whatever it is 1967’s A Colt Is My Passport is a fantastically stylish affair. In pin-sharp monochrome it borrows from manga, Sergio Leone, Robert Bresson and Jean-Pierre Melville and it made enough of a mark on the young Denis Villeneuve … Read more
Horror? You might expect something with the title of I Want to Eat Your Pancreas to be about the eating of body parts. Instead it’s an animated terminal-illness weepie, along the lines of The Fault in Our Stars, and though it suffers from the big problem most of these things have – implausibly fragrant decline … Read more
Playing the child murderer in Fritz Lang’s M bought Peter Lorre his ticket to Hollywood, where he soon tired of playing exotics and weirdos. He was already Hollywood’s go-to creep when he made The Face behind the Mask in 1941. It follows a naive watchmaker who arrives in New York off the boat from old … Read more
The bold experiment ultimately doesn’t quite pay off in Nickel Boys, an adaptation of Colson Whitehead’s novel struggling to find a way of dealing with Whitehead’s fancy plot reveal towards its end – someone isn’t who we thought they were. Whitehead’s book tells the story of a poor black youth in 1960s America whose application and … Read more
What is it Tarantino says, about all movies being interesting even if they’re not all good? I Eat Your Skin is a case in point. Not great but absolutely fascinating, it started life in 1964, when it went by the title Zombies, gaining the name it’s now stuck with when a distributor was looking for … Read more
A strangely old-fashioned supernatural comedy from Aziz Ansari, still probably best known for Parks and Recreation, who wrote, directed and stars in Good Fortune, a so-nearly-great feature debut falling over itself in its desire to pack everything in. The opening shot of Keanu Reeves stood on top of a monumental building kitted out in angel’s … Read more
The Seduction of Inga is a direct sequel to its soft-porn predecessor from three years before, 1968’s Inga. Its main claim to fame these days is that it contains music by Benny Andersson and Björn Ulvaeus, aka the two guys from Abba. It’s rumoured that Björn was also offered a role in the film, but … Read more
“Pretty policemen” is what they used to call the cops who entrapped gay men in public toilets. Tom Blyth plays one in Plainclothes, an old-school gay movie in many respects, set in the 1990s and all about the trials of the closeted homosexual man. It’s intimate – human-emotions intimate rather than body-parts intimate – and … Read more
There are two versions of Requiem for a Heavyweight. The original was a 1956 TV movie starring Jack Palance as the ageing, punch-drunk boxer finally hitting the existential canvas. This movie version from six years later swaps out Palance for Anthony Quinn. Ralph Nelson directed both and preferred Palance – “truer to the role” was … Read more
The Man in the White Van slots into the mini-1970s horror revival that’s been going on for a while now. See the abduction horror of The Black Phone, or the folk horror of Midsommar, or the slightly Exorcist-y vibe of The Dark and the Wicked, or the Hammer-esque The Reckoning, just a few among many. … Read more
